Shakespeare on Television: A Bibliography of Criticism
Josι Ramσn Dνaz-Fernαndez
University of Mαlaga
jrdiaz@cica.es
Dνaz-Fernαndez, Josι Ramσn. "Shakespeare on Television: A Bibliography
of Criticism." Early Modern Literary Studies 6.1 (May, 2000): 4.[#-#
<URL: http://purl.oclc.org/emls/06-1/diazbibl.htm>.
The present bibliography intends to provide a comprehensive reference guide to the publications dealing with Shakespeare on television, updating and revising misprints and inaccuracies in previous bibliographies (see section A). Its coverage is exhaustive up to 1999, the year of the centenary of the first Shakespeare film and the celebration in Spain of the first international conference exclusively devoted to such a relatively new area in Shakespeare studies. Indeed, the publication in 1999 of Kenneth S. Rothwells A History of Shakespeare on Screen: A Century of Film and Television (Cambridge UP) and other important books testifies to the increasing critical development in this field. The study of Shakespeare on television has often suffered from an unjust comparison with the medium of film,[1] and, since the number of Shakespeare adaptations made commercially available on videotape has considerably increased in the past few years, sometimes critics do not seem to realize the distinctions inherent in each medium, giving rise to very dangerous oversimplifications when the same criteria are applied to a filmed stage performance, a television production or a film adaptation. The following pages will attempt to demonstrate that Shakespeare on TV does constitute a field of its own within the area of Shakespeare on Screen.
The scope of this bibliography is limited to studies on Shakespeare television adaptations and derivatives and does not include musical versions or operas based on the plays. Televised stage productions and video productions have also been included, and the corresponding entries make reference to the television broadcast, deliberately excluding articles and reviews focusing on the stage production as in the case of Jonathan Millers The Merchant of Venice (1970) or Edwin Sherins King Lear (1973). Although the bibliography intends to be as comprehensive as possible, certain types of entries have been omitted: abstracts, announcements, accounts of film-making, dissertations, reports of conferences and courses, reprints (unless they are revised or expanded editions), and works containing only passing references. Interviews have only been listed if they specifically deal with one or several adaptation(s); those referring to a directors whole uvre have been discarded. Reviews are usually excluded, with three exceptions: a) those published in Shakespearean journals; b) those that were later reprinted in volumes such as J. C. Bulman and H. R. Coursens Shakespeare on Television: An Anthology of Essays and Reviews (1988); and c) those making reference to virtually unavailable adaptations such as the television series An Age of Kings (1960) or The Spread of the Eagle (1963).
The bibliography is not only restricted to English-language studies; it also includes references in French, German, Italian and Spanish. The entries are classified into seven major sections, one of which includes particular subsections for each individual adaptation that has been included here. A number of items making reference to several plays or adaptations have been entered into the bibliography in each corresponding subsection. Those items will be fully listed the first time they appear in the bibliography and then abbreviated with a hypertext link to the complete reference on successive occasions. Where appropriate, annotations are included to explain the contents of a volume or to provide information about the adaptation(s) under discussion.
The contents of the bibliography show a detailed list of all the sections and subsections with hypertext links to each individual adaptation. The first section (A) presents a list of bibliographies and filmographies on Shakespeare and television. The second section (B) includes general studies of the subject or those providing a historical overview. The third section (C) lists all writings dealing The BBC-TV Shakespeare series (1978-1985) as a whole. The fourth section (D) focuses on general studies making reference to the recent Shakespeare: The Animated Tales (1992 and 1996). The longest section in the bibliography (E) provides a comprehensive list of particular adaptations that have been the object of at least one essay or review. The adaptations will be chronologically ordered under the title of the corresponding play and each item in a subsection will be alphabetically classified. Each subsection will include information corresponding to the year of first showing, the broadcasting company (only in the case of Great Britain and the United States) and the director(s). If the televised adaptation was based on a previous stage production, the subsection will indicate the names of all people involved and will clearly specify who directed each version. The sixth section (F) deals with derivatives based on a play by Shakespeare whereas the final section of the bibliography (G. OTHER DERIVATIVES) centres on the use of Shakespeare in the Star Trek and Star Trek: The Next Generation television series. Such a use ranges from titles borrowed from Shakespeares works ("Dagger of the Mind", aired on 8 Dec. 1966) to plot parallels such as those in the episodes "Elaan of Troyius" (aired on 20 Dec. 1968), a retelling of The Taming of the Shrew where Captain Kirk assumes the role of Petruchio and tames leader Elaan of Elas both physically and emotionally, or "The Defector" (aired in Jan. 1990), in which Data appears dressed as Henry V and Captain Picard (played by Shakespearean actor Patrick Stewart) tells him, "Youre here to learn about the human condition, and there is no better way of doing that than by embracing Shakespeare."
As previously stated, only the television adaptations that have been the object of critical analysis have been included in the present article. For a more comprehensive list of titles (most of them either lost or kept in film and television archives), the reader should refer to Kenneth S. Rothwell and Annabelle Henkin Melzers monumental Shakespeare on Screen: An International Filmography and Videography (1990). Another indispensable book in the subject is the above-mentioned volume by J. C. Bulman and H. R. Coursens Shakespeare on Television: An Anthology of Essays and Reviews (1988), which offers a more ample coverage of reviews than the one presented here, particularly in the case of the adaptations made in the late forties, although sometimes the excerpts from the reviews are only two or three lines long. American readers of the present article may object that I have not included Peter Halls A Midsummer Nights Dream (1969) and Tony Richardsons Hamlet (1969). In both cases, they were films based on a previous stage production that were televised in the United States and not commercially released. As such, I have dealt with these films elsewhere.[2]
The present bibliography could not have been compiled without the help, support and encouragement I have received from a long list of individuals and institutions. In Spain, Rosario Arias, Marta Cerezo, Pilar Díaz, Antonio Giménez, Constante González, Miguel Angel González, Alicia Jiménez, Cristina Martínez and Sofía Muñoz-Valdivieso located bibliographic references when they went abroad on research trips or checked them at other Spanish university libraries. Several friends and colleagues have kindly answered my queries and/or sent offprints or photocopies of their publications from four different continents: Judith Buchanan, Deborah Cartmell, Annalisa Castaldo, Janie Caves McCauley, Mariacristina Cavecchi, H. R. Coursen, Michael Hattaway, Barbara Hodgdon, Maria Jones, Bernice W. Kliman, Saskia Kossak, David Kranz, James P. Lusardi, Mary Z. Maher, Jo McMurtry, Aimara da Cunha Resende, Kenneth S. Rothwell and Gary F. Waller. In addition, I would also like to thank several members of the staff of the Faculty of Arts Library at my University for their kindness and interest in my research since they alert me to new references in the field as soon as they reach the library shelves: Matilde Candil, Ana Doña, Ana Garrido and Javier Muñoz. Last but not least, Gracia Navas should be especially commended, as usual, for her efficiency, kindness and patience in complying with my repeated requests for interlibrary loan material from all over the world.
The initial part of my research took place at the Shakespeare Institute (Stratford-upon-Avon) and the British Film Institute in London, whose impressive SIFT database constitutes a blessing for film researchers. In June 1997, Harald Raykowski arranged the details of a fruitful and pleasant stay at the Johann Wolfgang Goethe-Universität (Frankfurt), where I taught a Shakespeare on film seminar and was able to consult the collections at the Institut für England- und Amerikastudien and the Institut für Theater-, Film-, und Medienwissenchaft of the University. I visited the Folger Shakespeare Library in December 1997 and, one month later, I spent four weeks at the Sawyer Library at Williams College (Williamstown, Massachusetts) where I was invited to teach a course on Shakespeare on Screen, a privilege that I would like to acknowledge here. I should also like to thank other institutions that I visited in my search for references: the Library of Congress, the British Library and the University of London Library. Finally, I would like to thank the Spanish Ministry of Education and Culture (DGICYT, PS94-0106) for funding the research carried out for the writing of the present article.
Notes
1. Cf., for instance, Jack J. Jorgenss words in an overview of the subject: "Television affords far fewer opportunities for the visual translation so important to film directors. The intimate nature of television, which renders close-ups and small scenes well, in theory allows for a greater emphasis on the poetry and the actors performance. But in practice it often makes for a kind of bland, neutral presentation less striking in conception and less original in interpretation than in the best films" (701).
2. See Díaz-Fernández, 108, 132-33. A revised and updated, although necessarily selective, version of the Shakespeare on Film bibliography will appear in the collection of essays edited by Courtney Lehmann and Lisa S. Starks The Reel Shakespeare: Alternative Cinema and Theory (Fairleigh Dickinson UP, forthcoming).
Works Cited
Díaz-Fernández, José Ramón. "Shakespeare on Screen: A Bibliography of Critical Studies." Post Script: Essays in Film and the Humanities 17.1 (Fall 1997): 91-146.
Jorgens, Jack J. "Shakespeare on Film and Television." His Influence. Vol. 3 of William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. New York: Scribners, 1985. 681-703. 3 vols.
SHAKESPEARE ON TELEVISION: A BIBLIOGRAPHY OF CRITICISM
A. BIBLIOGRAPHIES AND FILMOGRAPHIES A1
B. GENERAL STUDIES B1
C. THE BBC SHAKESPEARE: GENERAL C1
D. SHAKESPEARE: THE ANIMATED TALES: GENERAL D1
E. STUDIES OF INDIVIDUAL PLAYS
1. All's Well That Ends Well
Dir. Elijah Moshinsky (BBC, 1980). E1
2. Antony and Cleopatra
[The Spread of the Eagle: VII. The Serpent.] Dir. Peter Dews (BBC, 1963). E19
[The Spread of the Eagle: VIII. The Alliance.] Dir. Peter Dews (BBC, 1963). E19
[The Spread of the Eagle: IX. The Monument.] Dir. Peter Dews (BBC, 1963). E19
Dir. Trevor Nunn (stage) and Jon Scoffield (ATV, 1974). E21
Dir. Jonathan Miller (BBC, 1980). E26
Dir. Lawrence Carra (The Bard Series, 1985). E43
3. As You Like It
Dir. Basil Coleman (BBC, 1978). E44
Dir. Declan Donnellan (stage) and Fiona Shaw (BBC and Open University, 1995). E57
4. The Comedy of Errors
Dir. Trevor Nunn (stage) and Philip Casson (ATV, 1976). E60
Dir. James Cellan-Jones (BBC, 1984). E64
Dir. Robert Woodruff (stage), Kirk Browning and Alan Skog (PBS, 1987). E74
Dir. Richard Monette (stage) and Norman Campbell (Canada, 1995). E76
5. Coriolanus
Dir. Paul Nickell (CBS, 1951). E77
[The Spread of the Eagle: I. The Hero.] Dir. Peter Dews (BBC, 1963). E79
[The Spread of the Eagle: II. The Voices.] Dir. Peter Dews (BBC, 1963). E79
[The Spread of the Eagle: III. The Outcast.] Dir. Peter Dews (BBC, 1963). E79
Dir. Elijah Moshinsky (BBC, 1984). E82
6. Cymbeline
Dir. Elijah Moshinsky (BBC, 1982). E92
7. Hamlet
Dir. George More O'Ferrall and Basil Adams (BBC, 1947). E102
Dir. George Schaefer and Albert McCleery (NBC, 1953). E105
["To Be or Not to Be": Some Views of Shakespeares Hamlet.] Dir. Seymour Robbie (CBS, 1955). E114
Dir. Michael Benthall (stage) and Ralph Nelson (CBS, 1959). E115
Dir. Franz Peter Wirth (West Germany, 1960). E120
[Hamlet at Elsinore.] Dir. Philip Saville (BBC, 1964). E130
Dir. Paul Barry (WHDH-TV, 1967). E136
Dir. Peter Wood (NBC, 1970). E137
Dir. Robert Chetwyn (stage) and David Giles (BBC, 1971). E149
Dir. Rodney Bennett (BBC, 1980). E154
Dir. Ragnar Lyth (Sweden, 1984). E202
Dir. Roland Kenyon (stage) and Rod MacDonald (Cambridge Experimental Theatre, 1987). E211
[Hamlet IV.] Dir. Andrzej Wajda (Poland, 1989). E216
Dir. Kevin Kline (stage) and Kirk Browning (PBS, 1990). E217
8. Henry IV, Part One
[An Age of Kings: III. Rebellion from the North.] Dir. Michael Hayes (BBC, 1960). E225
[An Age of Kings: IV. The Road to Shrewsbury.] Dir. Michael Hayes (BBC, 1960). E225
Dir. (?) (Phoenix Theater on TV Play of the Week, 1960). E233
Dir. David Giles (BBC, 1979). E234
9. Henry IV, Part Two
[An Age of Kings: V. The New Conspiracy.] Dir. Michael Hayes (BBC, 1960). E259
[An Age of Kings: VI. Uneasy Lies the Head.] Dir. Michael Hayes (BBC, 1960). E259
Dir. David Giles (BBC, 1979). E266
10. Henry V
[An Age of Kings: VII. Signs of War.] Dir. Michael Hayes (BBC, 1960). E289
[An Age of Kings: VIII. The Band of Brothers.] Dir. Michael Hayes (BBC, 1960). E289
Dir. David Giles (BBC, 1979). E297
[The Wars of the Roses: Henry the Fifth.] Dir. Michael Bodganov (English Shakespeare Company, 1989). E318
11. Henry VI, Part One
[An Age of Kings: IX. The Red Rose and the White.] Dir. Michael Hayes (BBC, 1960). E324
Dir. Jane Howell (BBC, 1983). E338
12. Henry VI, Part Two
[An Age of Kings: X. The Fall of a Protector.] Dir. Michael Hayes (BBC, 1960). E359
[An Age of Kings: XI. The Rabble from Kent.] Dir. Michael Hayes (BBC, 1960). E359
Dir. Jane Howell (BBC, 1983). E374
13. Henry VI, Part Three
[An Age of Kings: XII. The Mornings War.] Dir. Michael Hayes (BBC, 1960). E394
[An Age of Kings: XIII. The Sun in Splendour.] Dir. Michael Hayes (BBC, 1960). E394
Dir. Jane Howell (BBC, 1983). E400
14. Henry VIII
Dir. Kevin Billington (BBC, 1979). E417
15. Julius Caesar
Dir. Paul Nickell (CBS, 1949). E428
Dir. Leo Penn (Studio One, 1955). E429
[The Spread of the Eagle: IV. The Colossus.] Dir. Peter Dews (BBC, 1963). E430
[The Spread of the Eagle: V. The Fifteenth.] Dir. Peter Dews (BBC, 1963). E430
[The Spread of the Eagle: VI. The Revenge.] Dir. Peter Dews (BBC, 1963). E430
Dir. Herbert Wise (BBC, 1978). E432
16. King John
Dir. (?) (BBC, 1952). E446
Dir. David Giles (BBC, 1984). E448
17. King Lear
Dir. Peter Brook (CBS, 1953). E458
Dir. Edwin Sherin (PBS, 1974). E469
Dir. Jonathan Miller (BBC, 1975). E473
Dir. Jonathan Miller (BBC, 1982). E474
Dir. Alan Cooke (The Bard Series, 1982). E499
Dir. Michael Elliott (Channel Four, 1983). E500
Dir. Tony Davenall (Thames Television, 1988). E539
Dir. Richard Eyre (BBC, 1998). E541
18. Love's Labour's Lost
Dir. Elijah Moshinsky (BBC, 1984). E542
19. Macbeth
Dir. (?) (BBC, 1949). E552
Dir. Anthony Brown and Gerry Simpson (NBC, 1949). E553
Dir. Paul Nickell (CBS, 1951). E555
Dir. George Schaefer (NBC, 1954). E557
Dir. George Schaefer (NBC, 1960). E566
Dir. John Gorrie (BBC, 1970). E583
Dir. Trevor Nunn (stage) and Philip Casson (Thames Television, 1978). E587
Dir. Arthur Allan Seidelman (The Bard Series, 1981). E600
Dir. Sarah Caldwell (stage) and Kirk Browning (ARTS, 1982). E603
Dir. Jack Gold (BBC, 1983). E606
Dir. Charles Warren (Thames Television, 1988). E621
Dir. Janie Caves McCauley and William McCauley (Bob Jones University, 1994). E622
20. Measure for Measure
Dir. Desmond Davis (BBC, 1979). E623
Dir. John Erath (Comcast Cablevision, 1986?). E639
Dir. David Thacker (BBC, 1994). E641
21. The Merchant of Venice
Dir. Jonathan Miller (stage) and John Sichel (ITC, 1974). E645
Dir. Jack Gold (BBC, 1980). E657
22. The Merry Wives of Windsor
Dir. Jack Manning and Lillian Wilds (The Bard Series, 1979). E673
Dir. David Jones (BBC, 1982). E674
23. A Midsummer Night's Dream
Dir. Joan Kemp-Welch (Rediffusion Network Television, 1964). E680
Dir. Alvin Epstein (stage) and Richard Heller (American Repertory Theatre, 1980). E683
Dir. Elijah Moshinsky (BBC, 1981). E684
Dir. James Lapine (stage) and Emile Ardolino (ABC Video, 1982). E701
Dir. Celestino Coronado (Spain and Great Britain, 1984). E706
24. Much Ado About Nothing
Dir. A. J. Antoon (CBS, 1973). E708
Dir. Stuart Burge (BBC, 1984). E710
Dir. Louis Fantasia (University of California at Berkeley, 1996). E718
25. Othello
Dir. (?) (BBC, 1950). E719
Dir. Delbert Mann (NBC, 1950). E720
Dir. David Greene (Canada, 1952). E721
Dir. (?) (NBC, 1953). E722
Dir. Jonathan Miller (BBC, 1981). E723
Dir. Franklin Melton (The Bard Series, 1984). E743.
Dir. Janet Suzman (Channel Four, 1989). E746
Dir. Trevor Nunn (Channel Four, 1990). E757
26. Pericles
Dir. David Jones (BBC, 1983). E771
27. Richard II
Dir. George Schaefer (NBC, 1954). E778
[An Age of Kings: I. The Hollow Crown.] Dir. Michael Hayes (BBC, 1960). E784
[An Age of Kings: II. The Deposing of a King.] Dir. Michael Hayes (BBC, 1960). E784
Dir. Toby Robertson and Richard Cottrell (Prospect Company and BBC, 1970). E791
Dir. David Giles (BBC, 1978). E792
Dir. William Woodman (The Bard Series, 1981). E815
28. Richard III
[An Age of Kings: XIV. The Dangerous Brother.] Dir. Michael Hayes (BBC, 1960). E822
[An Age of Kings: XV. The Boar Hunt.] Dir. Michael Hayes (BBC, 1960). E822
Dir. Jane Howell (BBC, 1983). E835
29. Romeo and Juliet
Dir. Paul Bosner (Television and Educational Classics, 1976). E857
Dir. Alvin Rakoff (BBC, 1978). E859
30. The Taming of the Shrew
Dir. Paul Nickell (CBS, 1950). E872
Dir. George Schaefer (NBC, 1956). E875
Dir. William Ball (stage) and Kirk Browning (PBS, 1976). E880
Dir. Jonathan Miller (BBC, 1980). E885
Dir. Norman Campbell (Canada, 1981). E912
31. The Tempest
Dir. (?) (BBC, 1956). E915
Dir. George Schaefer (NBC, 1960). E917
Dir. Basil Coleman (BBC, 1968). E923
Dir. John Gorrie (BBC, 1979). E925
Dir. William Woodman (The Bard Series, 1983). E933
Dir. John Hirsch (Canada, 1983). E937
32. Timon of Athens
Dir. Jonathan Miller (BBC, 1981). E938
33. Titus Andronicus
Dir. Jane Howell (BBC, 1985). E945
34. Troilus and Cressida
Dir. Jonathan Miller (BBC, 1981). E955
35. Twelfth Night
Dir. David Greene (NBC, 1957). E964
Dir. John Sichel (ATV, 1970). E965
Dir. John Gorrie (BBC, 1980). E971
Dir. Kenneth Branagh (stage) and Paul Kafno (Channel Four, 1988). E986
Dir. Nicholas Hytner (PBS, 1998). E993
36. The Two Gentlemen of Verona
Dir. Don Taylor (BBC, 1983). E994
Dir. Roland Rowinski (Poland, 1994). E1001
37. The Two Noble Kinsmen
Dir. George M. Wallace and Michael Winks (University of California at Berkeley, 1978). E1002
38. The Winter's Tale
Dir. Jane Howell (BBC, 1980). E1003
F. DERIVATIVES: INDIVIDUAL PLAYS
1. As You Like It
2. Hamlet
[Gilligans Island: The Producer.] Dir. Ida Lupino and George M. Cahan (CBS, 1966). F4
[Hamlet Shakespeare: The Animated Tales.] Dir. Natasha Orlova (Great Britain and Russia, 1992). F5
3. Julius Caesar
4. King Lear
[Queen Lear.] Dir. Beau Coleman (BBC and Open University, 1996). F14
5. Macbeth
[Macbeth on the Estate.] Dir. Penny Woolcock (BBC, 1997). F21
6. A Midsummer Night's Dream
[Bottoms Dream.] Dir. John Canemaker (USA, 1983). F23
7. Othello
[Filming Othello.] Dir. Orson Welles (West Germany, 1978). F29
[Otelo de Oliveira.] Dir. Paulo Afonso Grisolli (Brazil, 1984). F39
8. Richard III
9. Romeo and Juliet
[The Brady Bunch: Juliet Is the Sun.] Dir. Jack Arnold (ABC, 1971). F48
[Romeu e Julieta.] Dir. Paulo Afonso Grisolli (Brazil, 1982). F49
[Romeu e Julieta.] Dir. Paulo Ubiratan, Gonzaga Blota and Luiz F. Carvalho (Brazil, 1992). F54
10. The Taming of the Shrew
[Kiss Me, Petruchio.] Dir. Wilford Leach (stage) and Christopher Dixon (PBS, 1981). F55
[Moonlighting: Atomic Shakespeare.] Dir. Will MacKenzie (ABC, 1986). F58
[The Taming of the Screw.] Dir. Jim Powers (Notorious, 1997). F69
11. The Tempest
[The Stuff of Dreams.] Dir. John Carroll and John Scagliotti (Vermont Educational Television, 1979). F70
[Resan till Melonia / The Voyage to Melonia.] Dir. Per Ählin (Sweden and Norway, 1989). F71
[a.k.a. The Southern Tempest.] Dir. Jack Bender (NBC, 1998). F75
12. Twelfth Night
Dir. Ron Wertheim (Cinderella Productions, 1972). F76
[Twelfth Night Shakespeare: The Animated Tales.] Dir. Marcia Muat (Great Britain and Russia, 1992). F80
13. The Winter's Tale
G. OTHER DERIVATIVES
[Star Trek and Star Trek: The Next Generation.] TV series (USA). G1
A. BIBLIOGRAPHIES AND FILMOGRAPHIES
A1. Albert, Richard N. "An Annotated Guide to Audio-Visual Materials for Teaching Shakespeare." English Journal 54 (1965): 704-15.
A2. Bergeron, David M., and Geraldo U. de Sousa. "A Guide to the Resources: Film and Television." Shakespeare: A Study and Research Guide. 3rd rev. ed. Lawrence: UP of Kansas, 1995. 155-58.
A3. Blinn, Hansjurgen, comp. The German Shakespeare: An Annotated Bibliography of the Shakespeare Reception in German-Speaking Countries (Literature, Theatre, Mass Media, Music, Fine Arts). Berlin: Schmidt, 1993. 170-75.
A4. Bulman, J. C., and H. R. Coursen. "Further Readings." Shakespeare on Television: An Anthology of Essays and Reviews. Hanover and London: UP of New England, 1988. 316-18.
A5. Champion, Larry S. "Stage, Stage History, Film." The Essential Shakespeare: An Annotated Bibliography of Major Modern Studies. 2nd ed. New York: G. K. Hall; Toronto and Oxford: Maxwell Macmillan, 1993. 51-65.
A6. Dorval, Patricia. "Shakespeare on Video." Cahiers Élisabéthains 53 (Janvier 1998): 53-75. [An updated version is available at http://alor.univ-montp3.fr/serinf/CERRA/Shakespeare_Multimedia/.]
A7. , and Jean-Marie Maguin. "Bibliographie restreinte." Shakespeare et le cinéma: Actes du Congrès de 1998. Ed. Patricia Dorval. Montpellier: Publications de l'Université Paul-Valéry, 1998. 205-7.
A8. Dutton, Richard. "The Second Tetralogy." Shakespeare: A Bibliographical Guide. Ed. Stanley Wells. Oxford: Clarendon, 1990. 337-80. [Includes an annotated section on "Stage and Film Production" (363-65).]
A9. Gardner, Peter S. "Literature and Film: An Annotated Bibliography of Resources." Literature/Film Quarterly 20 (1992): 156-65. [Includes a section on "Shakespeare on Film" (158-59).]
A10. Grant, Cathy. "Bibliography." As You Like It: Audio-Visual Shakespeare. London: British Universities Film and Video Council, 1992. 106-7.
A11. , ed. As You Like It: Audio-Visual Shakespeare. London: British Universities Film and Video Council, 1992. [A catalogue of audiovisual materials related to Shakespeare. An expanded edition of the book edited by Olwen Terris (1987; See A31).]
A12. Holderness, Graham, and Christopher McCullough, comps. "Shakespeare on the Screen: A Selective Filmography." Shakespeare Survey 39 (1987): 13-37. Rpt., in slightly revised form, in Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 18-49.
A13. Inverne, James. "Guide to Shakespeare on Video." Plays and Players 500 (Dec. 1995-Jan. 1996): 28-29. [On film and television versions of the history plays.]
A14. Jamieson, Michael. "Shakespeare in Performance." Shakespeare: A Bibliographical Guide. Ed. Stanley Wells. Oxford: Clarendon, 1990. 37-68. [Includes an annotated section on "Shakespeare on Film, Television, and Video" (60-61).]
A15. Jorgens, Jack J. "Shakespeare on Film: A Selected Checklist." Literature/Film Quarterly 4 (1976): 191-93.
A16. Lippmann, Max. "Bio-Filmographie." Shakespeare im Film. Weisbaden: Deutsches Institut für Filmkunde, 1964. 69-116.
A17. ."Dokumentar- und Unterrichsfilme." Shakespeare im Film. Weisbaden: Deutsches Institut für Filmkunde, 1964. 117-22. [Includes several television adaptations.]
A18. . "Bibliographie." Shakespeare im Film. Weisbaden: Deutsches Institut für Filmkunde, 1964. 123-27.
A19. Manchel, Frank. Film Study: An Analytical Bibliography. Vol. 2. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1990. 4 vols. [Includes an annotated bibliography (1342-44) and a filmography (1353-56).]
A20. Maquerlot, J.-P., and Michèle Willems. "Bibliographie." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 191-95.
A21. McKernan, Luke, and Olwen Terris, eds. Walking Shadows: Shakespeare in the National Film and Television Archive. London: British Film Institute, 1994. [An annotated catalogue of the Shakespeare holdings in the NFTVA. Also includes several essays and an annotated reference bibliography (231-38).]
A22. McLean, Andrew M. "A Selected Bibliography on Film and Other Media for Teachers and Students." Shakespeare in the Classroom: Resources and Media Aids. Kenosha: U of Wisconsin-Parkside, 1977. 36-46.
A23. . "Shakespeare in Feature Films and on Television." Shakespeare: Annotated Bibliographies and Media Guide for Teachers. Urbana: National Council of Teachers of English, 1980. 127-209.
A24. McMurtry, Jo. Shakespeare Films in the Classroom: A Descriptive Guide. Hamden: Archon Books, 1994.
A25. Morris, Peter. Shakespeare on Film: An Index to William Shakespeare's Plays on Film. Ottawa: Canadian Film Institute, 1964. Rpt., revised and expanded, 1972. Rpt. as "Shakespeare on Film." Films in Review 24 (1973): 132-63. [Annotated filmography.]
A26. Rae, Kenneth. "Shakespeare's Plays on Television/Shakespeare à la télévision." World Theatre13.1-2 (Summer 1964): 134.
A27. Rosenblum, Joseph. "Shakespeare in Performance." Shakespeare: An Annotated Bibliography. Pasadena and Englewood Cliffs: Salem, 1992. 46-53.
A28. Rothwell, Kenneth S. "Shakespeare on Television (Excluding Film): A Selected Bibliography." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 169-75.
A29. , and Annabelle Henkin Melzer. Shakespeare on Screen: An International Filmography and Videography. London: Mansell; New York: Neal-Schuman, 1990. [The most comprehensive reference work on the subject. Admirable throughout.]
A30. "Shakespeare in the Cinema Resource List." Cineaste 24.1 (1998): 67.
A31. Terris, Olwen, ed. Shakespeare: A List of Audio-Visual Materials Available in the UK. London: British Universities Film and Video Council, 1987.
B. GENERAL STUDIES
B1. Beehler, Sharon A. "Making Media Matter in the Shakespeare Classroom." Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone and James E. Davies. Athens: Ohio UP, 1997. 247-54.
B2. Boose, Lynda E., and Richard Burt. "Shakespeare, the Movie." Introduction. Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routledge, 1997. 1-7.
B3. Bulman, J. C., and H. R. Coursen. Preface. Shakespeare on Television: An Anthology of Essays and Reviews. Hanover and London: UP of New England, 1988. ix-xi.
B4. . "Reviewing Shakespeare: An Introduction." Shakespeare on Television: An Anthology of Essays and Reviews. Hanover and London: UP of New England, 1988. 233-36.
B5. Butland, Alan. "Video Recording at the Globe: A Few New Angles." Shakespeare Bulletin 16.3 (Summer 1998): 38-40.
B6. Coursen, H. R. "The Bard and the Tube." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 3-10.
B7. . "Television, Medium and Performance: Special Effects on TV." Shakespeare on Film Newsletter 14.1 (Dec. 1989): 8. [A response to Alan C. Dessen's article (See [B20]).] Rpt. in revised, expanded form as "A Space for Shakespeare: X. Shakespeare and Special Effects." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 224-26.
B8. . Introduction. Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 9-22.
B9. . "Preliminaries." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 23-48.
B10. . "A Space for Shakespeare: I." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 179-83.
B11. . "A Space for Shakespeare: VII. The Stage as Studio." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 205-16.
B12. . "Some Problems, Some Responses." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 11-32.
B13. . "Epilogue: The Stage in the Global Village." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 177-82.
B14. . "Shakespeare on Film and Television." Upstart Crow 15 (1995): 4-16. Part rpt., in revised and expanded form, as "Basic Resources." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 69-81.
B15. . "Television and Live Performance." Reading Shakespeare on Stage. Newark: U of Delaware P; London: Associated UP, 1995. 29-36.
B16. . "Whose History?" Shakespeare in Production: Whose History? Athens: Ohio UP, 1996. 3-27.
B17. . Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. [The first part of the book includes the following chapters: "Theories, Techniques, and Resources" (1-10), "Background" (11-25), "Energizing Weaker Productions: The Tempest" (27-41) [E917], "Student Writing: Contexts and Vocabulary" (43-60), "Some Extra-Shakespearean Contexts" (61-68) [G5], "Basic Resources" (69-81) and "Recent Critical Work on Shakespeare on Film" (83-103). The second part ("Applications") consists of analyses of several film and television adaptations.]
B18. . "Uses of Media in Teaching Shakespeare." Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone and James E. Davies. Athens: Ohio UP, 1997. 193-200. [Incorporates sections from the chapters "Student Writing: Contexts and Vocabulary" and "Some Extra-Shakespearean Contexts" in Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997.] See [B17].
B19. Davies, Anthony. "Shakespeare and the Media of Film, Radio and Television: A Retrospect." Shakespeare Survey 39 (1987): 1-11. Rpt. in revised and expanded form as "Shakespeare on Film and Television: A Retrospect." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 1-17.
B20. Dessen, Alan C. "The Supernatural on Television." Shakespeare on Film Newsletter 11.1 (Dec. 1986): 1, 8.
B21. Fink, Guido. "Shakespeare sullo schermo: 'Un simile oggetto non esiste'." Mettere in scena Shakespeare. Ed. Alessandro Serpieri and Keir Elam. Parma: Patriche Editrice, 1987. 123-34.
B22. Friedlander, Larry. "The Shakespeare Project: Experiments in Multimedia." Hypermedia and Literary Studies. Ed. Paul Delany and George P. Landow. Cambridge, Mass. and London: MIT, 1991. 257-71.
B23. Gibson, Rex. "Teaching Shakespeare through Film and Video." As You Like It: Audio-Visual Shakespeare. Ed. Cathy Grant. London: British Universities Film and Video Council, 1992. 1-5.
B24. Goodman, Lizbeth. "Creative Imagination and Media-assisted Learning: Shakespeare in Performance." Literary and Linguistic Computing 12 (1997): 259-68.
B25. , Tony Coe, and Huw Williams. "The Multimedia Bard: Plugged and Unplugged." New Theatre Quarterly 14 (1998): 20-42.
B26. Guardamagna, Daniela. "Shakespeare e la televisione italiana." Studi inglesi 2 (1975): 465-504.
B27. Hainfield, Harold. "The Bard of Avon Makes Good on TV." Educational Screen 22 (1956): 35.
B28. . "Studying Shakespeare from Television." School Activities 30 (Nov. 1958): 86-87.
B29. Halio, Jay L. "Finding the Text: Postscript on Film Productions." Understanding Shakespeare's Plays in Performance. Manchester: Manchester UP, 1988. 16-19.
B30. Hamburger, Maik. "Shakespeare und die Medien." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1993: 11-30.
B31. Hapgood, Robert. "Shakespeare on Film and Television." The Cambridge Companion to Shakespeare Studies. Ed. Stanley Wells. Cambridge: Cambridge UP, 1986. 273-86.
B32. Holderness, Graham. "Boxing the Bard: Shakespeare and Television." The Shakespeare Myth. Manchester: Manchester UP, 1988. 173-89. Part rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 14-18.
B33. Jorgens, Jack J. "Shakespeare on Film and Television." His Influence. Vol. 3 of William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. New York: Scribners, 1985. 681-703. 3 vols.
B34. Kennedy, Dennis. "Shakespeare Played Small: Three Speculations about the Body." Shakespeare Survey 47 (1994): 1-13.
B35. Leach, Susan. "Shakespeare and Video." Shakespeare in the Classroom. English, Language, and Education Series. Buckingham and Philadelphia: Open UP, 1992. 60-71.
B36. Lennon, Peter. "How to Do Shakespeare on Television." Listener 5 Jan. 1989: 38.
B37. LoMonico, Michael. "I Have Had a Most Rare Vision': Teaching Shakespeare with Video." Shakespeare Set Free: Teaching Hamlet and Henry IV Part 1. Ed. Peggy O'Brien. New York: Washington Square, 1994. 217-20.
B38. Mackin, Thomas. "Shakespeare as TV Critic." Clearing House 43 (Nov. 1968): 188-89.
B39. Maher, Mary Z. "Shakespeare in Production." Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone and James E. Davies. Athens: Ohio UP, 1997. 35-42.
B40. Manvell, Roger. "Shakespeare on Film." The Shakespeare Handbook: The Essential Companion to Shakespeare's Works, Life and Times. Ed. Levi Fox. Boston: G. K. Hall; London: Bodley Head, 1987. 237-58.
B41. Maquerlot, J.-P. "Le téléfilm de théâtre." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 107-20.
B42. McFeely, Maureen Connolly. "That's the scene that I would see': Videos in the Shakespeare Classroom." Shakespeare and the Classroom 2.1 (Spring 1994): 38-39.
B43. McKernan, Luke. "The Real Thing at Last." Walking Shadows: Shakespeare in the National Film and Television Archive. Ed. Luke McKernan and Olwen Terris. London: British Film Institute, 1994. 1-25.
B44. Millard, Barbara. "Husbanded with Modesty: Shakespeare on TV." Shakespeare Bulletin 4.3 (May-June 1986): 19-22. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 205-14.
B45. Miller, Jonathan. "Shakespeare and the Modern Director." His Influence. Vol 3 of William Shakespeare: His World, His Work, His Influence. Ed. John F. Andrews. New York: Charles Scribner's Sons, 1985. 815-22. 3 vols.
B46. Moshinsky, Elijah. "A Medium Fit for the Bard." Guardian 26 July 1984: 10.
B47. Müller-Schwefe, Gerhard. "Shakespeare heute: Zwischen Wort und Bild." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1982: 36-55.
B48. Mullin, Michael. "Shakespeare Today: Teaching, Television, and Theatre." Illinois English Bulletin 67 (1979): 23.
B49. Olive, David. "Videos and the Teaching of Shakespeare in Performance." As You Like It: Audio-Visual Shakespeare. Ed. Cathy Grant. London: British Universities Film and Video Council, 1992. 7-9.
B50. Pilkington, Ace G. "Shakespeare on the Big Screen, the Small Box, and in Between." Yearbook of English Studies 20 (1990): 65-81.
B51. . Introduction. Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 11-21.
B52. . "Conclusion." Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 156-63.
B53. Rabanus, Gert. "Shakespeare in deutscher Fassung: Zur Synchronisation der Inszenierungen für das Fernsehen." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1982: 63-78.
B54. Rothwell, Kenneth S. "Segmentation and De-Segmentation: A Semiological Approach to Shakespeare on Screen." Shakespeare and the Classroom 2.2 (Fall 1994): 74-77.
B55. . "Electronic Shakespeare: From Television to the Web." A History of Shakespeare on Screen: A Century of Film and Television. Cambridge: Cambridge UP, 1999. 95-124. [Excellent on film and television adaptations as well as all sorts of derivatives. An essential reference book.]
B56. "Shakespeare in BBC Television." Listener 23 Apr. 1964: 676.
B57. Taylor, John Russell. "Shakespeare in Film, Radio, and Television." Shakespeare: A Celebration, 1564-1964. Ed. T. J. B. Spencer. Harmondsworth: Penguin, 1964. 97-113. Part rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 11-13.
B58. Vahimagi, Tise. "'When You Care Enough to Send the Best': Televised Shakespeare and the Hallmark Hall of Fame." Walking Shadows: Shakespeare in the National Film and Television Archive. Ed. Luke McKernan and Olwen Terris. London: British Film Institute, 1994. 207-18.
B59. Waller, Gary F. "Decentring the Bard: The Dissemination of the Shakespearean Text." Shakespeare and Deconstruction. Ed. G. Douglas Atkins and David Bergeron. New York: Peter Lang, 1988. 21-46.
B60. . "'Much Joy, Some Terror: Reading Shakespeare's Comedies Today: Shakespeare in Performance: Theatre, Film and Television." Introduction. Shakespeare's Comedies. Longman Critical Readers. London and New York: 1991. 22-24.
B61. Weber, Verne, and Ron Bornstein. "Staging Shakespeare on TV." National Association of Educational Broadcasters Journal 21 (Nov.-Dec. 1962): 41-43.
B62. Wheale, Nigel. "Scratching Shakespeare: Video-Teaching the Bard." Shakespeare in the Changing Curriculum. Ed. Lesley Aers and Nigel Wheale. London: Routledge, 1991. 204-21.
B63. Willems, Michèle. "Shakespeare à la télévision." Shakespeare à la télévision. Rouen: Publications de l'Université de Rouen, 1987. 7-22.
B64. . "Ni cinéma, ni télévision: La vidéo et les paradoxes de la représentation." Shakespeare et le cinéma: Actes du Congrès de 1998. Ed. Patricia Dorval. Montpellier: Publications de l'Université Paul-Valéry, 1998. 183-94.
B65. Wilson, John Howard. "A World Ransomed: Shakespeare on Video." Proceedings of the First Dakotas Conference on Earlier British Literature. Ed. Jay Ruud. Aberdeen, SD: Northern State UP, 1993. 12-21.
B66. Zitner, Sheldon P. "Wooden O's in Plastic Boxes: Shakespeare and Television." University of Toronto Quarterly 51 (1981): 1-12. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 31-41.
C. THE BBC SHAKESPEARE: GENERAL
C1. Andrews, John F. "Interview: Cedric Messina Discusses The Shakespeare Plays." Shakespeare Quarterly 30 (1979): 134-37.
C2. "BBC Shakespeare Series: Controversy and Progress." Shakespeare Newsletter 28.1 (151) (Feb. 1978): 1.
C3. "The BBC-TV Shakespeare Series: Bard's TV Folio Will Take Six Years to Print." Shakespeare Newsletter 28.5-6 (155) (Nov.-Dec. 1978): 37-39.
C4. Bulman, James C. "The BBC Shakespeare and 'House Style'." Shakespeare Quarterly 35 (1984): 571-81. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 50-60.
C5. Charney, Maurice. "Shakespeare: Britannia Still Rules." Soho Weekly News 6.22 (March 1979): 25-26.
C6. . "Televisionary Shakespeare: Working with The Shakespeare Hour." Shakespeare Quarterly 36 (1985): 489-95.
C7. . "Is Shakespeare Suitable for Television?" Shakespeare on Film Newsletter 10.2 (Apr. 1986): 1-2, 8.
C8. Collick, John. "Silent Shakespeare and British Cinema: The BBC Series." Shakespeare, Cinema and Society. Cultural Politics Series. Manchester and New York: Manchester UP, 1989. 52-57.
C9. Curtis, J.-L. "Traduction et sous-titrage." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 103-6.
C10. Fargier, Jean-Paul. "Le théâtre des opérations." Cahiers du cinéma 398 (Juillet-Août 1987) [Le journal des Cahiers du cinéma no. 75]: xi-xii.
C11. Fenwick, Henry. "To Be or Not to Be a Producer." Radio Times 18 Oct. 1980: 90-94.
C12. "For the Telecourse Student." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 161-68.
C13. Giulietti, Margherita. "TV-'Globe': Tutto Shakespeare." Comunicazioni sociali 6.1 (Gennaio-Marzo 1984): 59-64.
C14. Griffin, C. W. "Teaching Shakespeare through Videotapes." Shakespeare on Film Newsletter 13.1 (Dec. 1988): 5.
C15. Hallinan, Tim. "Interview: Jonathan Miller on The Shakespeare Plays." Shakespeare Quarterly 32 (1981): 134-45.
C16. Herbst, Thomas. Linguistische Aspekte der Synchronisation von Fernsehserien: Phonetik, Textlinguistik, Übersetzungstheorie. Linguistiche Arbeiten 318. Tübingen: Max Niemeyer Verlag, 1994. [Refers to the dubbing of English-language programmes broadcast on German television and makes specific reference to the BBC productions of Hamlet, Henry V, Julius Caesar, Macbeth, Richard III and A Midsummer Night's Dream.]
C17. Holderness, Graham. "Radical Potentiality and Institutional Closure: Shakespeare in Film and Television." Political Shakespeare: New Essays in Cultural Materialism. Ed. Jonathan Dollimore and Alan Sinfield. Manchester: Manchester UP; Ithaca: Cornell UP, 1985. 182-201. 2nd ed. Political Shakespeare: Essays in Cultural Materialism. 1994. 206-25. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 69-75.
C18. . "Boxing the Bard: Shakespeare and Television." See [B32].
C19. . "John Wilders Interviewed by Graham Holderness." The Shakespeare Myth. Manchester: Manchester UP, 1988. 190-94.
C20. . "Jonathan Miller Interviewed by Graham Holderness." The Shakespeare Myth. Manchester: Manchester UP, 1988. 195-202.
C21. . "Shakespeare in Produktion." Shakespeare als Volkstheater: Bremer Shakespeare Company. Ed. Dieter Herms and Thomas Metscher. Gulliver-Deutsch-Englische Jahrbücher 24. Hamburg: Argument-Verlag, 1988. 120-34.
C22. , and Christopher McCullough. "'Boxing the Bard': The Cultural Politics of Television Shakespeare." Red Letters: A Journal of Cultural Politics 18 (Nov. 1985): 23-33.
C23. Johnson, Robert C. "Using the BBC Shakespeare." Focus: Teaching English Language Arts 12.1 (Fall 1985): 12-14.
C24. Jones, Gordon P. "Long-Distance Shakespeare." Shakespeare Quarterly 35 (1984): 590-96.
C25. Kliman, Bernice W. "Wilders Interview at MLA." Shakespeare on Film Newsletter 4.1 (Dec. 1979): 3, 9.
C26. Leach, Susan. "Shakespeare and Video." See [B35].
C27. Maccioni, Giampietro. "Tutto Shakespeare alla televisione." Mettere in scena Shakespeare. Ed. Alessandro Serpieri and Keir Elam. Parma: Pratiche Editrice, 1987. 115-22.
C28. , ed. Tutto Shakespeare Primo ciclo, una produzione BBC. Roma: Raitre, 1984. [Presents a group of BBC-TV Shakespeare productions broadcast by Italian TV. Each play is introduced by Agostino Lombardo and there are extracts from Italian translations of Romeo and Juliet, Julius Caesar, Richard II, The Tempest, Twelfth Night and Hamlet.]
C29. , ed. Tutto Shakespeare Secondo ciclo, una produzione BBC. Roma: Raitre, 1984. [Presents a group of BBC-TV Shakespeare productions broadcast by Italian TV. Each play is introduced by Agostino Lombardo and there are extracts from Italian translations of The Merchant of Venice, As You Like It, Measure for Measure, Antony and Cleopatra, Timon of Athens, The Winter's Tale and Henry VIII.]
C30. , ed. Tutto Shakespeare Terzo ciclo, una produzione BBC. Roma: Raitre, 1986. [Presents a group of BBC-TV Shakespeare productions broadcast by Italian TV. Each play is introduced by Agostino Lombardo and there are extracts from Italian translations of The Taming of the Shrew; Love's Labour's Lost; A Midsummer Night's Dream; Henry IV, Part One; Henry IV, Part Two; Troilus and Cressida; Macbeth; All's Well That Ends Well and King Lear.]
C31. , ed. Tutto Shakespeare Quarto ciclo, una produzione BBC. Roma: Raitre, 1987. [Presents a group of BBC-TV Shakespeare productions broadcast by Italian TV. Each play is introduced by Agostino Lombardo and there are extracts from Italian translations of The Comedy of Errors; The Merry Wives of Windsor; Henry V; Henry VI, Parts One, Two and Three and Richard III.]
C32. Maher, Mary Z. "With Shaun Sutton." Literature in Performance 5.1 (Nov. 1984): 40-47.
C33. . "Shaun Sutton at the End of the Series: 'The Shakespeare Plays'." Literature/Film Quarterly 14 (1986): 187-94.
C34. Margolies, David. "Shakespeare, the Telly and the Miners." Red Letters: A Journal of Cultural Politics 17 (March 1985): 38-48.
C35. McMillin, Scott. "The Moon in the Morning and the Sun at Night: Perversity and the BBC Shakespeare." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 76-81.
C36. Meyer, Karl E. "Much Ado about Papp." Saturday Review 22 July 1978: 37.
C37. Millard, Barbara. "Husbanded with Modesty: Shakespeare on TV." See [B44].
C38. Miller, Mark Crispin. "The Shakespeare Plays." Nation 12 July 1980: 56, 58-59. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 261-63.
C39. Mullin, Michael. "Shakespeare USA: The BBC Plays and American Education." Shakespeare Quarterly 35 (1984): 582-89.
C40. Papp, Joseph. "The Shakespeare Project A British Preserve?" New York Times 13 May 1979, sec. 2: 32, 36.
C41. Pilkington, Ace G. "Shakespeare on the Big Screen, the Small Box, and in Between." See [B50].
C42. . "The BBC Shakespeare Series." Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 22-28.
C43. Reynolds, Peter. "Unlocking the Box: Shakespeare on Film and Video." Shakespeare in the Changing Curriculum. Ed. Lesley Aers and Nigel Wheale. London: Routledge, 1991. 189-203.
C44. Rissik, Andrew. "BBC Shakespeare: Much to Be Desired." Literary Review (Feb. 1985): 28-29.
C45. Rothwell, Kenneth S. "A Video 'Folio': BBC and the 36 Plays." Shakespeare on Film Newsletter 2.2 (Apr. 1978): 1, 4.
C46. . "JC Begins TV Series." Shakespeare on Film Newsletter 3.1 (Dec. 1978): 1, 6.
C47. . "The Shakespeare Plays: The Second Season." Shakespeare on Film Newsletter 3.2 (Apr. 1979): 3.
C48. . "The Shakespeare Plays: Seasons 5 and 6." Shakespeare on Film Newsletter 7.1 (Dec. 1982): 1.
C49. . "Segmentation and De-Segmentation: A Semiological Approach to Shakespeare on Screen." See [B54].
C50. "The Shakespeare Plays: Season Two." Shakespeare on Film Newsletter 4.1 (Dec. 1979): 1, 8.
C51. Simon, John. "TV or Not TV." TV Guide 23 Feb. 1980: 29-32. [Focuses on the plays broadcast during the first season.]
C52. Slater, Ann Pasternak. "An Interview with Jonathan Miller." Quarto 10 (Sept. 1980): 9-12.
C53. Slights, William W. E. "The Art of Limning: Some Smaller Characters in The BBC Shakespeare." English Studies 69 (1988): 323-30.
C54. Smith, Cecil. "The Bard Is a Hot Potato." Dial 3.12 (Dec. 1982): 37-39. [Interview with Shaun Sutton.]
C55. Taylor, Neil. "Two Types of Television Shakespeare." Shakespeare Survey 39 (1987): 103-11. Rpt. in slightly revised form in Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 86-98.
C56. Terris, Olwen. "The BBC Television Shakespeare: Weary, Stale, Flat and Unprofitable?" Walking Shadows: Shakespeare in the National Film and Television Archive. Ed. Luke McKernan and Olwen Terris. London: British Film Institute, 1994. 219-26.
C57. Veidemanis, Gladys V. "The Bard in Our Living Room." English Journal 68 (1979): 52-54.
C58. Waller, Gary F. "Decentering the Bard: The BBC-TV Shakespeare and Some Implications for Criticism and Teaching." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 18-30.
C59. Wells, Stanley. "Television Shakespeare." Shakespeare Quarterly 33 (1982): 261-77. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 41-49. Another excerpt rpt. under the title "Television Shakespeare: Jonathan Miller and 'Director's Theatre'" in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 188-92.
C60. . "The Canon in the Can." Times Literary Supplement 10 May 1985: 522. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 313-15.
C61. Wilders, John. "Adjusting the Set." Times Higher Education Supplement 10 July 1981: 13. Rpt. as "Shakespeare on the Small Screen." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1982: 56-62.
C62. . Foreword. New Prefaces to Shakespeare. Oxford: Basil Blackwell, 1988. vii-ix.
C63. . "The Beeb's Bard." Shakespeare Newsletter 46.2 (229) (Summer 1996): 25, 28, 46.
C64. . "Shakespeare with No Audience." Shakespeare: Readers, Audiences, Players. Ed. R. S. White, Charles Edelman and Christopher Wortham. Nedlands: U of Western Australia P, 1998. 56-63.
C65. Willems, Michèle. "Shakespeare à la télévision." See [B63].
C66. . "Shakespeare chez vous." Le Monde 29-30 Mars 1987 (Audio-Visual Supplement): 28-29. [An overview of the BBC Shakespeare Series.]
C67. . "Verbal-Visual, Verbal-Pictorial, or Textual-Televisual? Reflections on the BBC Shakespeare Series." Shakespeare Survey 39 (1987): 91-102. Rpt. in slightly revised form in Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 69-85.
C68. , and Raymond Willems. "Entretien avec Shaun Sutton, producteur à la BBC." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 25-30. [Interview in English.]
C69. Willis, Susan. "Home Stretch for the BBC." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 7.
C70. . "The British Shakespeare Series: A Prolegomenon." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 61-68. Rpt. in revised, expanded form as "Transatlantic Shakespeare." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 58-75.
C71. . "The BBC and The Shakespeare Plays." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 3-57.
C72. . "Medium, Message, Style." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 79-106.
C73. . "Conclusion." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 315-18.
C74. Worthen, William B. "The Player's Eye: Shakespeare on Television." Comparative Drama 18 (1984): 193-202.
D. SHAKESPEARE: THE ANIMATED TALES: GENERAL
D1. "Animation: A Visual Symphony." Guardian: Guardian Education 23 Nov. 1992: 14.
D2. Boltz, Ingeborg. "Shakespeare: The Animated Tales: Vom Trickfilmstudio in die Schule." Shakespeare Jahrbuch 133 (1997): 118-33.
D3. Brown, Geoff. "Bard Suffers Slings and Arrows." Sunday Telegraph 1 Nov. 1992: 12.
D4. . "Now, All the Worlds a Screen." Times: Features 1 Nov. 1992: 12.
D5. Buss, Robin. "A Charmed Life." Times Educational Supplement 29 May 1992: 28.
D6. . "A Palpable Hit." Independent Sunday Review 8 Nov. 1992: 33.
D7. Garfield, Leon. "Shakespeare: The Animated Tales." Books for Keeps (Nov. 1992): 36.
D8. Lambert, Angela. "Move Over, Goofy, Its Time for the Bard." Independent 4 Nov. 1992: 17.
D9. "Macbeth Moscow-Style." Radio Times 7 Nov. 1992: 29-30.
D10. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. London and New York: Routlege, 1997. 103-20.
D11. . "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." Post Script 17.2 (Winter/Spring 1998): 73-89.
D12. P[endleton], T[homas] A[ustin]. "Animated Shakespeare on HBO." Shakespeare Newsletter 42.3 (214) (Fall 1992): 37, 40.
D13. Roudevitch, Michel. "Si Shakespeare m'était conté: Roméo, Prospero, Titania et les autres." Positif 388 (Juin 1993): 56-59.
D14. Rozett, Martha Tuck. "Teaching Shakespeare in the Nineties: An Epilogue." Talking Back to Shakespeare. Newark: U of Delaware P; London and Toronto: Associated UP, 1994. 176-77.
D15. . "When Images Replace Words: Shakespeare, Russian Animation, and the Culture of Television." Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone and James E. Davies. Athens: Ohio UP, 1997. 208-14.
D16. Thomas, Peter. "Shakespeare: The Animated Tales." Books for Keeps (Nov. 1992): 36.
D17. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." Shakespeare and the Classroom 6.1 (Spring 1998): 69-71.
D18. Wells, Stanley. "Shakespeare's Been Framed." Daily Telegraph: Telegraph TV and Radio 11 June 1992: 6.
E. STUDIES OF INDIVIDUAL PLAYS
1. All's Well That Ends Well
Dir. Elijah Moshinsky (BBC, 1980).
E1. Brown, John Russell. "All's Well That Ends Well." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 73-101.
E2. Elsom, John. "Does Shakespeare Write Better for Television?" Is Shakespeare Still Our Contemporary? London and New York: Routledge, 1989. 114-39. [An interview with Moshinsky on the productions he directed for the BBC TV Shakespeare.]
E3. Fenwick, Henry. "The Production." All's Well That Ends Well: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 17-28.
E4. Hunter, G. K. "The BBC All's Well that Ends Well." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 185-87. Rpt. in Shakespearean Criticism. Ed. Michael Magoulias. Vol. 26. Detroit: Gale Research, 1995. 52-53.
E5. Jones, Gordon P. "Nahum Tate Is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 192-200.
E6. Laroque, François, Michèle Willems, and Jean-Pierre Maquerlot. "Table ronde avec Elijah Moshinsky." All's Well that Ends Well: Nouvelles perspectives critiques. Ed. Jean Fuzier and François Laroque. Collection Astrea no. 1. Montpellier: Publications de l'Université Paul-Valéry, 1985. 125-35.
E7. Maquerlot, J. P. "Pour une semiologie du spectacle dramatique televisuel: All's Well That Ends Well (B.B.C. production): Analyse de deux segments filmiques." Du texte à la scène: Langages du Théâtre. Société Française Shakespeare: Actes du Congrès 1982. Paris: Jean Touzot, 1983. 187-204.
E8. Murray, Timothy. "Camera Obscura Ideologica: From Vermeer to Video in All's Well That Ends Well." Drama Trauma: Specters of Race and Sexuality in Performance, Video and Art. London and New York: Routledge, 1997. 189-216.
E9. Pearce, G. M. Cahiers élisabéthains 19 (Avril 1981): 131-32. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 273. Rpt. in Shakespearean Criticism. Ed. Michael Magoulias. Vol. 26. Detroit: Gale Research, 1995. 51.
E10. Rothwell, Kenneth S. "'The Shakespeare Plays': Hamlet and the Five Plays of Season Three." Shakespeare Quarterly 32 (1981): 395-401. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 273-74. Excerpt rpt. in Shakespearean Criticism. Ed. Michael Magoulias. Vol. 26. Detroit: Gale Research, 1995. 51-52.
E11. Rozett, Martha Tuck. "What Happy Endings?" Talking Back to Shakespeare. Newark: U of Delaware P; London and Toronto: Associated UP, 1994. 159-63.
E12. Styan, J. L. All's Well That Ends Well. Shakespeare in Performance Series. Manchester: Manchester UP, 1984, passim.
E13. Treglown, Jeremy. "Camera Cuts." Times Literary Supplement 9 Jan. 1981: 33. Rpt. in Shakespearean Criticism. Ed. Michael Magoulias. Vol. 26. Detroit: Gale Research, 1995. 50-51.
E14. Voth, Grant L. Five Shakespeare Plays: Third Season Study Guide. Palo Alto: Bay Area Community College Television Consortium, 1980. [Includes "Shakespeare on Television: An Interview with Jonathan Miller" (1-7).]
E15. Weil, Herbert, Jr. "The Shakespeare Plays on TV: All's Well That Ends Well." Shakespeare on Film Newsletter 7.1 (Dec. 1982): 2. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 274.
E16. Willis, Susan. "Taping All's Well." Shakespeare on Film Newsletter 6.1 (Jan. 1982): 1, 3, 5, 8.
E17. . "Making All's Well That Ends Well: The Arts of Televised Drama at the BBC." Shakespeare and the Arts. Ed. Cecile Williamson Cary and Henry S. Limouze. Washington: UP of America, 1982. 155-63.
E18. . "Moshinsky's Television Artistry." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 135-64.
2. Antony and Cleopatra
[The Spread of the Eagle: VII. The Serpent.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: VIII. The Alliance.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: IX. The Monument.] Dir. Peter Dews (BBC, 1963).
E19. "Continuity Problem of New B.B.C. Shakespeare Series." Times 4 May 1963: 5d.
E20. Dews, Peter. "The Spread of the Eagle." Radio Times 25 Apr. 1963: 49.
Dir. Trevor Nunn (stage) and Jon Scoffield (ATV, 1974).
E21. Coursen, H. R. "Trevor Nunn's TV Antony and Cleopatra on TV." Channel Ten Pulse 4.1 (Apr. 1975): 7. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 247.
E22. . "The Nunn-Scoffield Antony and Cleopatra Revisited." Shakespeare on Film Newsletter 12.2 (Apr. 1988): 5. Rpt. in revised, expanded form as "A Space for Shakespeare: IV. The RSC, Nunn-Schoffield Antony and Cleopatra: Freeing the Script." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 190-95.
E23. Crowl, Samuel. "A World Elsewhere: The Roman Plays on Film and Television." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 146-62.
E24. Madelaine, Richard. "Tutankhamun and the Female Eunuch: Nunn and the Seventies." Introduction. Antony and Cleopatra. Shakespeare in Production. Cambridge: Cambridge UP, 1998. 103-11.
E25. Willis, Susan. "Medium, Message, Style." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 96-98.
Dir. Jonathan Miller (BBC, 1980).
E26. Coursen, H. R. "The BBC-TV Antony and Cleopatra: Far More Harm than Good." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 272-73. Rpt. in a revised, expanded form as "A Space for Shakespeare: V. The BBC-TV Antony and Cleopatra: Plastering the Script." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 195-98.
E27. Crowl, Samuel. "A World Elsewhere: The Roman Plays on Film and Television." See [E23].
E28. David, Richard. "Shakespeare in Miniature: The BBC Antony and Cleopatra." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 139-44.
E29. Fenwick, Henry. "The Production." Antony and Cleopatra: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 17-27.
E30. Hallinan, Tim. "Interview: Jonathan Miller on The Shakespeare Plays." See [C15].
E31. Kingston, Miles. "Jonathan Miller Directs." Times 8 May 1981: 14.
E32. Kroll, Jack. "Dr. Miller's Shakespeare." Newsweek 27 Apr. 1981: 98, 101. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 271.
E33. Lower, Charles B. "The Shakespeare Plays on TV: Antony and Cleopatra." Shakespeare on Film Newsletter 6.2 (March 1982): 2, 7. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 271.
E34. Madelaine, Richard. "Small-Scale Productions: From Brook to Noble." Introduction. Antony and Cleopatra. Shakespeare in Production. Cambridge: Cambridge UP, 1998. 111-19.
E35. Miller, Jonathan. "Shakespeare and the Modern Director." See [B45].
E36. Pearce, G. M. Cahiers élisabéthains 20 (Octobre 1981): 108-9. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 271.
E37. Rothwell, Kenneth S. "'The Shakespeare Plays': Hamlet and the Five Plays of Season Three." See [E10].
E38. Scott, Michael. Antony and Cleopatra. Text and Performance Series. London: Macmillan, 1983. 45-46, 55-63, 71-73.
E39. Slater, Ann Pasternak. "An Interview with Jonathan Miller." See [C52].
E40. Shrimpton, Nicholas. "Shakespeare: In Miniature..." Times Literary Supplement 15 May 1981: 544. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 271-72.
E41. Voth, Grant L. Five Shakespeare Plays: Third Season Study Guide. See [E14].
E42. Willis, Susan. "Jonathan Miller: Producer and Director." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 107-34.
Dir. Lawrence Carra (The Bard Series, 1985).
E43. Crowl, Samuel. "A World Elsewhere: The Roman Plays on Film and Television." See [E23].
3. As You Like It
Dir. Basil Coleman (BBC, 1978).
E44. Bulman, James C. "As You Like It and the Perils of Pastoral." Shakespeare on Film Newsletter 11.1 (Dec. 1986): 9. A revised, longer version appears in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 174-79. Rpt. in As You Like It from 1600 to the Present: Critical Essays. Ed. Edward Tomarken. New York and London: Garland, 1997. 597-602.
E45. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." Shakespeare Quarterly 31 (1980): 287-92. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 251.
E46. Fenwick, Henry. "The Production." As You Like It: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1978; New York: Mayflower Books, 1979. 20-26.
E47. Gaertner, Johannes A. "Costume and Design in BBC-TV." Shakespeare on Film Newsletter 3.2 (Apr. 1979): 4, 8.
E48. Jamieson, Michael. "As You Like It Performance and Reception." As You Like It from 1600 to the Present: Critical Essays. Ed. Edward Tomarken. New York and London: 1997. 643-44.
E49. Jorgens, Jack J. "The BBC-TV Shakespeare Series." Shakespeare Quarterly 30 (1979): 411-15. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 251.
E50. Kimbrough, R. Alan. "The Shakespeare Plays: The First Season." Shakespeare on Film Newsletter 3.2 (Apr. 1979): 5-6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 252.
E51. Messina, Cedric. "Preface." As You Like It: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1978. 6-10.
E52. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 82.
E53. Pearson, Jacqueline. "Shadows on the Shadow-Box: The BBC Shakespeare." Critical Quarterly 21.1 (Spring 1979): 67-70. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 251-52.
E54. The Shakespeare Plays: A Study Guide. Developed by University Extension, U of California-San Diego, and the Coast Community Colleges. San Diego: U of California-San Diego, 1978.
E55. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. New York: WNET/Thirteen for the Public Broadcasting Service, 1979?
E56. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 187-225. Excerpt rpt. in As You Like It from 1600 to the Present: Critical Essays. Ed. Edward Tomarken. New York and London: Garland, 1997. 619-22.
Dir. Declan Donnellan (stage) and Fiona Shaw (BBC and Open University, 1995).
E57. Goodman, Lizbeth. "Reading As You Like It: The Play in Process: From Workshop to Rehearsal to Performance." Shakespeare, Aphra Behn, and the Canon. Ed. W. R. Owens and Lizbeth Goodman. Approaching Literature Series. London and New York: Routledge in association with The Open University, 1996. 237-50.
E58. , Tony Coe, and Huw Williams. "The Multimedia Bard: Plugged and Unplugged." See [B25].
E59. Kaplan, Deborah. Theatre Survey 38.2 (1997): 192-97.
4. The Comedy of Errors
Dir. Trevor Nunn (stage) and Philip Casson (ATV, 1976).
E60. Coursen, H. R. "What Happens to The Comedy of Errors on Television?" Shakespeare in Production: Whose History? Athens: Ohio UP, 1996. 74-89. Rpt., revised and expanded, as "The Comedy of Errors on Television." The Comedy of Errors: Critical Essays. Ed. Robert S. Miola. New York and London: Garland, 1997. 525-46.
E61. Rothwell, Kenneth S. "A Shakespeare Mini-Series on Arts & Entertainment Channel." Shakespeare on Film Newsletter 15.1 (Dec. 1990): 10.
E62. Scott, Michael. "The Comedy of Errors." Renaissance Drama and a Modern Audience. Houndmills: Macmillan, 1982. 14-16.
E63. Willis, Susan. "Medium, Message, Style." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 94-95.
Dir. James Cellan-Jones (BBC, 1984).
E64. Coursen, H. R. "What Happens to The Comedy of Errors on Television?" See [E60].
E65. Fenwick, Henry. "The Production." The Comedy of Errors: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1984. 19-27.
E66. Hassel, R. Chris, Jr. "The Comedy of Errors in Context and in Performance." Upstart Crow 17 (1997): 23-39.
E67. Pearce, G. M. Cahiers élisabéthains 25 (Avril 1984): 113-15. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 303.
E68. Roberts, Jeanne Addison. "The Shakespeare Plays on TV: The Comedy of Errors." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 4. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 303.
E69. Warren, Roger. "Shakespeare in England." Shakespeare Quarterly 35 (1984): 334-40. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 303-4.
E70. Wells, Stanley. "Melancholy Misunderstandings." Times Literary Supplement 6 Jan. 1984: 14. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 303.
E71. Willis, Susan. "The Comedy of Errors in Production." Shakespeare on Film Newsletter 8.2 (Apr. 1984): 8.
E72. . "The Comedy of Errors in Production: Autumn 1983." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 260-91.
E73. Wood, Robert E. "Cooling the Comedy: Television as a Medium for Shakespeare's Comedy of Errors." Literature/Film Quarterly 14 (1986): 195-202. Rpt., with some abbreviations, in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 200-7.
Dir. Robert Woodruff (stage), Kirk Browning and Alan Skog (PBS, 1987).
E74. Coursen, H. R. "What Happens to The Comedy of Errors on Television?" See [E60].
E75. Schlueter, June. "The Comedy of Errors." Shakespeare Bulletin 6.4 (July-Aug. 1987): 10-11.
Dir. Richard Monette (stage) and Norman Campbell (Canada, 1995).
E76. Coursen, H. R. "The Comedy of Errors on Television." The Comedy of Errors: Critical Essays. Ed. Robert S. Miola. New York and London: Garland, 1997. 525-46.
5. Coriolanus
Dir. Paul Nickell (CBS, 1951).
E77. Johnson, Samuel Frederick. "Shakespeare without Ear The Protest of a Professor." Theatre Arts 35.10 (Oct. 1951): 38-39.
E78. Miner, Worthington. "Shakespeare for the Millions." Theatre Arts 35.6 (June 1951): 58, 94.
[The Spread of the Eagle: I. The Hero.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: II. The Voices.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: III. The Outcast.] Dir. Peter Dews (BBC, 1963).
E79. "Continuity Problem of New B.B.C. Shakespeare Series." See [E19].
E80. Dews, Peter. "The Spread of the Eagle." See [E20].
E81. Williams, Michael. "Robert Hardy in The Voices." Radio Times 2 May 1963: 45.
Dir. Elijah Moshinsky (BBC, 1984).
E82. Charney, Maurice. "Alan Howard in Moshinsky's Coriolanus." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 1, 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 305-6.
E83. Crowl, Samuel. "A World Elsewhere: The Roman Plays on Film and Television." See [E23].
E84. Dessen, Alan C. "What's in an Ending?" Shakespeare Bulletin 4.6 (Nov.-Dec. 1986): 5-6.
E85. Duncan-Jones, Katherine. "Posturing to the Populace." Times Literary Supplement 4 May 1984: 497. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 304-5.
E86. Elsom, John. "Does Shakespeare Write Better for Television?" See [E2].
E87. Fenwick, Henry. "The Production." Coriolanus: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1984. 18-28.
E88. Jones, Gordon P. "Nahum Tate Is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions." See [E5].
E89. Pearce, G. M. Cahiers élisabéthains 26 (Octobre 1984): 96-98. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 304.
E90. Warren, Roger. "Shakespeare in England." See [E69]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 305.
E91. Willis, Susan. "Moshinsky's Television Artistry." See [E18].
6. Cymbeline
Dir. Elijah Moshinsky (BBC, 1982).
E92. Duncan-Jones, Katherine. "Sitting Pretty." Times Literary Supplement 22 July 1983: 773. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 289-90.
E93. Fenwick, Henry. "The Production." Cymbeline: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 16-26.
E94. Jacobs, Henry E. "The Shakespeare Plays on TV: Cymbeline." Shakespeare on Film Newsletter 7.2 (Apr. 1983): 6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 290.
E95. Jones, Gordon P. "Nahum Tate Is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions." See [E5].
E96. Muñoz Simonds, Peggy. "Jupiter, His Eagle and BBC-TV." Shakespeare on Film Newsletter 10.1 (Dec. 1985): 3.
E97. Pearce, G. M. Cahiers élisabéthains 24 (Octobre 1983): 92-93. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 289.
E98. Taylor, Neil. "Two Types of Television Shakespeare." See [C55].
E99. Warren, Roger. "Shakespeare in England, 1983." Shakespeare Quarterly 34 (1983): 451-60.
E100. . "'The Neuroticism of Tragedy': Elijah Moshinsky's BBC Television Version, 1982." Cymbeline. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1989. 62-80.
E101. Willis, Susan. "Moshinsky's Television Artistry." See [E18].
7. Hamlet
Dir. George More O'Ferrall and Basil Adams (BBC, 1947).
E102. Barry, Michael. "Shakespeare on Television." BBC Quarterly 9.3 (Autumn 1954): 146.
E103. O'Ferrall, George More. "The Televising of Drama." Radio Times 19 March 1947: 4.
E104. . "Televising Hamlet." Radio Times 5 Dec. 1947: 30.
Dir. George Schaefer and Albert McCleery (NBC, 1953).
E105. Evans, Maurice. "1947-1963: '... this strange eventful history...': Discovering Television." All This... and Evans Too! A Memoir. Columbia: U of South Carolina P, 1987. 228-40.
E106. Griffin, Alice Venezky. "Shakespeare through the Camera's Eye Julius Caesar in Motion Pictures; Hamlet and Othello on Television." Shakespeare Quarterly 4 (1953): 331-36. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 238.
E107. Kliman, Bernice W. "The Setting in Early Television: Maurice Evans' Shakespeare Productions." Shakespeare and the Arts. Ed. Cecile Williamson Cary and Henry S. Limouze. Washington: UP of America, 1982. 135-53. Rpt., with alterations, in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 91-101. The section on Hamlet is reprinted, in an enlarged form, as "Maurice Evans's Hamlet (1953)" in Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 117-29.
E108. . "'An Unseen Interpreter': Interview with George Schaefer." Film Criticism 7.3 (Spring 1983): 29-37.
E109. . "Exits and Entrances: Texts and Productions." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 37-61.
E110. Rosenberg, Marvin. "Shakespeare on TV: An Optimistic Survey." Quarterly of Film, Radio, and Television 9 (1954): 166-74. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 85-91.
E111. . The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
E112. Schreiber, Flora Rheta. "Television's Hamlet." Quarterly of Film, Radio, and Television 8 (1953): 150-56.
E113. Simon, Ronald. "An Interview with George Schaefer." Hallmark Hall of Fame: A Tradition of Excellence. New York: Museum of Broadcasting, 1985. 22-31.
["To Be or Not to Be": Some Views of Shakespeare's Hamlet.] Dir. Seymour Robbie (CBS, 1955).
E114. Griffin, Alice. "Shakespeare through the Camera's Eye: III." Shakespeare Quarterly 7 (1956): 235-40.
Dir. Michael Benthall (stage) and Ralph Nelson (CBS, 1959).
E115. Kliman, Bernice W. "Exits and Entrances: Texts and Productions." See [E109].
E116. . "Dupont Show of the Month with John Neville (1959)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 130-38.
E117. Malone, Henry B. "Half of Hamlet Better than None." English Journal 48 (1959): 94-96.
E118. Nelson, Ralph, ed. Hamlet: A Television Script. New York: CBS, 1976.
E119. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
Dir. Franz Peter Wirth (West Germany, 1960).
E120. Coursen, H. R. "A German Hamlet." Shakespeare on Film Newsletter 11.1 (Dec. 1986): 4.
E121. . "Three Televised Hamlets." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 101-7.
E122. . "'Now might I do it' in Production." Shakespeare Bulletin 8.2 (Spring 1990): 19-20. Rpt., with minor revisions and additions, as "A Space for Shakespeare: IX. 'Now might I do it' in Production." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 219-23.
E123. . "'Must There No More Be Done?': Images of Ophelia." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 85-102.
E124. . "Closure in Hamlet." Shakespeare and Renaissance Association of West Virginia: Selected Papers 16 (1993): 1-14. Rpt. in Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 113-25.
E125. . "'Alas, Poor Yorick!'" Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 57-69.
E126. Kliman, Bernice W. "Exits and Entrances: Texts and Productions." See [E109].
E127. . "Peter Wirth's Production with Maximilian Schell (1960)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 139-53.
E128. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
E129. Wilds, Lillian. "On Film: Maximilian Schell's Most Royal Hamlet." Literature/Film Quarterly 4 (1976): 134-40. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 241.
[Hamlet at Elsinore.] Dir. Philip Saville (BBC, 1964).
E130. Coursen, H. R. "'Alas, Poor Yorick!'" See [E125].
E131. Hunter, Patrick. "Hamlet's Ghost on the Screen." Shakespeare Yearbook 8 (1997): 18-27.
E132. Kliman, Bernice W. "Exits and Entrances: Texts and Productions." See [E109].
E133. . "Hamlet at Elsinore with Christopher Plummer (1964)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 154-66.
E134. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
E135. Saville, Philip. "Record of a Television Production." Journal of the Society of Film and Television Arts 37 (Autumn 1969): 8-11.
Dir. Paul Barry (WHDH-TV, 1967).
E136. "First American Color-TV Production of Hamlet." Shakespeare Newsletter 17.3 (93) (May 1967): 27.
Dir. Peter Wood (NBC, 1970).
E137. Chamberlain, Richard. "Why Does an Actor Agree to Do Hamlet?" New York Times 15 Nov. 1970, sec. D: 21. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 243.
E138. Coursen, H. R. "Three Televised Hamlets." See [E121].
E139. . "'Now might I do it' in Production." See [E122].
E140. . "'Must There No More Be Done?': Images of Ophelia." See [E123].
E141. . "Closure in Hamlet." See [E124].
E142. . "'Alas, Poor Yorick!'" See [E125].
E143. Halio, J. L. "Three Filmed Hamlets." Literature/Film Quarterly 1 (1973): 316-20.
E144. Hunter, Patrick. "Hamlet's Ghost on the Screen." See [E131].
E145. Kliman, Bernice W. "Exits and Entrances: Texts and Productions." See [E109].
E146. . "Richard Chamberlain for Hallmark." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 180-87.
E147. McCord, Patrick. "A Worthy Dane: Richard Chamberlain's Hamlet." Shakespeare Yearbook 8 (1997): 181-96.
E148. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
Dir. Robert Chetwyn (stage) and David Giles (BBC, 1971).
E149. Coursen, H. R. "'Alas, Poor Yorick!'" See [E125].
E150. . "Uses of Media in Teaching Shakespeare." See [B18].
E151. Kliman, Bernice W. "Exits and Entrances: Texts and Productions." See [E109].
E152. . "Ian McKellen (1971)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 188-94.
E153. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
Dir. Rodney Bennett (BBC, 1980).
E154. Beauman, Sally. "Hamlet Now: Some Lessons from Derek Jacobi." Dial (Nov. 1980): 25-26.
E155. Biggs, Murray. "'He's going to his mother's closet': Hamlet and Gertrude on Screen." Shakespeare Survey 45 (1993): 53-62.
E156. Cartmell, Deborah. "Reading and Screening Ophelia: 1948-1996." Shakespeare Yearbook 8 (1997): 28-41.
E157. Champion, Larry S. "Hamlet and the Players: Jacobi and the Television Audience." Hamlet Studies 5.1-2 (Summer and Winter 1983): 98-103.
E158. Cook, Hardy M. "Reformatting Hamlet: Creating a Q1 Hamlet for Television." Shakespeare Yearbook 8 (1997): 370-82.
E159. Coursen, H. R. "The Shakespeare Plays on TV: Hamlet." Shakespeare on Film Newsletter 5.2 (May 1981): 5, 8.
E160. . "Shakespeare and Television: The BBC-TV Hamlet." Shakespeare and the Arts. Ed. Cecile Williamson Cary and Henry S. Limouze. Washington: UP of America, 1982. 127-33.
E161. . "Three Televised Hamlets." See [E121].
E162. . "'Now might I do it' in Production." See [E122].
E163. . "'Must There No More Be Done?': Images of Ophelia." See [E123].
E164. . "Jacobi and the Players." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 103-21.
E165. . "Closure in Hamlet." See [E124].
E166. . "'Alas, Poor Yorick!'" See [E125].
E167. Dawson, Anthony B. "Through the Looking Glass: Zeffirelli and the BBC: Small-Screen Hamlet." Hamlet. Shakespeare in Performance Series. Manchester: Manchester UP, 1995. 214-23.
E168. Fenwick, Henry. "The Production." Hamlet: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1980. 17-29.
E169. Gaertner, Johannes A. "Notes on Costume Design: BBC Plays." Shakespeare on Film Newsletter 5.2 (May 1981): 2.
E170. Hale, David G. "'Didst Perceive?': Five Versions of the Mousetrap in Hamlet." Shakespeare Yearbook 8 (1997): 74-84.
E171. Hunter, Patrick. "Hamlet's Ghost on the Screen." See [E131].
E172. Ingram, Raymond. "Angles of Perception." As You Like It: Audio-Visual Shakespeare. Ed. Cathy Grant. London: British Universities Film and Video Council, 1992. 11-18.
E173. Jacobi, Derek. "The BBC Hamlet." Dial (Nov. 1980): 26-29.
E174. Johnson, Robert Carl. "Patrick Stewart's Claudius." Aligarh Journal of English Studies 6.2 (1981): 148-57.
E175. . "Using the BBC Shakespeare." See [C23].
E176. . "What Happens in the Mousetrap: Versions of Hamlet." Teaching Shakespeare into the Twenty-First Century. Ed. Ronald E. Salomone and James E. Davies. Athens: Ohio UP, 1997.177-81.
E177. Kliman, Bernice W. "The BBC Hamlet, a Television Production." Hamlet Studies 4.1-2 (Summer and Winter 1982): 99-105. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 264-65. Rpt. in revised, expanded form as "Cuts: BBC-TV Hamlet: 'Here's Snip and Nip and Cut and Slish and Slash'." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 62-86.
E178. . "Exits and Entrances: Texts and Productions." See [E109].
E179. . "Derek Jacobi in the BBC Hamlet (1980)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 195-201. Rpt., with minor alterations, in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 21. Detroit: Gale Research, 1993. 311-14.
E180. Lardner, James. "The Changing of the Bard." Washington Post 10 Nov. 1980: D1, D4. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 21. Detroit: Gale Research, 1993. 309-10.
E181. Leckie, Bonney. "Two Faces of Hamlet: Jacobi and Olivier on Film." Rectangle: Journal of Sigma Tau Delta 65.2 (1990): 17-26.
E182. López Román, Blanca. "Multicritical Introduction to Shakespeare Television Adaptations and the BBC Hamlet (1980, 1990)." Proceedings of the III Conference of the Spanish Society for English Renaissance Studies. Ed. María Luisa Dañobeitia. Granada: Universidad de Granada, 1992. 159-70.
E183. Maher, Mary Z. "Hamlet's BBC Soliloquies." Shakespeare Quarterly 36 (1985): 417-26.
E184. Messina, Cedric. "Preface." Hamlet: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1980. 6-8.
E185. Müller-Schwefe, Gerhard. "Hamlet multimedial: Film und Fernsehen." Corpus Hamleticum: Shakespeares Hamlet im Wandel der Medien. Tübingen: Francke, 1987. 244-65.
E186. O'Connor, John J. "Derek Jacobi in BBC's Hamlet." New York Times 10 Nov. 1980: C22. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 21. Detroit: Gale Research, 1993. 310-11.
E187. Ottenhoff, John. "Hamlet and the Kiss." Shakespeare Yearbook 8 (1997): 98-109.
E188. Prümm, Hans-Joachim. "Die Hamlet-Fassung der BBC." Film-Script: William Shakespeare. Eine Untersuchung der Film-Bearbeitung von Shakespeares Dramen am Beispiel ausgewählter Tragödien-Verfilmungen von 1945-1985. Münchner Studien zur Neueren Englischen Literatur 3. Amsterdam: Grüner, 1987. 121-38.
E189. Reynolds, Peter. "Unlocking the Box: Shakespeare on Film and Video." See [C43].
E190. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
E191. Rothwell, Kenneth S. "'The Shakespeare Plays': Hamlet and the Five Plays of Season Three." See [E10]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 264.
E192. Schlueter, June, and James P. Lusardi. "The Camera in Gertrude's Closet." Shakespeare and the Triple Play: From Study to Stage to Classroom. Ed. Sidney Homan. Lewisburg: Bucknell UP; London and Toronto: Associated UP, 1988. 150-74. Rpt. in Hamlet. Ed. Scott Douglass. Fort Worth: Harcourt Brace, 1998. [Not seen.]
E193. . "Reading Hamlet in Performance: The Laertes/Hamlet Connection." Shakespearean Illuminations: Essays in Honor of Marvin Rosenberg. Ed. Jay L. Halio and Hugh Richmond. Newark: U of Delaware P, 1998. 50-69.
E194. Simmons, James R., Jr. "'In the Rank Sweat of an Enseamed Bed': Sexual Aberration and the Paradigmatic Screen Hamlets." Literature/Film Quarterly 25 (1997): 111-18.
E195. Taylor, Neil. "The Films of Hamlet." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 180-95.
E196. Walton, David. "The Fortunes of Fortinbras in Three Film Versions of Hamlet." Shakespeare Bulletin 16.3 (Summer 1998): 36-37.
E197. Weller, Philip. "Freud's Footprints in Films of Hamlet." Literature/Film Quarterly 25 (1997): 119-24.
E198. White, Dale. "An Actor Compares Stage and Film: Derek Jacobi: The Motive and Cue for Passion." Shakespeare Newsletter 33.1 (177) (Spring 1983): 9.
E199. Widmann, R. L. "From a Student's Point of View." On Teaching. Ed. Mary Ann Shea. Boulder: U of Colorado at Boulder, 1987. 87-114.
E200. Willems, Michèle. "Entretien avec Patrick Stewart, interprète de Claudius dans le Hamlet de la BBC." Shakespeare à la télévision. Rouen: Publications de l'Université de Rouen, 1987. 93-99. [Interview in English.]
E201. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. Ragnar Lyth (Sweden, 1984).
E202. Coursen, H. R. "'Now might I do it' in Production." See [E122].
E203. . "'Must There No More Be Done?': Images of Ophelia." See [E123].
E204. . "Closure in Hamlet." See [E124].
E205. . "'Alas, Poor Yorick!'" See [E125].
E206. . "'What's there?': Opening Hamlet on Film." Entering the Maze: Shakespeare's Art of Beginning. Ed. Robert F. Willson, Jr. Studies in Shakespeare 2. New York: Peter Lang, 1995. 95-119. Rpt. in revised form in Shakespeare in Production: Whose History? Athens: Ohio UP, 1996. 54-73. Rpt. in revised and expanded form as "Hamlet on Film." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 149-70.
E207. , and Nancy P. Connors. "Gertrude's Story." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 70-79.
E208. Kliman, Bernice W. "Swedish Hamlet Bursts into View." Shakespeare on Film Newsletter 11.2 (Apr. 1987): 1, 4.
E209. . "A Swedish Television Hamlet (1984)." Hamlet: Film, Television, and Audio Performance. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1988. 202-24.
E210. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
Dir. Roland Kenyon (stage) and Rod MacDonald (Cambridge Experimental Theatre, 1987).
E211. Crowl, Samuel. "Fragments." Shakespeare on Film Newsletter 13.1 (Dec. 1988): 7.
E212. Holderness, Graham. "Shakespeare Rewound." Shakespeare Survey 45 (1993): 63-74.
E213. Maher, Mary Z. "Stage into Film Doesn't Go." Shakespeare on Film Newsletter 13.1 (Dec. 1988): 7.
E214. Ritchie, Charlie. Ideas and Production 8 (1988): 110-15.
E215. Spaul, Richard, Charlie Ritchie, and Nigel Wheale. Hamlet: A Guide. Cambridge: Cambridgeshire College of Arts and Technology, 1988.
[Hamlet IV.] Dir. Andrzej Wajda (Poland, 1989).
E216. Kliman, Bernice W. "Video in Andrzej Wajda's Stage Hamlet IV." Shakespeare on Film Newsletter 14.2 (Apr. 1990): 7-8.
[Contents] [Index]
Dir. Kevin Kline (stage) and Kirk Browning (PBS, 1990).
E217. Ardolino, Frank. "Three Reviews: 1. Hamlet on the Mat." Marlowe Society of America Newsletter 11.1 (Spring 1991): 4-5.
E218. Coursen, H. R. "Closure in Hamlet." See [E124].
E219. . "'Alas, Poor Yorick!'" See [E125].
E220. . "Playing Space: The Kline Hamlet." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 80-92.
E221. Hale, David G. "'Didst Perceive?': Five Versions of the Mousetrap in Hamlet." See [E170].
E222. Maher, Mary Z. "Kevin Kline's American Hamlet: Stage to Screen." Shakespeare on Film Newsletter 15.2 (Apr. 1991): 11-12.
E223. . "At Last, an American Hamlet for Television." Literature/Film Quarterly 20 (1992): 301-7.
E224. Rosenberg, Marvin. The Masks of Hamlet. Newark: U of Delaware P; London and Toronto: Associated UP, 1992, passim.
8. Henry IV, Part One
[An Age of Kings: III. Rebellion from the North.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: IV. The Road to Shrewsbury.] Dir. Michael Hayes (BBC, 1960).
E225. "Cast of Henry IV None Too Happy." Times 27 May 1960: 18g.
E226. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." Age of Kings: Die Königsdramen von William Shakespeare in einer chronologischen Fernsehbearbeitung der BBC London. Munich: Bayerischer Rundfunk, Studienprogramm, 1967. 11-58. [Not seen.]
E227. "Conflict in An Age of Kings." Times 24 June 1960: 4c.
E228. Crane, Milton. "Shakespeare on Television." Shakespeare Quarterly 12 (1961): 323-27.
E229. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. New York: Pyramid Books, 1961. [Includes the texts of each of the fifteen television programmes as well as a brief introduction by O. J. Campbell (vii-x) on Shakespeare's history plays and their structural and thematical unity.]
E230. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." Journal of the Society of Film and Television Arts 37 (Autumn 1969): 2-6. [Manvell quotes two paragraphs on An Age of Kings written by Peter Dews (3-4) but does not indicate the original source.]
E231. Marder, Louis. "An Age of Kings." English Journal 50 (1961): 566-68.
E232. Weiner, Albert. An Age of Kings Study Guide. New York: NET, 1960.
Dir. (?) (Phoenix Theater on TV Play of the Week, 1960).
E233. Hapgood, Robert. "Shakespeare and the Included Spectator." Reinterpretations of Elizabethan Drama. Ed. Norman Rabkin. New York: Columbia UP, 1969. 117-36.
Dir. David Giles (BBC, 1979).
E234. Banham, Martin. "BBC Television's Dull Shakespeares." Critical Quarterly 22.1 (Spring 1980): 31-40. Rpt. in Shakespeare's Wide and Universal Stage. Ed. C. B. Cox and D. J. Palmer. Manchester: Manchester UP, 1984. 48-56. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 213-20.
E235. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45].
E236. Clark, Meera T. "The PBS Henry IV Part I." CEA Forum 12 (Dec. 1981): 7-9.
E237. Coursen, H. R. "Vernon and Colevile." Shakespeare Bulletin 8.1 (Winter 1990): 36-37. Rpt. in revised form as part of the chapter "Shakespeare and History." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 164-70.
E238. . "Shakespeare and History." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 140-78.
E239. Crowl, Samuel. "The Shakespeare Plays on TV: Season Two." Shakespeare on Film Newsletter 5.1 (Dec. 1980): 3-4. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 258.
E240. Fenwick, Henry. "The Production." Henry IV Part 1: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 19-27.
E241. Gaertner, Johannes A. "Notes on Costume Design: BBC Plays." Shakespeare on Film Newsletter 5.1 (Dec. 1980): 4.
E242. Garner, Lee S. "'No counterfeit but the true and perfect image of life indeed': Can Shakespeare Be Represented on the Modern Stage?" Les Forteresses vides de l'Oncle Toby 2. Ed. Daniel Ferrer and Claude Peltrault. Annales littéraires de l'Université de Besançon 408. Paris: Les Belles Lettres, 1990. 49-63.
E243. McMillin, Scott. "Film and Television: 1979. BBC Television: Cedric Messina and David Giles." Henry IV, Part One. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1991. 99-105.
E244. Messina, Cedric. "Preface." Henry IV Part 1: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1979. 7-10.
E245. Miller, Mark Crispin. "The Shakespeare Plays." See [C38].
E246. Pearce, G. M. Cahiers élisabéthains 17 (Avril 1980): 101-2.
E247. Pilkington, Ace G. "The BBC First and Second Henry IV." Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 64-86.
E248. . "The BBC's Henriad." Literature/Film Quarterly 21 (1993): 25-32.
E249. Saccio, Peter. "The Historicity of the BBC History Plays." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 208-13.
E250. The Shakespeare Plays: A Study Guide for the Second Season. Developed by University Extension, U of California-San Diego, and the Coast Community Colleges. Dubuque: Kendall/Hunt, 1980.
E251. Wharton, T. F. Henry the Fourth, Parts 1 and 2. Text and Performance Series. London: Macmillan, 1983. 52-54, 58-59, 62-64, 70-72.
E252. Willems, Michèle. "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." Shakespeare à la télévision. Rouen: Publications de l'Université de Rouen, 1987. 157-75.
E253. , and J.-P. Maquerlot. "Entretien avec David Giles, réalisateur de la deuxième tetralogie." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 69-78. [Interview in English.]
E254. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
[The Wars of the Roses: Henry the Fourth, Part One.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E255. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." The English Shakespeare Company: The Story of The Wars of the Roses 1986-1989. London: Nick Hern Books, 1990. 210-33.
E256. Crowl, Samuel. "Seven Days for Seven Roses: ESC." Shakespeare on Film Newsletter 16.1 (Dec. 1991): 11.
E257. Manheim, Michael. "The English History Play on Screen." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 121-45.
E258. Pigeon, Renée. "'A garment all of blood': Michael Pennington's Prince Hal." Shakespeare Bulletin 12.4 (Fall 1994): 37-40.
9. Henry IV, Part Two
[An Age of Kings: V. The New Conspiracy.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: VI. Uneasy Lies the Head.] Dir. Michael Hayes (BBC, 1960).
E259. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E260. Crane, Milton. "Shakespeare on Television." See [E228].
E261. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E262. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E263. Marder, Louis. "An Age of Kings." See [E231].
E264. "Uneasy Lies the Head." Times 8 July 1960: 4.
E265. Weiner, Albert. An Age of Kings Study Guide. See [E232].
Dir. David Giles (BBC, 1979).
E266. Banham, Martin. "BBC Television's Dull Shakespeares." See [E234].
E267. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 259.
E268. Coursen, H. R. "Vernon and Colevile." See [E237].
E269. . "Shakespeare and History." See [E238].
E270. Fenwick, Henry. "The Production." Henry IV Part 2: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 19-25.
E271. Hodgdon, Barbara. "Reprise: BBC Shakespeare (1979)." Henry IV, Part Two. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1993. 44-61.
E272. Messina, Cedric. "Preface." Henry IV Part 2: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1979. 7-9.
E273. Miller, Mark Crispin. "The Shakespeare Plays." See [C38].
E274. Pearce, G. M. See [E246]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 259.
E275. Pilkington, Ace G. "The BBC First and Second Henry IV." See [E247].
E276. . "The BBC's Henriad." See [E248].
E277. Saccio, Peter. "The Shakespeare Plays on TV: Henry the Fourth, Part Two." Shakespeare on Film Newsletter 6.1 (Jan. 1982): 2. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 259-60.
E278. . "The Historicity of the BBC History Plays." See [E249].
E279. The Shakespeare Plays: A Study Guide for the Second Season. See [E250].
E280. Wharton, T. F. Henry the Fourth, Parts 1 and 2. See [E251].
E281. Willems, Michèle. "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E282. , and J.-P. Maquerlot. "Entretien avec David Giles, réalisateur de la deuxième tetralogie." See [E253].
E283. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
[The Wars of the Roses: Henry the Fourth, Part Two.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E284. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E285. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E286. Hodgdon, Barbara. "Shakespeare in the Age of Electronic Reproduction: Michael Bogdanov (1986-89)." Henry IV, Part Two. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1993. 119-45.
E287. Manheim, Michael. "The English History Play on Screen." See [E257].
E288. Pigeon, Renée. "'A garment all of blood': Michael Pennington's Prince Hal." See [E258].
10. Henry V
[An Age of Kings: VII. Signs of War.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: VIII. The Band of Brothers.] Dir. Michael Hayes (BBC, 1960).
E289. "Agincourt on Television." Times 5 Aug. 1960: 11d.
E290. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E291. Crane, Milton. "Shakespeare on Television." See [E228].
E292. "Good Acting in Henry V." Times 22 July 1960: 16g.
E293. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E294. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E295. Marder, Louis. "An Age of Kings." See [E231].
E296. Weiner, Albert. An Age of Kings Study Guide. See [E232].
Dir. David Giles (BBC, 1979).
E297. Banham, Martin. "BBC Television's Dull Shakespeares." See [E234].
E298. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45].
E299. Coursen, H. R. "Shakespeare and History." See [E238].
E300. . "Sorting Well with Fierceness? History Plays: 1993-94." Shakespeare in Production: Whose History? Athens: Ohio UP, 1996. 118-35. Part rpt., revised and expanded, as "Pistol in History." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 171-79.
E301. Cubeta, Paul M. "The Shakespeare Plays on TV: Season Two." Shakespeare on Film Newsletter 5.1 (Dec. 1980): 4-5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 260-61.
E302. Fenwick, Henry. "The Production." Henry V: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 18-25.
E303. Gaertner, Johannes A. "Notes on Costume Design: BBC Plays." See [E241].
E304. Griffin, C. W. "Henry V's Decision: Interrogative Texts." Literature/Film Quarterly 25 (1997): 99-103.
E305. Hale, David G. "Video in the Shakespeare Class: Henry V 5.2." Shakespeare and the Classroom 3.1 (Spring 1995): 21-23.
E306. Hall, Joan Lord. "The Play in Performance: Shakespeare on Television: The BBC/Time Life Production of Henry V (1979)." Henry V: A Guide to the Play. Westport and London: Greenwood, 1997. 149-61.
E307. Loehlin, James N. "Flat unraisèd spiritis: BBC TV (1979)." Henry V. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1996. 72-83.
E308. Messina, Cedric. "Preface." Henry V: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1979. 6-8.
E309. Miller, Mark Crispin. "The Shakespeare Plays." See [C38]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 261-63.
E310. Pearce, G. M. Cahiers élisabéthains 17 (Avril 1980): 103-4. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 260.
E311. Pilkington, Ace G. "The BBC Henry V." Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 87-99.
E312. . "The BBC's Henriad." See [E248].
E313. Saccio, Peter. "The Historicity of the BBC History Plays." See [E249].
E314. The Shakespeare Plays: A Study Guide for the Second Season. See [E250].
E315. Willems, Michèle. "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E316. , and J.-P. Maquerlot. "Entretien avec David Giles, réalisateur de la deuxième tetralogie." See [E253].
E317. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
[The Wars of the Roses: Henry the Fifth.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E318. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E319. Coursen, H. R. "Sorting Well with Fierceness? History Plays: 1993-94." See [E300].
E320. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E321. Griffin, C. W. "Henry V's Decision: Interrogative Texts." See [E304].
E322. Loehlin, James N. "These English monsters: Michael Bodganov (1986)." Henry V. Shakespeare in Performance Series. Manchester: Manchester UP, 1996. 107-27.
E323. Manheim, Michael. "The English History Play on Screen." See [E257].
11. Henry VI, Part One
[An Age of Kings: IX. The Red Rose and the White.] Dir. Michael Hayes (BBC, 1960).
E324. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E325. Crane, Milton. "Shakespeare on Television." See [E228].
E326. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E327. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E328. Marder, Louis. "An Age of Kings." See [E231].
E329. "Shakespeare Serial Changes Style." Times 26 Aug. 1960: 5b.
E330. Weiner, Albert. An Age of Kings Study Guide. See [E232].
[The Wars of the Roses: I. Henry VI.] Dir. Peter Hall and John Barton (stage), Michael Hayes and Robin Midgley (BBC, 1965).
E331. Barton, John. The Wars of the Roses. London: BBC Publications, 1970. [Includes the text as well as a few short essays by members of the crew.]
E332. Griffin, Alice V. "Shakespeare through the Camera's Eye: IV." Shakespeare Quarterly 17 (1966): 383-87. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 242-43.
E333. Hodgdon, Barbara. "The Wars of the Roses: Scholarship Speaks on the Stage." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1972: 170-84.
E334. Manheim, Michael. "The English History Play on Screen." See [E257].
E335. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." Journal of the Society of Film and Television Arts 37 (Autumn 1969): 2-6. [Manvell quotes several paragraphs on The Wars of the Roses written by Michael Barry (5-6) but does not indicate the original source.]
E336. Parker, Elspeth. "The Wars of the Roses: Space, Shape, and Flow." Shakespeare Bulletin 13.2 (Spring 1995): 40-41.
E337. Pearson, Richard. A Band of Arrogant and United Heroes: The Story of the Royal Shakespeare Company Production of The Wars of the Roses. London: Adelphi, 1990.
Dir. Jane Howell (BBC, 1983).
E338. Bingham, Dennis. "Jane Howell's First Tetralogy: Brechtian Break-Out or Just Good Television?" Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 221-29.
E339. Cook, Hardy M. "Jane Howell's BBC First Tetralogy: Theatrical and Televisual Manipulation." Literature/Film Quarterly 20 (1992): 326-31.
E340. Coursen, H. R. "Shakespeare and History." See [E238].
E341. Fenwick, Henry. "The Production." Henry VI Part 1: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 21-31.
E342. Hattaway, Michael. "Shakespeare's Histories: The Politics of Recent British Productions." Shakespeare in the New Europe. Ed. Michael Hattaway, Boika Sokolova and Derek Roper. Sheffield: Sheffield Academic, 1994. 351-69.
E343. Holderness, Graham. "History in Performance." Shakespeare's History. Dublin: Gill and Macmillan; New York: St. Martin's, 1985. 213-19. Rpt. as part of the chapter "Reclycing History" in Shakespeare Recycled: The Making of Historical Drama. Hemel Hempstead: Harvester Wheatsheaf, 1992. 219-25.
E344. . "Radical Potentiality and Institutional Closure: Shakespeare in Film and Television." See [C17].
E345. , and Christopher McCullough. "'Boxing the Bard': The Cultural Politics of Television Shakespeare." See [C22].
E346. Howell, Jane, Dominique Goy-Blanquet, Michael Hattaway, and Michèle Willems. "Représentations télévisuelles de la guerre." Shakespeare et la guerre. Ed. Marie-Thérèse Jones-Davies. Société Française Shakespeare, Actes du Congrès 1989. Paris: Belles Lettres, 1990. 161-69. [Summary of panel discussion.]
E347. Manheim, Michael. "The Shakespeare Plays on TV: The Henry VI-Richard III Tetralogy." Shakespeare on Film Newsletter 8.2 (Apr. 1984): 2, 4, 12. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 294-95.
E348. . "The English History Play on Screen." See [E257].
E349. Pearce, G. M. Cahiers élisabéthains 24 (Octobre 1983): 80-83. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 295-96.
E350. Taylor, Neil. "Two Types of Television Shakespeare." See [C55].
E351. Warren, Roger. "Theatre Reviews in England." Shakespeare Quarterly 34 (1983): 334-40.
E352. Wells, Stanley. "The History of the Whole Contention." Times Literary Supplement 4 Feb. 1983: 105. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 292-94.
E353. Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." Shakespeare à la télévision. Rouen: Publications de l'Université de Rouen, 1987. 79-91. [Interview in English.]
E354. . "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E355. Willis, Susan. "Jane Howell's Approach." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 165-86.
[The Wars of the Roses: Henry the Sixth: The House of Lancaster.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E356. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E357. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E358. Manheim, Michael. "The English History Play on Screen." See [E257].
12. Henry VI, Part Two
[An Age of Kings: X. The Fall of a Protector.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: XI. The Rabble from Kent.] Dir. Michael Hayes (BBC, 1960).
E359. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E360. Crane, Milton. "Shakespeare on Television." See [E228].
E361. "Extravert Acting in An Age of Kings." Times 10 Sept. 1960: 4g.
E362. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E363. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E364. Marder, Louis. "An Age of Kings." See [E231].
E365. "Nothing but Bonfires." Times 23 Sept. 1960: 18g.
E366. Weiner, Albert. An Age of Kings Study Guide. See [E232].
[The Wars of the Roses: II. Edward IV.] Dir. Peter Hall and John Barton (stage), Michael Hayes and Robin Midgley (BBC, 1965).
E367. Barton, John. The Wars of the Roses. See [E331].
E368. Griffin, Alice V. "Shakespeare through the Camera's Eye: IV." See [E332].
E369. Hodgdon, Barbara. "The Wars of the Roses: Scholarship Speaks on the Stage." See [E333].
E370. Manheim, Michael. "The English History Play on Screen." See [E257].
E371. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E335].
E372. Parker, Elspeth. "The Wars of the Roses: Space, Shape, and Flow." See [E336].
E373. Pearson, Richard. A Band of Arrogant and United Heroes: The Story of the Royal Shakespeare Company Production of The Wars of the Roses. See [E337].
Dir. Jane Howell (BBC, 1983).
E374. Bingham, Dennis. "Jane Howell's First Tetralogy: Brechtian Break-Out or Just Good Television?" See [E338].
E375. Cook, Hardy M. "Jane Howell's BBC First Tetralogy: Theatrical and Televisual Manipulation." See [E339].
E376. Coursen, H. R. "Shakespeare and History." See [E238].
E377. Fenwick, Henry. "The Production." Henry VI Part 2: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 18-29.
E378. Hattaway, Michael. "Shakespeare's Histories: The Politics of Recent British Productions." See [E342].
E379. Holderness, Graham. "History in Performance." See [E343].
E380. . "Radical Potentiality and Institutional Closure: Shakespeare in Film and Television." See [C17].
E381. Howell, Jane, Dominique Goy-Blanquet, Michael Hattaway, and Michèle Willems. "Représentations télévisuelles de la guerre." See [E346].
E382. Manheim, Michael. "The Shakespeare Plays on TV: The Henry VI-Richard III Tetralogy." See [E347].
E383. . "The English History Play on Screen." See [E257].
E384. Pearce, G. M. See [E349].
E385. Taylor, Neil. "Two Types of Television Shakespeare." See [C55].
E386. Warren, Roger. "Theatre Reviews in England." See [E351].
E387. Wells, Stanley. "The History of the Whole Contention." See [E352].
E388. Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." See [E353].
E389. . "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E390. Willis, Susan. "Jane Howell's Approach." See [E355].
[The Wars of the Roses: Henry the Sixth: The House of York.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E391. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E392. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E393. Manheim, Michael. "The English History Play on Screen." See [E257].
13. Henry VI, Part Three
[An Age of Kings: XII. The Morning's War.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: XIII. The Sun in Splendour.] Dir. Michael Hayes (BBC, 1960).
E394. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E395. Crane, Milton. "Shakespeare on Television." See [E228].
E396. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E397. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E398. Marder, Louis. "An Age of Kings." See [E231].
E399. Weiner, Albert. An Age of Kings Study Guide. See [E232].
Dir. Jane Howell (BBC, 1983).
E400. Bingham, Dennis. "Jane Howell's First Tetralogy: Brechtian Break-Out or Just Good Television?" See [E338].
E401. Cook, Hardy M. "Jane Howell's BBC First Tetralogy: Theatrical and Televisual Manipulation." See [E339].
E402. Coursen, H. R. "Shakespeare and History." See [E238].
E403. Fenwick, Henry. "The Production." Henry VI Part 3: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 20-31.
E404. Hattaway, Michael. "Shakespeare's Histories: The Politics of Recent British Productions." See [E342].
E405. Holderness, Graham. "History in Performance." See [E343].
E406. . "Radical Potentiality and Institutional Closure: Shakespeare in Film and Television." See [C17].
E407. Howell, Jane, Dominique Goy-Blanquet, Michael Hattaway, and Michèle Willems. "Représentations télévisuelles de la guerre." See [E346].
E408. Manheim, Michael. "The Shakespeare Plays on TV: The Henry VI-Richard III Tetralogy." See [E347].
E409. . "The English History Play on Screen." See [E257].
E410. Pearce, G. M. See [E349].
E411. Taylor, Neil. "Two Types of Television Shakespeare." See [C55].
E412. Warren, Roger. "Theatre Reviews in England." See [E351].
E413. Wells, Stanley. "The History of the Whole Contention." See [E352].
E414. Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." See [E353].
E415. . "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E416. Willis, Susan. "Jane Howell's Approach." See [E355].
14. Henry VIII
Dir. Kevin Billington (BBC, 1979).
E417. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 256.
E418. Colley, R. Scott. "The Shakespeare Plays on TV: Season One." Shakespeare on Film Newsletter 4.1 (Dec. 1979): 6-7. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 256.
E419. Fenwick, Henry. "The Production." Henry VIII: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 18-27.
E420. Gaertner, Johannes A. "Notes on Costume Design BBC Teleplays." Shakespeare on Film Newsletter 4.2 (Apr. 1980): 4.
E421. Jorgens, Jack J. "The BBC-TV Shakespeare Series." See [E49]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 256.
E422. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 86-87. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 256.
E423. Richmond, Hugh M. "Television: The BBC." King Henry VIII. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1994. 108-20.
E424. Saccio, Peter. "The Historicity of the BBC History Plays." See [E249].
E425. The Shakespeare Plays: A Study Guide. See [E54].
E426. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. See [E55].
E427. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
15. Julius Caesar
Dir. Paul Nickell (CBS, 1949).
E428. Coe, Fred. "Televising Shakespeare." Theatre Arts 35.4 (Apr. 1951): 56, 96.
Dir. Leo Penn (Studio One, 1955).
E429. Griffin, Alice. "Shakespeare through the Camera's Eye: III." See [E114].
[The Spread of the Eagle: IV. The Colossus.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: V. The Fifteenth.] Dir. Peter Dews (BBC, 1963).
[The Spread of the Eagle: VI. The Revenge.] Dir. Peter Dews (BBC, 1963).
E430. "Continuity Problem of New B.B.C. Shakespeare Series." See [E19].
E431. Dews, Peter. "The Spread of the Eagle." See [E20].
Dir. Herbert Wise (BBC, 1978).
E432. Clayton, Thomas. "'Should Brutus Never Taste of Portia's Death but Once?': Text and Performance in Julius Caesar." Studies in English Literature, 1500-1900 23 (1983): 237-55.
E433. Crowl, Samuel. "A World Elsewhere: The Roman Plays on Film and Television." See [E23].
E434. Dorval, Patricia, and Jean-Marie Maguin. "Rhétorique et représentation." Shakespeare: Rhétoriques du texte et du spectacle. Ed. M. T. Jones-Davies. Paris: Les Belles Lettres, 1992. 9-20, 185-87.
E435. Fenwick, Henry. "The Production." Julius Caesar: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 19-27.
E436. Gaertner, Johannes A. "Costume and Design in BBC-TV." See [E47].
E437. Jorgens, Jack J. "The BBC-TV Shakespeare Series." See [E49]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 250.
E438. Knoll, Robert E. "The Shakespeare Plays: The First Season." Shakespeare on Film Newsletter 3.2 (Apr. 1979): 1, 3, 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 250-51.
E439. McMurtry, Jo. "Teaching Julius Caesar with Film Bits." Shakespeare on Film Newsletter 16.2 (Apr. 1992): 7.
E440. . "The Play in Performance: Julius Caesar for Television, 1980." Julius Caesar: A Guide to the Play. Westport and London: Greenwood, 1998. 126-28.
E441. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 83-84. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 250.
E442. Perret, Marion D. "Teaching Shakespeare on Video." Shakespeare on Film Newsletter 7.1 (Dec. 1982): 1, 6.
E443. The Shakespeare Plays: A Study Guide. See [E54].
E444. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. See [E55].
E445. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
16. King John
Dir. (?) (BBC, 1952).
E446. Hope-Wallace, Philip. "Critic on the Hearth." Listener 24 Jan. 1952: 156-57.
E447. Trewin, J. C. A Play To-Night. London: Elek Books, 1952. 169-70.
Dir. David Giles (BBC, 1984).
E448. Carlisle, Carol J. "Constance: A Theatrical Trinity." King John: New Perspectives. Ed. Deborah T. Curren-Aquino. Newark: U of Delaware P; London and Toronto: Associated UP, 1989. 144-64.
E449. Colley, Scott. "BBC-TV King John." Shakespeare on Film Newsletter 10.1 (Dec. 1985): 5. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 311-12.
E450. Cousin, Geraldine. "The BBC Television Production, 1984." King John. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1994. 84-100.
E451. Fenwick, Henry. "The Production." King John: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1986. 19-30.
E452. Kemp, Peter. "Hasty History." Times Literary Supplement 7 Dec. 1984: 1416. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 310. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 231-32.
E453. Manheim, Michael. "The English History Play on Screen." See [E257].
E454. O'Connor, John J. "Shakespeare Plays Presents King John." New York Times 11 Jan. 1985: C24. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 310-11. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 232-33.
E455. Pearce, G. M. Cahiers élisabéthains 29 (Avril 1986): 87-88. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 233-34.
E456. Shrimpton, Nicholas. "Political Pageant." Times Educational Supplement 30 Nov. 1984: 24. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 310. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 230-31.
E457. Swan, Christopher. "PBS's King John Is a Lesson in How Not to Do Shakespeare." Christian Science Monitor 7 Jan. 1985: 28. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 311. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 232.
17. King Lear
Dir. Peter Brook (CBS, 1953).
E458. Adams, Val. "Random Notes on a Shakespearean Rehearsal." New York Times 18 Oct. 1953, sec. 2: X13. [Interview with Orson Welles.] Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 239.
E459. Coursen, H. R. "The Peter Brook/Orson Welles King Lear." Shakespeare on Film Newsletter 15.2 (Apr. 1991): 8. Rpt. in a revised, expanded form as part of the chapter "Editing the Script." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 96-100.
E460. Griffin, Alice. "Shakespeare through the Camera's Eye 1953-1954." Shakespeare Quarterly 6 (1955): 63-66. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 239.
E461. Howard, Tony. "When Peter Met Orson: The 1953 CBS King Lear." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 121-34.
E462. P[endleton], T[homas] A. "Shakespeare in the Golden Age of Television: Orson Welles' King Lear." Shakespeare Newsletter 44.3 (222) (Fall 1994): 58.
E463. Rosenberg, Marvin. "Shakespeare on TV: An Optimistic Survey." See [E110].
E464. Rothwell, Kenneth S. "Representing King Lear on Screen: From Metatheatre to 'Meta-Cinema'." Shakespeare Survey 39 (1987): 75-90. Rpt. in revised form in Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 211-33.
E465. . "A Small Point, Vividly Visited." Shakespeare and the Classroom 2.2 (Fall 1994): 17-18.
E466. . "In Search of Nothing: Mapping King Lear." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 135-47.
E467. Saunders, John. "'The promis'd end? or image of that horror?': Two Different Ways of Looking at the Ending of King Lear." Critical Essays on King Lear. Ed. Linda Cookson. Harlow: Longman, 1988. 120-29.
E468. Wadsworth, Frank W. "'Sound and Fury' King Lear on Television." Quarterly of Film, Radio, and Television 8 (1954): 254-68. Excerpt rpt. as "Frank W. Wadsworth Offers Another View of Welles's Lear." Shakespeare Newsletter 44.4 (223) (Winter 1994): 62.
Dir. Edwin Sherin (PBS, 1974).
E469. Coursen, H. R. "A Review: The Papp-Sherin King Lear." Channel Ten Pulse 3.2 (Apr. 1974): 2. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 245-46.
E470. . "Lear and Cordelia." Cahiers élisabéthains 40 (Octobre 1991): 11-20. Rpt. in revised form in Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 129-39. Rpt. in Critical Essays on Shakespeare's King Lear. Ed. Jay L. Halio. New York: G. K. Hall; London: Prentice Hall International, 1996. 216-26.
E471. . "Edmund's Nature." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 122-28.
E472. Rothwell, Kenneth S., and Bernice W. Kliman. "Shakespeare and the People: Elizabethan Drama on Video." Shakespeare on Film Newsletter 1.2 (Apr. 1977): 4, 7. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 246.
Dir. Jonathan Miller (BBC, 1975).
E473. Miller, Jonathan. "Subsequent Performances." Subsequent Performances. London and Boston: Faber and Faber; New York: Elisabeth Sifton/Viking, 1986. 133-42, 210-12.
Dir. Jonathan Miller (BBC, 1982).
E474. Bartlett, Bruce R. "'Go you before to Gloucester with these letters': King Lear 1.5 Reconsidered." Shakespeare Bulletin 15.4 (Fall 1997): 5-11.
E475. Bentley, Eric. "The Tragedy of King Lear." TV Guide 16 Oct. 1982: 33-36.
E476. Cook, Hardy M. "Two Lears for Television: An Exploration of Televisual Strategies." Literature/Film Quarterly 14 (1986): 179-86. Rpt., in a slightly abbreviated form, in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 122-29. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 197-205. Rpt., in a shorter, slightly different form, as "Shakespeare on Television: Recognizing What We See." CEAMagazine 4.1 (Fall 1991): 5-11.
E477. Coursen, H. R. "Lear and Cordelia." See [E470].
E478. . "Edmund's Nature." See [E471].
E479. Davies, Anthony. "King Lear on Film." Lear from Study to Stage: Essays in Criticism. Madison: Fairleigh Dickinson UP; London: Associated UP, 1997. 247-66.
E480. Fenwick, Henry. "The Production." King Lear: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 19-34. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 172-85.
E481. Holland, Peter. "Two-Dimensional Shakespeare: King Lear on Film." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 50-68.
E482. Kermode, Frank. "King Lear." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 125-53.
E483. Keyishian, Harry. "Performing Violence in King Lear: Edgar's Encounters in 4.6 and 5.3." Shakespeare Bulletin 14.3 (Summer 1996): 36-38.
E484. Leggatt, Alexander. "Jonathan Miller and Michael Hordern." King Lear. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1991. 107-19.
E485. Lusardi, James P. "Lear's Mock Trial." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 130-39. Rpt., with minor alterations, as "The Mock Trial: 3.6" in Reading Shakespeare in Performance: King Lear. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 91-104.
E486. , and June Schlueter. "Jonathan Miller on Dover Cliff." Shakespeare on Film Newsletter 11.2 (Apr. 1987): 5. Rpt., with minor revisions, as part of the chapter "Dover Cliff: 4.6." Reading Shakespeare in Performance: King Lear. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 112-16.
E487. . Reading Shakespeare in Performance: King Lear. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. [A detailed analysis of several scenes in the Jonathan Miller and Michael Elliott adaptations. Contents: "Introduction" (15-21); 1. "Cordelia's Plight: 1.1" (23-60); 2. "The Wicked Sisters: 1.4 and 2.4" (61-90); 3. "The Mock Trial: 3.6" (91-104); 4. "Dover Cliff: 4.6" (105-21); 5. "The Anonymous Captain: 5.3" (122-34); 6. "The Promised End: 5.3" (135-57). Rpt. in Yearbook 1991. Ed. Joseph C. Tardiff. Vol. 19 of Shakespearean Criticism. Detroit: Gale Research, 1993. 295-303; "Conclusion" (158-59).]
E488. . "Select Bibliography of Reviews of the BBC and Granada Productions of King Lear." Reading Shakespeare in Performance: King Lear. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 239-40.
E489. Pearce, G. M. Cahiers élisabéthains 23 (Avril 1983): 108-10.
E490. Petit, J.-P. "Deux King Lear mémorables." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 135-42.
E491. Reynolds, Peter. "Shakespeare on Film." Shakespeare: Text into Performance. Harmondsworth: Penguin, 1991. 105-17.
E492. Rothwell, Kenneth S. "Representing King Lear on Screen: From Metatheatre to 'Meta-Cinema'." See [E464]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 301-3.
E493. . "A Small Point, Vividly Visited." See [E465].
E494. . "In Search of Nothing: Mapping King Lear." See [E466].
E495. Saunders, John. "'The promis'd end? or image of that horror?': Two Different Ways of Looking at the Ending of King Lear." See [E467].
E496. Urkowitz, Steven. "The Shakespeare Plays on TV: King Lear: King Lear without Tears." Shakespeare on Film Newsletter 7.2 (Apr. 1983): 2. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 288-89.
E497. Willis, Susan. "Jonathan Miller: Producer and Director." See [E42].
E498. Woudhuysen, H. R. "An Interest in Evil." Times Literary Supplement 1 Oct. 1982: 1066. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 288.
Dir. Alan Cooke (The Bard Series, 1982).
E499. Bartlett, Bruce R. "'Go you before to Gloucester with these letters': King Lear 1.5 Reconsidered." See [E474].
Dir. Michael Elliott (Channel Four, 1983).
E500. Bartlett, Bruce R. "'Go you before to Gloucester with these letters': King Lear 1.5 Reconsidered." See [E474].
E501. Bornheim, Helmut. "Images of Violence in King Lear." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1987: 117-23.
E502. Cook, Hardy M. "Two Lears for Television: An Exploration of Televisual Strategies." See [E476].
E503. Coursen, H. R. "Lear and Cordelia." See [E470].
E504. . "Edmund's Nature." See [E471].
E505. Cowie, Peter. "In the Picture: The Olivier Lear." Sight and Sound 52.2 (Spring 1983): 78. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 187-89.
E506. . "Olivier, at 75, Returns to Lear." New York Times 1 May 1983, sec. 2: 1, 25. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 189-93.
E507. D'Amico, Masolino. "Doppiare Lear (Schema dell'intervento)." King Lear dal testo alla scena. Ed. Mariangela Tempera. Bologna: Cooperativa Libraria Universitaria Editrice, 1986. 175-77.
E508. Davies, Anthony. "King Lear on Film." See [E479].
E509. Gibinska, Marta. "Olivier's King Lear and the Problem of Naturalistic Mimesis in Modern Media." Reception of the Classics in Modern Theatre: Proceedings of Kraków-Bochum Symposium in Theatre Studies, Kraków, 21-23 May 1991. Cracow: Towarzystwo Autorów i Wydawców Prac Naukowych Universitas, 1991. 57-72.
E510. Giroux, Robert. "Laurence Olivier's Lear." Films in Review 35 (1984): 98-100.
E511. Hodge, Robert. "Readers, Writers and Roles: Drama, Theatre, Performance." Literature as Discourse: Textual Strategies in English and History. Cambridge: Polity; Baltimore: Johns Hopkins UP, 1990. 58-62.
E512. Holland, Peter. "Two-Dimensional Shakespeare: King Lear on Film." See [E481].
E513. Isenberg, Seymour. "A King Lear Notebook: Olivier's First Shakespeare Exclusively for Television." Bulletin of the New York Shakespeare Society 1.12 (June 1983): 1-4. Rpt., in abbreviated form, in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 194-96.
E514. Keyishian, Harry. "Performing Violence in King Lear: Edgar's Encounters in 4.6 and 5.3." See [E483].
E515. Kimbrough, R. Alan. "Olivier's Lear and the Limits of Video." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 115-22. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 226-33.
E516. Leggatt, Alexander. "Laurence Olivier." King Lear. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1991. 120-31.
E517. Lusardi, James P. "Lear's Mock Trial." See [E485].
E518. , and June Schlueter. Reading Shakespeare in Performance: King Lear. See [E487].
E519. . "Select Bibliography of Reviews of the BBC and Granada Productions of King Lear." See [E488].
E520. Mebane, John S. "Olivier's King Lear and the 'Feminine' Virtues in Shakespearean Tragedy." Shakespeare Yearbook 3 (1992): 143-66.
E521. Millard, Barbara. "Husbanded with Modesty: Shakespeare on TV." See [B44].
E522. Occhiogrosso, Frank. "King Lear: A Film for Television." Bulletin of the New York Shakespeare Society 2.1 (July 1983): 3-4.
E523. . "'Give Me Thy Hand': Manual Gesture in the Elliott-Olivier King Lear." Shakespeare Bulletin 2.9 (May-June 1984): 16-19. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 234-39.
E524. Orbison, Tucker. "The Stone and the Oak: Olivier's TV Film of King Lear." CEA Critic 47.1-2 (Fall and Winter 1984): 67-77. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 215-26.
E525. Pearce, G. M. Cahiers élisabéthains 24 (Octobre 1983): 87-89. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 300.
E526. Perret, Marion. "The Making of King Lear." Shakespeare on Film Newsletter 8.2 (Apr. 1984): 1, 7. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 196-97.
E527. Petit, J.-P. "Deux King Lear mémorables." See [E490].
E528. Reynolds, Peter. "Shakespeare on Film." See [E491].
E529. Rose, Lloyd. "A Winter's Tale." Atlantic 253.2 (Feb. 1984): 90-92.
E530. Rothwell, Kenneth S. "Representing King Lear on Screen: From Metatheatre to 'Meta-Cinema'." See [E464]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 301-3.
E531. . "A Small Point, Vividly Visited." See [E465].
E532. . "In Search of Nothing: Mapping King Lear." See [E466].
E533. Schwartz, Mary C. "A Family Romance: Loving, Losing and Reuniting in King Lear." Family Therapy Networker 8.5 (Sept.-Oct. 1984): 42-46.
E534. Smith, Ronn. "Focus: Theatre on Video: King Lear." Theatre Crafts 17.4 (Apr. 1983): 12. Rpt. in Reading Shakespeare in Performance: King Lear. Ed. James P. Lusardi and June Schlueter. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1991. 185-87.
E535. Urkowitz, Steven. "Lord Olivier's King Lear." Shakespeare on Film Newsletter 8.1 (Dec. 1983): 1, 3. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 300-1.
E536. Viguers, Susan. "Costuming as Interpretation: The Elliott/Olivier and the Brook/Scofield King Lear." Shakespeare Bulletin 12.2 (Spring 1994): 44-46.
E537. Wells, Stanley. "The Sweetness of Age." Times Literary Supplement 8 Apr. 1983: 353. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 300.
E538. Worthen, William B. "The Player's Eye: Shakespeare on Television." See [C74].
Dir. Tony Davenall (Thames Television, 1988).
E539. Bartlett, Bruce R. "'Go you before to Gloucester with these letters': King Lear 1.5 Reconsidered." See [E474].
E540. Davies, Anthony. "King Lear on Film." See [E479].
Dir. Richard Eyre (BBC, 1998).
E541. Coursen, H. R. "Three Recent Shakespeare Productions on Television." Shakespeare Bulletin 17.4 (Fall 1999): 33-35.
18. Love's Labour's Lost
Dir. Elijah Moshinsky (BBC, 1984).
E542. Fenwick, Henry. "The Production." Love's Labour's Lost: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1986. 17-25.
E543. Gilbert, Miriam. "'A pleasant conceited comedie': BBC Television, 1984." Love's Labour's Lost. Shakespeare in Performance Series. Manchester: Manchester UP, 1993. 56-76.
E544. Jones, Gordon P. "Nahum Tate Is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions." See [E5]. Excerpt rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 23. Detroit: Gale Research, 1994. 223-24.
E545. Kemp, Peter. "Mellowness Is All." Times Literary Supplement 18 Jan. 1985: 64. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 23. Detroit: Gale Research, 1994. 221. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 312.
E547. Maher, Mary Z. "Moshinsky's Love's Labor's Lost." Shakespeare on Film Newsletter 10.1 (Dec. 1985): 2-3. Rpt. in Love's Labour's Lost: Critical Essays. Ed. Felicia Hardison Londré. New York and London: Garland, 1997. 415-16.
E548. Pearce, G. M. Cahiers élisabéthains 28 (Octobre 1985): 84-85. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 23. Detroit: Gale Research, 1994. 222.
E549. Rosenfeld, Megan. "'Labour' of Love." Washington Post 31 May 1985: B6. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 23. Detroit: Gale Research, 1994. 221-22.
E550. Teague, Frances. "The Shakespeare Plays on TV: Love's Labor's Lost." Shakespeare on Film Newsletter 10.1 (Dec. 1985): 1-2. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 312-13. Rpt., with some abbreviations, in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 23. Detroit: Gale Research, 1994. 222-23.
E551. Willis, Susan. "Moshinsky's Television Artistry." See [E18].
19. Macbeth
Dir. (?) (BBC, 1949).
E552. Trewin, J. C. "A Tragedy of Darkness." Radio Times 18 Feb. 1949: 25.
Dir. Anthony Brown and Gerry Simpson (NBC, 1949).
E553. Coursen, H. R. "The Play in Performance: Macbeth on Television." Macbeth: A Guide to the Play. Westport and London: Greenwood, 1997. 188-97.
E554. Gould, Jack. New York Times 22 May 1949: 30. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 237.
Dir. Paul Nickell (CBS, 1951).
E555. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
E556. Gould, Jack. "Worthington Miner's Production of Macbeth, Seen on 'Studio One,' Evokes Some Critical Comment." New York Times 24 Oct. 1951: 34. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 238.
Dir. George Schaefer (NBC, 1954).
E557. Coursen, H. R. "Recently Viewed on TV and Tape: The Schaefer 1954 Macbeth Revisited." Shakespeare on Film Newsletter 14.1 (Dec. 1989): 7, 12.
E558. . "The Play in Performance: Macbeth on Television." See [E553].
E559. Evans, Maurice. "1947-1963: '... this strange eventful history...': No Time for Sergeants." All This... and Evans Too! A Memoir. Columbia: U of South Carolina P, 1987. 240-57.
E560. Gould, Jack. "Adaptation of Macbeth Shown on NBC." New York Times 29 Nov. 1954: 31. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 240.
E561. Griffin, Alice. "Shakespeare through the Camera's Eye 1953-1954." See [E460]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 239-40.
E562. Jones, Claude E. "The Imperial Theme Macbeth on Television." Quarterly of Film, Radio, and Television 9 (1955): 292-98.
E563. Kliman, Bernice W. "The Setting in Early Television: Maurice Evans' Shakespeare Productions." See [E107].
E564. . "The Protagonists: Chiasmus Interpretations on Television: Maurice Evans and Judith Anderson Directed by George Schaefer." Macbeth. Shakespeare in Performance Series. Manchester: Manchester UP, 1992. 56-64.
E565. Simon, Ronald. "An Interview with George Schaefer." See [E113].
Dir. George Schaefer (NBC, 1960).
E566. Butt, Nasim Riaz. "Filming the Evil in Macbeth." Spectrum 1985 (Lahore): 57-70.
E567. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
E568. Crane, Milton. "Shakespeare on Television." See [E228].
E569. Evans, Maurice. "1947-1963: '... this strange eventful history...': From Heartbreak House to Tenderloin." All This... and Evans Too! A Memoir. Columbia: U of South Carolina P, 1987. 257-72.
E570. Forsdale, Louis. Studies in the Mass Media: Macbeth. Champaign: National Council of Teachers of English, 1960.
E571. Hansen, Anne. "Shakespeare Can Take It." Cresset (June 1964): 27.
E572. Hutton, Clayton. Macbeth: The Making of the Film. London: Max Parrish, 1960.
E573. Jorgens, Jack J. "Defining Macbeth: George Schaefer, Orson Welles, Akira Kurosawa." Shakespeare on Film. Bloomington: Indiana UP, 1977. 148-53.
E574. . Teaching Manual: Macbeth (Schaefer Version). New York: Audio Brandon Films, 1978.
E575. Kiley, Frederick S. "Fates Midnight: A Teaching Guide for Macbeth." English Journal 49 (1960): 589-92.
E576. Kliman, Bernice W. "'An Unseen Interpreter': Interview with George Schaefer." See [E108].
E577. . "The Protagonists: Chiasmus Interpretations on Television: Maurice Evans and Judith Anderson Directed by George Schaefer." See [E564].
E578. Knight, G. Wilson. "Notes on the Filming of Shakespeare: 2 [1963]." Shakespearian Production. London: Faber and Faber, 1964. 269-70.
E579. Manvell, Roger. "Theatre into Film: Macbeth (1960; George Schaefer)." Shakespeare and the Film. London: Dent; New York: Praeger, 1971. Rev. ed. South Brunswick and New York: A. S. Barnes, 1979. 114-16.
E580. Mullin, Michael. "Macbeth on Film." Literature/Film Quarterly 1 (1973): 332-42.
E581. Simon, Ronald. "An Interview with George Schaefer." See [E113].
E582. Williams, Raymond. "Some Versions of Shakespeare on the Screen." TV as Art: Some Essays in Criticism. Ed. Patrick D. Hazard. Champaign: National Council of Teachers of English, 1966. 117-36.
Dir. John Gorrie (BBC, 1970).
E583. Coursen, H. R. "The Classic Theatre: Macbeth Directed by John Gorrie." Channel Ten Pulse 5.2 (Oct. 1976): 3. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 247-48.
E584. . "The Play in Performance: Macbeth on Television." See [E553].
E585. Kliman, Bernice W. "The Protagonists: Chiasmus Interpretations on Television: Eric Porter and Janet Suzman Directed by John Gorrie." Macbeth. Shakespeare in Performance Series. Manchester: Manchester UP, 1992. 64-76.
E586. Rothwell, Kenneth S., and Bernice W. Kliman. "Shakespeare and the People: Elizabethan Drama on Video." See [E472]. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 247.
Dir. Trevor Nunn (stage) and Philip Casson (Thames Television, 1978).
E587. Collins, Michael J. "Using Films to Teach Shakespeare." Shakespeare Quarterly 46 (1995): 228-35.
E588. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
E589. Dorval, Patricia. "Gazing through the Peephole of Rhetoric: Shakespearean Trompe-l'oeil Then and Now." Cahiers élisabéthains 51 (Avril 1997): 63-75.
E590. Hodgdon, Barbara. "The Critic, the Poor Player, Prince Hamlet, and the Lady in the Dark." Shakespeare Reread: The Texts in New Contexts. Ed. Russ McDonald. Ithaca and London: Cornell UP, 1994. 259-93.
E591. Kennedy, Dennis. "Shakespeare Played Small: Three Speculations about the Body." See [B34].
E592. Kliman, Bernice W. "The Production: Visionary Directors on Stage and Screen: Trevor Nunn's Production with Ian McKellen and Judi Dench." Macbeth. Shakespeare in Performance Series. Manchester: Manchester UP, 1992. 99-118.
E593. LoMonico, Michael. "'To th' Amazement of Mine Eyes': Macbeth on Video." Shakespeare 1.4 (Fall 1997): 14.
E594. Mullin, Michael. "Stage and Screen: The Trevor Nunn Macbeth." Shakespeare Quarterly 38 (1987): 350-59. Rpt. in abbreviated form in Theatre and Television. Ed. Robert L. Erenstein. Amsterdam: International Theatre Bookshop, 1988. 101-12. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 107-15.
E595. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 82-83.
E596. Perret, Marion D. "Double, Double: Trevor Nunn's Macbeth for Television." Shakespeare Bulletin 10.3 (Summer 1992): 38-39.
E597. Törnqvist, Egil. "Variations on the Audiovisual: Shakespeare's Macbeth (c. 1606)." Transposing Drama: Studies in Representation. New York: St. Martin's, 1991. 24-61.
E598. Turner, John. Macbeth. Open Guides to Literature. Buckingham and Philadelphia: Open UP, 1992. [Not seen. According to the World Shakespeare Bibliography, the book offers an introductory stage-centred reading of the play contrasting films by Roman Polanski and Trevor Nunn.]
E599. Willis, Susan. "Medium, Message, Style." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 98-99.
Dir. Arthur Allan Seidelman (The Bard Series, 1981).
E600. Coursen, H. R. "Not Fit to Live." Shakespeare on Film Newsletter 13.1 (Dec. 1988): 4. Rpt. in revised, expanded form as part of the chapter "A Space for Shakespeare: VII. The Stage as Studio." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 210-12.
E601. . "The Play in Performance: Macbeth on Television." See [E553].
E602. Schlueter, June. "Bad Shakespeare in the Classroom." Shakespeare on Film Newsletter 13.1 (Dec. 1988): 4, 8.
Dir. Sarah Caldwell (stage) and Kirk Browning (ARTS, 1982).
E603. Collins, Michael J. "Using Films to Teach Shakespeare." See [E587].
E604. Coursen, H. R. "Macbeth. Lincoln Center for the Performing Arts. Directed by Sarah Caldwell." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 274-76.
E605. . "The Play in Performance: Macbeth on Television." See [E553].
Dir. Jack Gold (BBC, 1983).
E606. Benecke, Ingrid. "Zum Einsatz von Filmmaterial bei der Behandlung von Macbeth." Deutsche Shakespeare-Gesellschaft West: Jahrbuch 1990: 171-82.
E607. Collins, Michael J. "Using Films to Teach Shakespeare." See [E587].
E608. Coursen, H. R. "Macbeth." Marlowe Society of America Newsletter 5.1 (Spring 1985): 11-12. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 298-99.
E609. . "The Play in Performance: Macbeth on Television." See [E553].
E610. Dorval, Patricia. "Les formes de l'ostension: Ecartrapprochementidentité." Différence et identité. Recueil de communications prononcées lors du Congrès d'Aix (Société des Anglicistes de l'Enseignement Supérieur). Aix-en-Provence: Publications de l'Université de Provence, 1992. 37-54.
E611. . "Gazing through the Peephole of Rhetoric: Shakespearean Trompe-l'oeil Then and Now." See [E589].
E612. Fenwick, Henry. "The Production." Macbeth: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 19-28.
E613. Kemp, Peter. "Schizoid Schemers." Times Literary Supplement 18 Nov. 1983: 1280. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 297-98.
E614. Kliman, Bernice W. "The Protagonists: Chiasmus Interpretations on Television: Nicol Williamson and Jane Lapotaire Directed by Jack Gold." Macbeth. Shakespeare in Performance Series. Manchester: Manchester UP, 1992. 76-85.
E615. LoMonico, Michael. "'To th' Amazement of Mine Eyes': Macbeth on Video." See [E593].
E616. Mullin, Michael. "The BBC Macbeth." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 2. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 298.
E617. Pearce, G. M. Cahiers élisabéthains 25 (Avril 1984): 112-13. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 296-97.
E618. Törnqvist, Egil. "Variations on the Audiovisual: Shakespeare's Macbeth (c. 1606)." See [E597].
E619. Willems, Michèle, and Raymond Willems. "Entretien avec Jack Gold, réalisateur de Macbeth et de The Merchant of Venice." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 41-52. [Interview in English.]
E620. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. Charles Warren (Thames Television, 1988).
E621. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
Dir. Janie Caves McCauley and William McCauley (Bob Jones University, 1994).
E622. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
20. Measure for Measure
Dir. Desmond Davis (BBC, 1979).
E623. Andrews, John F. "Measure for Measure." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 103-24.
E624. Carr, Virginia M. "The Shakespeare Plays on TV: Season One." Shakespeare on Film Newsletter 4.1 (Dec. 1979): 4-5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 255.
E625. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 255.
E626. Coursen, H. R. "Why Measure for Measure?" Literature/Film Quarterly 12 (1984): 65-69. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 179-84. Rpt. in revised, expanded form as "A Space for Shakespeare: VI. Measure for Measure: Balancing the Scale." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 199-205.
E627. Fenwick, Henry. "The Production." Measure for Measure: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1979. 18-25.
E628. Gaertner, Johannes A. "Notes on Costume Design BBC Teleplays." See [E420].
E629. Hapgood, Robert. "The Latitudes and Limits of Performance: The BBC Television Measure for Measure and Zeffirelli's The Taming of the Shrew." Shakespeare the Theatre-Poet. Oxford: Clarendon, 1988. 203-16.
E630. Jorgens, Jack J. "The BBC-TV Shakespeare Series." See [E49].
E631. Nicholls, Graham. Measure for Measure. Text and Performance Series. London: Macmillan, 1986. 54-55, 61-62, 70-72, 78-79, 81-82, 85, 87-88.
E632. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 85. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 255.
E633. Perret, Marion D. "'To Stage Me to Their Eyes': Visual Imagery in the BBC Production of Measure for Measure." Literature in Performance 2.2 (Apr. 1982): 12-22.
E634. The Shakespeare Plays: A Study Guide. See [E54].
E635. Varney, Denise. "Feminist Performance Techniques and Shakespeare: A Study of Act 2, Scene 4 of Measure for Measure." Shakespeare's Books: Contemporary Cultural Politics and the Persistence of Empire. Ed. Philip Mead and Marion Campbell. Melbourne University Literary and Cultural Studies Series 1. Melbourne: Department of English, U of Melbourne, 1993. 192-204.
E636. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. See [E55].
E637. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
E638. Willson, Robert F. Jr. "The BBC-TV Measure and Measure and Television Aesthetics." Shakespeare Bulletin 4.6 (Nov.-Dec. 1986): 23-25.
Dir. John Erath (Comcast Cablevision, 1986?).
E639. Erath, Frank. "A History of Shakespeare '70." Shakespeare Bulletin 6.2 (March-Apr. 1988): 12.
E640. Schlueter, June, and James P. Lusardi. "Shakespeare '70, Inc.: Taping Measure for Measure." Shakespeare Bulletin 6.2 (March-Apr. 1988): 11-12.
Dir. David Thacker (BBC, 1994).
E641. Coursen, H. R. "The 1994 BBC Measure for Measure." Shakespeare Bulletin 15.3 (Summer 1997): 41-42.
E642. . "The Recent Shakespeare Films." Shakespeare Bulletin 17.1 (Winter 1999): 38-41.
E643. Maguin, Angela. Cahiers élisabéthains 47 (Avril 1995): 108-10.
E644. Phillips, Stephen J. "'Adapted for Television': David Thacker's Measure for Measure." Forum for Modern Language Studies 35 (1999): 23-33.
21. The Merchant of Venice
Dir. Jonathan Miller (stage) and John Sichel (ITC, 1974).
E645. Bulman, James C. "Aesthetes in a Rugger Club: Jonathan Miller and Laurence Olivier." The Merchant of Venice. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1991. 75-100.
E646. . "On Being Unfaithful to Shakespeare: Miller, Marowitz, and Wesker." JTD: Journal of Theatre and Drama 2 (1996): 59-73.
E647. Chinoy, Helen Krich. "The Director as Mythagog: Jonathan Miller Talks about Directing Shakespeare." Shakespeare Quarterly 27 (1976): 7-14.
E648. Coursen, H. R. "A Space for Shakespeare: I." See [B10].
E649. Gross, John. "Since 1945." Shylock: Four Hundred Years in the Life of a Legend. London: Chatto and Windus, 1992. 301-4.
E650. Hirsch, Foster. "Othello and The Merchant of Venice." Laurence Olivier on Screen. Boston: Twayne, 1979. 126-30.
E651. Miller, Jonathan. "Shakespeare and the Modern Director." See [B45].
E652. Overton, Bill. The Merchant of Venice. Text and Performance Series. Houndmills: Macmillan, 1987. 43-46, 49-52, 56-57, 59, 64-67.
E653. Perret, Marion D. "Shakespeare and Anti-Semitism: Two Television Versions of The Merchant of Venice." Mosaic 16 (1983): 145-63. Rpt. in abbreviated form in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 156-68.
E654. Rothwell, Kenneth S. "A Shakespeare Mini-Series on Arts & Entertainment Channel." See [E61].
E655. Schlueter, June. "Trivial Pursuit: The Casket Plot in the Miller/Olivier Merchant." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 169-74.
E656. Smith, Emma. "The Merchant of Venice: Prejudice and Performance." English Review 8.1 (1997): 6-9.
Dir. Jack Gold (BBC, 1980).
E657. Bulman, James C. "The BBC Merchant: Diminishing Returns." The Merchant of Venice. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1991. 101-16.
E658. Coursen, H. R. "A Space for Shakespeare: I." See [B10].
E659. Fenwick, Henry. "The Production." The Merchant of Venice: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1980. 17-26.
E660. Hallinan, Tim. "Interview: Jonathan Miller on The Shakespeare Plays." See [C15] [Miller was the producer of this adaptation.]
E661. Kerrigan, John. "Take the Money." Times Literary Supplement 19 Dec. 1980: 1437.
E662. Kroll, Jack. "Dr. Miller's Shakespeare." See [E32].
E663. Manheim, Michael. "The Shakespeare Plays on TV: The Merchant of Venice." Shakespeare on Film Newsletter 5.2 (May 1981): 11. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 269.
E664. Maquerlot, Jean-Pierre, Michèle Willems, and Raymond Willems. "Table ronde sur The Merchant of Venice on Television." Le Marchand de Venise et Le Juif de Malte: Texte et représentations. Ed. Michèle Willems, Jean-Pierre Maquerlot and Raymond Willems. Rouen: Publications de l'Université de Rouen, 1985. 167-75. Rpt. in expanded form as "Table ronde avec Jack Gold, réalisateur de The Merchant of Venice." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 53-67. [Round table in English.]
E665. Miller, Jonathan. "Shakespeare and the Modern Director." See [B45].
E666. Overton, Bill. The Merchant of Venice. Text and Performance Series. Houndmills: Macmillan, 1987. 43-44, 47, 49-52, 58-59, 62, 64, 66-67.
E667. Pearce, G. M. Cahiers élisabéthains 19 (Avril 1981): 127-29. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 269.
E668. Perret, Marion D. "Shakespeare and Anti-Semitism: Two Television Versions of The Merchant of Venice." See [E653].
E669. Rothwell, Kenneth S. "'The Shakespeare Plays': Hamlet and the Five Plays of Season Three." See [E10].
E670. Voth, Grant L. Five Shakespeare Plays: Third Season Study Guide. See [E14].
E671. Willems, Michèle, and Raymond Willems. "Entretien avec Jack Gold, réalisateur de Macbeth et de The Merchant of Venice." See [E619].
E672. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
22. The Merry Wives of Windsor
Dir. Jack Manning and Lillian Wilds (The Bard Series, 1979).
E673. Roberts, Jeanne Addison. "The Merry Wives of Windsor." Shakespeare on Film Newsletter 6.2 (March 1982): 8, 11. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 270.
Dir. David Jones (BBC, 1982).
E674. Fenwick, Henry. "The Production." The Merry Wives of Windsor: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 17-28.
E675. Pearce, G. M. Cahiers élisabéthains 24 (Octobre 1983): 78-79. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 291.
E676. Roberts, Jeanne Addison. "The Shakespeare Plays on TV: The Merry Wives of Windsor." Shakespeare on Film Newsletter 7.2 (Apr. 1983): 5. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 291-92.
E677. Wells, Stanley. "A Picturesque Comedy of Character." Times Literary Supplement 14 Jan. 1983: 35. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 291.
E678. Willems, Michèle, and J.-P. Maquerlot. "Entretien avec David Jones, réalisateur de The Merry Wives of Windsor et de Pericles." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 31-40. [Interview in English.]
E679. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
23. A Midsummer Night's Dream
Dir. Joan Kemp-Welch (Rediffusion Network Television, 1964).
E680. Coursen, H. R. "Recently Viewed on TV and Tape: Midsummer Night's Dream." Shakespeare on Film Newsletter 14.1 (Dec. 1989): 7.
E681. . "Hermia's Dream." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 74-84.
E682. Griffin, C. W. "Hippolyta's Dress and Undress: Subtext and Scopophilia in A Midsummer Night's Dream." Shakespeare Bulletin 12.2 (Spring 1994): 43-44.
Dir. Alvin Epstein (stage) and Richard Heller (American Repertory Theatre, 1980).
E683. Coursen, H. R. "Style in Dream: The ART Version." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 33-50.
Dir. Elijah Moshinsky (BBC, 1981).
E684. Colley, Scott. "The Shakespeare Plays on TV: A Midsummer Night's Dream." Shakespeare on Film Newsletter 8.1 (Dec. 1983): 5-6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 283-84.
E685. Coursen, H. R. "Hermia's Dream." See [E681].
E686. Elsom, John. "Does Shakespeare Write Better for Television?" See [E2].
E687. Fenwick, Henry. "The Production." A Midsummer Night's Dream: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 18-26.
E688. Griffin, C. W. "Hippolyta's Dress and Undress: Subtext and Scopophilia in A Midsummer Night's Dream." See [E682].
E689. Halio, Jay L. "Two Dreams on Television: The BBC's (1981) and Joseph Papp's (1982)." A Midsummer Night's Dream. Shakespeare in Performance Series. Manchester: Manchester UP, 1994. 102-10.
E690. Jones, Gordon P. "Nahum Tate Is Alive and Well: Elijah Moshinsky's BBC Shakespeare Productions." See [E5].
E691. Laroque, François. "Plaidoyer pour un Songe: Aspects esthétiques et pédagogiques du Midsummer Night's Dream d'Elijah Moshinsky." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 121-34.
E692. McGuire, Philip C. "Hippolyta's Silence and the Poet's Pen." Speechless Dialect: Shakespeare's Open Silences. Berkeley: U of California P, 1985. 1-18. Rpt., in slightly altered form, in A Midsummer Night's Dream: Contemporary Critical Essays. Ed. Richard Dutton. New Casebooks Series. Houndmills: Macmillan, 1996. 139-60.
E693. O'Rourke, Gail. "Using Video Dreams." Shakespeare and the Schools 21 (1993): 10.
E694. Pearce, G. M. Cahiers élisabéthains 21 (Avril 1982): 61-62. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 282.
E695. Shrimpton, Nicholas. "Hot Ice and Wondrous Strange Snow." Times Literary Supplement 25 Dec. 1981: 1492. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 282-83.
E696. Voth, Grant L. A Midsummer Night's Dream: A Study Guide for The Shakespeare Plays. Dubuque: Kendall/Hunt, 1981.
E697. Warren, Roger. "Elijah Moshinsky's Production: BBC Television, 1981." A Midsummer Night's Dream. Text and Performance Series. London: Macmillan, 1983. 67-73.
E698. Williams, Gary Jay. "Postmodernism: 'The Fierce Vexation of a Dream'." Our Moonlight Revels: A Midsummer Night's Dream in the Theatre. Studies in Theatre History and Culture. Iowa City: U of Iowa P, 1997. 249-51.
E699. Willis, Susan. "Moshinsky's Television Artistry." See [E18].
E700. Young, David. "A Midsummer Night's Dream." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 27-47.
Dir. James Lapine (stage) and Emile Ardolino (ABC Video, 1982).
E701. Coursen, H. R. "Joseph Papp's A Midsummer Night's Dream." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 284-85. Rpt., with minor revisions, as part of the chapter "A Space for Shakespeare: VII. The Stage as Studio." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 208-10.
E702. . "Hermia's Dream." See [E681].
E703. Halio, Jay L. "Two Dreams on Television: The BBC's (1981) and Joseph Papp's (1982)." A Midsummer Night's Dream. Shakespeare in Performance Series. Manchester: Manchester UP, 1994. 110-16.
E704. Osborne, Laurie E. "Constructing Female Desire and the Female Gaze in the Dreams of Reinhardt, Hall, and Papp." Shakespeare on Film Newsletter 15.1 (Dec. 1990): 5.
E705. Williams, Gary Jay. "Postmodernism: 'The Fierce Vexation of a Dream'." Our Moonlight Revels: A Midsummer Night's Dream in the Theatre. Studies in Theatre History and Culture. Iowa City: U of Iowa P, 1997. 249.
Dir. Celestino Coronado (Spain and Great Britain, 1984).
E706. Collick, John. "Symbolism in Shakespeare Film." Shakespeare, Cinema and Society. Cultural Politics Series. Manchester and New York: Manchester UP, 1989. 103-5.
E707. Rothwell, Kenneth S. "Shakespeare on Film All over the World: A Midsummer Night's Dream." Shakespeare on Film Newsletter 10.2 (Apr. 1986): 5.
24. Much Ado About Nothing
Dir. A. J. Antoon (CBS, 1973).
E708. Coursen, H. R. "Anachronism and Papp's Much Ado." Maine Times 23 Feb. 1973: 23. Rpt. in revised form in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 151-55. Rpt. in revised, expanded form as "A Space for Shakespeare: II. Papp's Much Ado: The Perils of Anachronism." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 183-88.
E709. Jones, Edward T. "Another Noting of the Papp/Antoon Much Ado About Nothing." Shakespeare on Film Newsletter 3.1 (Dec. 1978): 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 244.
Dir. Stuart Burge (BBC, 1984).
E710. Cox, John F. "Film and Television Versions." Introduction. Much Ado About Nothing. Shakespeare in Production Series. Cambridge: Cambridge UP, 1997. 81-84.
E711. Fenwick, Henry. "The Production." Much Ado About Nothing: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1986. 19-28.
E712. Kemp, Peter. "Ambivalent Amiability." Times Literary Supplement 11 Jan. 1985: 38. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 309-10.
E713. Laroque, François. "La mise en scène de Much Ado About Nothing à la télévision." La littérature anglo-américaine à l'écran. Ed. Gérard Hugues and Daniel Royot. Paris: Didier Érudition, 1993. 9-16.
E714. Maher, Mary Z. "Shooting Shakespeare at the BBC." Shakespeare Bulletin 3.3 (May-June 1985): 22-24.
E715. McCloskey, Susan. "The Shakespeare Plays on TV: Much Ado About Nothing." Shakespeare on Film Newsletter 9.2 (Apr. 1985): 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 310.
E716. Pearce, G. M. Cahiers élisabéthains 28 (Octobre 1985): 83-84.
E717. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. Louis Fantasia (University of California at Berkeley, 1996).
E718. Richmond, Hugh Macrae. "Angles of Vision: Recording Much Ado at the Restored Globe Theatre." Shakespeare Bulletin 15.1 (Winter 1997): 31-33.
25. Othello
Dir. (?) (BBC, 1950).
E719. Hale, Lionel. "Othello A Play Bursting with Energy." Radio Times 21 Apr. 1950: 43.
Dir. Delbert Mann (NBC, 1950).
E720. Coe, Fred. "Televising Shakespeare." See [E428].
Dir. David Greene (Canada, 1952).
E721. Griffin, Alice Venezky. "Shakespeare through the Camera's Eye Julius Caesar in Motion Pictures; Hamlet and Othello on Television." See [E106].
Dir. (?) (NBC, 1953).
E722. Rosenberg, Marvin. "Shakespeare on TV: An Optimistic Survey." See [E110].
Dir. Jonathan Miller (BBC, 1981).
E723. Beehler, Sharon A. "Making Media Matter in the Shakespeare Classroom." See [B1].
E724. Boose, Lynda E. "Grossly Gaping Viewers and Jonathan Miller's Othello." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 186-97.
E725. Collins, Michael J. "Using Films to Teach Shakespeare." See [E587].
E726. Conrad, Peter. "Living-room Tragedy." Times Literary Supplement 16 Oct. 1981: 1203.
E727. Dorval, Patricia, and Jean-Marie Maguin. "Rhétorique et représentation." See [E434].
E728. Fenwick, Henry. "The Production." Othello: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 18-28.
E729. Hallinan, Tim. "Interview: Jonathan Miller on The Shakespeare Plays." See [C15].
E730. Hattaway, Michael. "Images of Blackness: Screen Versions of Othello." Verbal and Non-Verbal Codes in European Drama. Ed. Marta Gibinska. Cracow: Uniwersytet Jagielonski, 1995. 19-32.
E731. Miller, Jonathan. "Shakespeare and the Modern Director." See [B45].
E732. . "Subsequent Performances." Subsequent Performances. London and Boston: Faber and Faber; New York: Elisabeth Sifton/Viking, 1986. 146-49, 157-59.
E733. Pearce, G. M. Cahiers élisabéthains 21 (Avril 1982): 57-58. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 277-78.
E734. Potter, Lois. "Emilia in Othello: The Problem of the Unfilmic Character." Shakespeare et le cinéma: Actes du Congrès de 1998. Ed. Patricia Dorval. Montpellier: Publications de l'Université Paul-Valéry, 1998. 149-57.
E735. Richards, Bernard. "Othello on Film and Television." English Review 1.3 (Feb. 1991): 33-35.
E736. Simone, R. Thomas. "The Shakespeare Plays on TV: Othello: Jonathan Miller's Iago." Shakespeare on Film Newsletter 6.2 (March 1982): 4-5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 278-79.
E737. Smith, Emma. "Staging Race: Othello Then and Now." English Review 7.2 (Nov. 1996): 2-5.
E738. Voth, Grant L. Othello: A Study Guide for The Shakespeare Plays. Dubuque: Kendall/Hunt, 1981.
E739. Wiggins, Martin. "Othello Taped." A+ 5 (Spring 1991): 36.
E740. Willems, Raymond. "L'Othello de Jonathan Miller." Shakespeare à la télévision. Ed. Michèle Willems. Rouen: Publications de l'Université de Rouen, 1987. 151-55.
E741. Willis, Susan. "Jonathan Miller: Producer and Director." See [E42].
E742. Wine, Martin L. Othello. Text and Performance Series. London: Macmillan, 1984. 73-80.
Dir. Franklin Melton (The Bard Series, 1984).
E743. Beehler, Sharon A. "Making Media Matter in the Shakespeare Classroom." See [B1].
E744. Cook, Ann Jennalie. "Bard Productions: Othello." Shakespeare on Film Newsletter 12.1 (Dec. 1987): 1, 4.
E745. Coursen, H. R. "Othello." Marlowe Society of America Newsletter 8.1 (Spring 1988): 7-8. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 306-7. Rpt., with minor revisions, as part of the chapter "A Space for Shakespeare: VII. The Stage as Studio." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 212-15.
Dir. Janet Suzman (Channel Four, 1989).
E746. Collins, Michael J. "Using Films to Teach Shakespeare." See [E587].
E747. Coursen, H. R. "Janet Suzman's Othello." Shakespeare on Film Newsletter 16.2 (Apr. 1992): 1, 4. Rpt. in revised, expanded form as part of the chapter "The Case for a Black Othello." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 157-62.
E748. . "The Case for a Black Othello." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 126-62.
E749. Davies, Anthony. "Filming Othello." Shakespeare and the Moving Image: The Plays on Film and Television. Ed. Anthony Davies and Stanley Wells. Cambridge: Cambridge UP, 1994. 196-210.
E750. Hattaway, Michael. "Images of Blackness: Screen Versions of Othello." See [E730].
E751. Hodgdon, Barbara. "Race-ing Othello, Re-EnGendering White-Out." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 23-44. Rpt. in revised, expanded form in The Shakespeare Trade: Performances and Appropriations. Philadelphia: U of Pennsylvania P, 1998. 39-73.
E752. Lennon, Peter. "Catching His Soul." Listener 5 Jan. 1989: 38-39.
E753. Potter, Lois. "Emilia in Othello: The Problem of the Unfilmic Character." See [E734].
E754. Richards, Bernard. "Othello on Film and Television." See [E735].
E755. Suzman, Janet. "Othello A Belated Reply." Shakespeare in Southern Africa: Journal of the Shakespeare Society of Southern Africa 2 (1988): 90-96.
E756. . "Othello Goes to Market." Punch 26 Aug. 1988: 49.
Dir. Trevor Nunn (Channel Four, 1990).
E757. Collins, Michael J. "Using Films to Teach Shakespeare." See [E587].
E758. Conrad, Peter. "When Less Means Moor." Observer Magazine 29 Apr. 1990: 24-26.
E759. Coursen, H. R. "A Space for Shakespeare: VIII. Trevor Nunn's Othello." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 216-19.
E760. . "Editing the Script." Watching Shakespeare on Television. Rutherford: Fairleigh Dickinson UP; London and Toronto: Associated UP, 1993. 93-104.
E761. . "The Case for a Black Othello." See [E748].
E762. Dorval, Patricia, and Jean-Marie Maguin. "Rhétorique et représentation." See [E434].
E763. Ellis, Mark Spencer. "The Lodovico Report." Othello. Ed. Linda Cookson and Bryan Loughrey. Longman Critical Essays. Harlow: Longman, 1991. 9-22.
E764. Hattaway, Michael. "Images of Blackness: Screen Versions of Othello." See [E730].
E765. Hodgdon, Barbara. "Race-ing Othello, Re-EnGendering White-Out." See [E751].
E766. Potter, Lois. "Emilia in Othello: The Problem of the Unfilmic Character." See [E734].
E767. Richards, Bernard. "Othello on Film and Television." See [E735].
E768. Smith, Emma. "Staging Race: Othello Then and Now." See [E737].
E769. Vaughan, Virginia Mason. "Othello for the 1990s: Trevor Nunn's 1989 Royal Shakespeare Company Production." Othello: A Contextual History. Cambridge: Cambridge UP, 1994. 217-32. [Despite the title of the article, Vaughan states that "[t]he analysis that follows is based on the Royal Shakespeare Company's promptbook, assorted theatre reviews, and repeated screenings of the Primetime video" (pp. 217-18) because she could not see the original stage production in 1989.]
E770. Wiggins, Martin. "Othello Taped." See [E739].
26. Pericles
Dir. David Jones (BBC, 1983).
E771. Fenwick, Henry. "The Production." Pericles: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1984. 17-27.
E772. Hartwig, Joan. "Pericles: An Unclaimed World." Shakespeare on Film Newsletter 9.2 (Apr. 1985): 1-2. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 308-9.
E773. Kemp, Peter. "Between Crest and Trough." Times Literary Supplement 21 Dec. 1984: 1476. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 308.
E774. Pearce, G. M. Cahiers élisabéthains 28 (Octobre 1985): 82-83.
E775. Warren, Roger. "Shakespeare in England." See [E69]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 308.
E776. Willems, Michèle, and J.-P. Maquerlot. "Entretien avec David Jones, réalisateur de The Merry Wives of Windsor et de Pericles." See [E678].
E777. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
27. Richard II
Dir. George Schaefer (NBC, 1954).
E778. Evans, Maurice. "1947-1963: '... this strange eventful history...': Discovering Television." See [E105].
E779. Griffin, Alice. "Shakespeare through the Camera's Eye 1953-1954." See [E460]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 239.
E780. Howard, Leon. "Shakespeare for the Family." Quarterly of Film, Radio, and Television 8 (1954): 356-66.
E781. Kliman, Bernice W. "The Setting in Early Television: Maurice Evans' Shakespeare Productions." See [E107].
E782. Rosenberg, Marvin. "Shakespeare on TV: An Optimistic Survey." See [E110].
E783. Shewring, Margaret. "Richard II on Television: NBC Television 1954." King Richard II. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1996. 138-42.
[An Age of Kings: I. The Hollow Crown.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: II. The Deposing of a King.] Dir. Michael Hayes (BBC, 1960).
E784. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E785. Crane, Milton. "Shakespeare on Television." See [E228].
E786. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E787. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E788. Marder, Louis. "An Age of Kings." See [E231].
E789. "Television Cycle of Shakespeare." Times 29 March 1960: 16a.
E790. Weiner, Albert. An Age of Kings Study Guide. See [E232].
Dir. Toby Robertson and Richard Cottrell (Prospect Company and BBC, 1970).
E791. Shewring, Margaret. "A Play of Personality: Ian McKellen's Richard II for the Prospect Company." King Richard II. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1996. 81-90.
Dir. David Giles (BBC, 1978).
E792. Banks-Smith, Nancy. Guardian Weekly 24 Dec. 1978: 13. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 364.
E793. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45].
E794. Coursen, H. R. "Shakespeare and History." See [E238].
E795. . "Editing the Script." See [E760].
E796. Fenwick, Henry. "The Production." Richard II: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1978. 19-26. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 364-68.
E797. . "Gielgud Approaches Shakespeare on TV, Warily." New York Times 25 March 1979, sec. 2: D33-34. [Interview.] Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 253.
E798. Gaertner, Johannes A. "Notes on Costume Design BBC Teleplays." See [E420].
E799. Jorgens, Jack J. "The BBC-TV Shakespeare Series." See [E49]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 254. Excerpt rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 368-70.
E800. Manheim, Michael. "The Shakespeare Plays on TV: Season One." Shakespeare on Film Newsletter 4.1 (Dec. 1979): 5-6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 254-55.
E801. Messina, Cedric. "Preface." Richard II: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1978. 6-9.
E802. O'Connor, John J. "It's Richard II's Turn on Channel 13 Tonight." New York Times 23 March 1979: C24. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 368.
E803. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 80-81. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 24. Detroit: Gale Research, 1994. 370.
E804. Pearson, Jacqueline. "Shadows on the Shadow-Box: The BBC Shakespeare." See [E53]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 254.
E805. Pilkington, Ace G. "The BBC Richard II." Screening Shakespeare from Richard II to Henry V. Newark: U of Delaware P; London and Toronto: Associated UP, 1991. 29-63.
E806. . "The BBC's Henriad." See [E248].
E807. Saccio, Peter. "The Historicity of the BBC History Plays." See [E249].
E808. The Shakespeare Plays: A Study Guide. See [E54].
E809. The Shakespeare Plays: A Study Guide for the Second Season. See [E250]. [Giles's adaptation was broadcast in the United States again during the second season.]
E810. Shewring, Margaret. "Richard II on Television: The BBC Shakespeare." King Richard II. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1996. 142-51.
E811. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. See [E55].
E812. Willems, Michèle. "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E813. , and J.-P. Maquerlot. "Entretien avec David Giles, réalisateur de la deuxième tetralogie." See [E253].
E814. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. William Woodman (The Bard Series, 1981).
E815. Rothwell, Kenneth S. "Bard Productions: Richard II." Shakespeare on Film Newsletter 12.1 (Dec. 1987): 4.
E816. Shakespeare Newsletter 33.4 (180) (Winter 1983): 47.
[The Wars of the Roses: Richard the Second.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E817. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E818. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E819. Hodgdon, Barbara. "Early Modern Subjects, Shakespearean Performances, and (Post) Modern Spectators." Critical Survey 9.3 (1997): 1-10.
E820. Manheim, Michael. "The English History Play on Screen." See [E257].
E821. Shewring, Margaret. "In the Context of English History: The English Shakespeare Company's The Wars of the Roses." King Richard II. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1996. 105-16.
28. Richard III
[An Age of Kings: XIV. The Dangerous Brother.] Dir. Michael Hayes (BBC, 1960).
[An Age of Kings: XV. The Boar Hunt.] Dir. Michael Hayes (BBC, 1960).
E822. Clemen, Wolfgang. "Einführung in die Königsdramen von William Shakespeare." See [E226].
E823. Crane, Milton. "Shakespeare on Television." See [E228].
E824. Keats, Nathan, and Ann Keats, comps. An Age of Kings: The Historical Plays of William Shakespeare, as Presented on the British Broadcasting Corporation Television Series An Age of Kings. See [E229].
E825. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E230].
E826. Marder, Louis. "An Age of Kings." See [E231].
E827. Weiner, Albert. An Age of Kings Study Guide. See [E232].
[The Wars of the Roses: III. Richard III.] Dir. Peter Hall and John Barton (stage), Michael Hayes and Robin Midgley (BBC, 1965).
E828. Barton, John. The Wars of the Roses. See [E331].
E829. Griffin, Alice V. "Shakespeare through the Camera's Eye: IV." See [E332].
E830. Hodgdon, Barbara. "The Wars of the Roses: Scholarship Speaks on the Stage." See [E333].
E831. Manheim, Michael. "The English History Play on Screen." See [E257].
E832. Manvell, Roger. "Shakespeare on the Screen: An Anthology of Film and Television." See [E335].
E833. Parker, Elspeth. "The Wars of the Roses: Space, Shape, and Flow." See [E336].
E834. Pearson, Richard. A Band of Arrogant and United Heroes: The Story of the Royal Shakespeare Company Production of The Wars of the Roses. See [E337].
Dir. Jane Howell (BBC, 1983).
E835. Bingham, Dennis. "Jane Howell's First Tetralogy: Brechtian Break-Out or Just Good Television?" See [E338].
E836. Cook, Hardy M. "Jane Howell's BBC First Tetralogy: Theatrical and Televisual Manipulation." See [E339].
E837. Fenwick, Henry. "The Production." Richard III: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1983. 20-30. Rpt. as "The BBC Production of Richard III." Critical Essays on Shakespeares Richard III. Ed. Hugh M. Richmond. New York: G. K. Hall; London: Prentice Hall International, 1999. [Not seen.]
E838. Hassel, R. Chris, Jr. "Interpretation and Performance in Richard III." Songs of Death: Performance, Interpretation, and the Text of Richard III. Lincoln and London: U of Nebraska P, 1987. 6-34.
E839. Hattaway, Michael. "Shakespeare's Histories: The Politics of Recent British Productions." See [E342].
E840. Holderness, Graham. "History in Performance." See [E343].
E841. Kind, Joachim. Macht und Medien: Eine medienwissenschaftliche Adaptationsanalyse von Shakespeares Richard III. (Europäische Hochschulschriften / Publications universitaries européennes / European University Studies 40: Kommunikations-wissenschaft und Publizistik / Media et journalisme / Communications 64.) Frankfurt: Peter Lang, 1997. [Pays particular attention to Laurence Olivier's film and Jane Howell's television adaptation. Not seen.]
E842. Manheim, Michael. "The Shakespeare Plays on TV: The Henry VI-Richard III Tetralogy." See [E347].
E843. . "The English History Play on Screen." See [E257].
E844. McMurtry, Jo. "'His name, my lord, is Tyrrel': Comparing Scenes in Two Versions of Richard III." Shakespeare on Film Newsletter 15.2 (Apr. 1991): 7.
E845. Pearce, G. M. See [E349].
E846. Richmond, Hugh M. King Richard III. Shakespeare in Performance Series. Manchester: Manchester UP, 1989. 89-105.
E847. Shenk, Linda. "Jane Howell and Subverting Shakespeare: Where Do We Draw the Line?" Shakespeare Bulletin 13.4 (Fall 1995): 33-35.
E848. Taylor, Neil. "Two Types of Television Shakespeare." See [C55].
E849. Warren, Roger. "Theatre Reviews in England." See [E351].
E850. Wells, Stanley. "The History of the Whole Contention." See [E352].
E851. Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." See [E353].
E852. . "Documentaire historique ou vision de l'histoire? Les deux tetralogies à la télévision." See [E252].
E853. Willis, Susan. "Jane Howell's Approach." See [E355].
[The Wars of the Roses: Richard the Third.] Dir. Michael Bodganov (English Shakespeare Company, 1989).
E854. Bodganov, Michael, and Michael Pennington. "The Old Vic and Television: February April 1989." See [E255].
E855. Crowl, Samuel. "Seven Days for Seven Roses: ESC." See [E256].
E856. Manheim, Michael. "The English History Play on Screen." See [E257].
29. Romeo and Juliet
Dir. Paul Bosner (Television and Educational Classics, 1976).
E857. Porter, Joseph A. "Adaptations, Promptbooks, Performances: Film Versions, 1908-1978." Shakespeare's Mercutio: His History and Drama. Chapel Hill and London: U of North Carolina P, 1988. 188-93.
E858. Rothwell, Kenneth S. "St Georges Romeo and Juliet: A Preview at the Folger Library." Shakespeare on Film Newsletter 1.2 (Apr. 1977): 1, 5.
Dir. Alvin Rakoff (BBC, 1978).
E859. Davies, Anthony. "The Film Versions of Romeo and Juliet." Shakespeare Survey 49 (1996): 153-62.
E860. Dorval, Patricia. "La syllepse du verbal au visuel." Caliban 29 (1992): 5-19.
E861. Fenwick, Henry. "The Production." Romeo and Juliet: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1978. 19-25.
E862. Gaertner, Johannes A. "Costume and Design in BBC-TV." See [E47].
E863. Gury, Jacques. "Shakespeare, du Globe au petit écran, en passant par Drury Lane: Romeo and Juliet, 1595-1748-1978." Actes du Congrès de Poitiers. Paris: Didier Érudition, 1984. 327-31.
E864. Jorgens, Jack J. "The BBC-TV Shakespeare Series." See [E49]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 253.
E865. Lower, Charles B. "The Shakespeare Plays: The First Season." Shakespeare on Film Newsletter 3.2 (Apr. 1979): 6-8. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 253.
E866. Messina, Cedric. "Preface." Romeo and Juliet: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1978. 6-9.
E867. Pearce, G. M. Cahiers élisabéthains 16 (Octobre 1979): 79-80.
E868. Pearson, Jacqueline. "Shadows on the Shadow-Box: The BBC Shakespeare." See [E53]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 253.
E869. The Shakespeare Plays: A Study Guide. See [E54].
E870. A Viewer's Guide to The Shakespeare Plays. The First Season: Julius Caesar, As You Like It, Romeo and Juliet, Richard II, Measure for Measure, Henry VIII. See [E55].
E871. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
30. The Taming of the Shrew
Dir. Paul Nickell (CBS, 1950).
E872. Hodgdon, Barbara. "Katherina Bound; or, Play(K)ating the Strictures of Everyday Life." PMLA 107 (1992): 538-53. Rpt. in revised, expanded form as "Katherina Bound, or Play(K)ating the Strictures of Everyday Life." The Shakespeare Trade: Performances and Appropriations. New Cultural Studies. Philadelphia: U of Pennsylvania P, 1998. 1-38. Excerpts rpt. in Shakespeare on Film: Contemporary Critical Essays. Ed. Robert Shaughnessy. New Casebooks Series. Houndmills: Macmillan, 1998. 156-72.
E873. Christensen, Ann C. "Petruchio's House in Postwar Suburbia: Reinventing the Domestic Woman (Again)." Post Script 17.1 (Fall 1997): 28-42.
E874. Henderson, Diana E. "A Shrew for the Times." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 148-68.
Dir. George Schaefer (NBC, 1956).
E875. Evans, Maurice. "1947-1963: '... this strange eventful history...': No Time for Sergeants." See [E559].
E876. Henderson, Diana E. "A Shrew for the Times." See [E874].
E877. Jorgensen, Paul A. "The Taming of the Shrew: Entertainment for Television." Quarterly of Film, Radio, and Television 10 (1956): 391-98.
E878. Kliman, Bernice W. "The Setting in Early Television: Maurice Evans' Shakespeare Productions." See [E107].
E879. . "'An Unseen Interpreter': Interview with George Schaefer." See [E108].
Dir. William Ball (stage) and Kirk Browning (PBS, 1976).
E880. Coursen, H. R. "Kate and Consensus." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 49-73.
E881. . "The Framing of Shrew." Shakespeare and the Classroom 1.2 (Autumn 1993): 12-13. Rpt., in revised and expanded form, as part of the chapter "Student Writing: Contexts and Vocabulary." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 53-56.
E882. Henderson, Diana E. "A Shrew for the Times." See [E874].
E883. Jones, Edward T. "ACT's Taming of the Shrew: A Consciousness-raising Farce." Shakespeare on Film Newsletter 2.1 (Dec. 1977): 4-5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 248.
E884. Rothwell, Kenneth S. "A Video Taming of the Shrew." Shakespeare on Film Newsletter 1.1 (Dec. 1976): 1.
[Contents] [Index]
Dir. Jonathan Miller (BBC, 1980).
E885. Cavecchi, Mariacristina. "The Taming of the Shrew dal testo allo schermo." The Taming of the Shrew dal testo alla scena. Ed. Mariangela Tempera. Bologna: CLUEB, 1997. 229-46.
E886. Coursen, H. R. "Kate and Consensus." See [E880].
E887. . "The Framing of Shrew." See [E881].
E888. Dash, Irene G. "The Shakespeare Plays on TV: The Taming of the Shrew." Shakespeare on Film Newsletter 5.2 (May 1981): 7, 10. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 268.
E889. Davies, Tom. "The Taming of John Cleese." Observer 22 June 1980: 40. [Interview with Cleese.]
E890. Dunkley, Chris. Financial Times 24 Oct. 1980: 19. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 397-98.
E891. Fenwick, Henry. "The Production." The Taming of the Shrew: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1980. 17-26.
E892. Garebian, Keith. "The Play's the Thing: The Morality of Rewriting." Canadian Forum 66.764 (Dec. 1986): 24, 26-28.
E893. Geimer, Roger. "Shakespeare Live on Videotape." Shakespeare and the Triple Play: From Study to Stage to Classroom. Ed. Sidney Homan. Lewisburg: Bucknell UP; London and Toronto: Associated UP, 1988. 201-6.
E894. Hallinan, Tim. "Interview: Jonathan Miller on The Shakespeare Plays." See [C15]. Excerpt rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 400-1.
E895. Haring-Smith, Tori. "Anything Goes: The Mad-Cap Shrews." From Farce to Metadrama: A Stage History of The Taming of the Shrew, 1594-1983. Westport and London: Greenwood, 1985. 146-47.
E896. Henderson, Diana E. "A Shrew for the Times." See [E874].
E897. Holderness, Graham. "Jonathan Miller Interviewed by Graham Holderness." See [C20].
E898. . "Der Widerspenstigen Zähmung: 'Eine Art Historie'." Shakespeare Jahrbuch (Weimar) 124 (1988): 101-8. Part rpt., in revised and expanded form, as "Jonathan Miller (1980)." The Taming of the Shrew. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1989. 95-120. Excerpt rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 404-8.
E899. Kroll, Jack. "Dr. Miller's Shakespeare." See [E32].
E900. Miller, Jonathan. "Shakespeare and the Modern Director." See [B45].
E901. . "Subsequent Performances: iv." Subsequent Performances. London and Boston: Faber and Faber; New York: Elisabeth Sifton/Viking, 1986. 119-22. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 402-4.
E902. Pearce, G. M. Cahiers élisabéthains 19 (Avril 1981): 121-22. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 266.
E903. Ratcliffe, Michael. Times 24 Oct. 1980: 8. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 266. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 398.
E904. Rothwell, Kenneth S. "The Shakespeare Plays: Hamlet and the Five Plays of Season Three." See [E10]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 267-68. Excerpt rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 402.
E905. Sinclair, Andrew. "Cries for Help." Listener 30 Oct. 1980: 590. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 266. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 398.
E906. Slater, Ann Pasternak. "An Interview with Jonathan Miller." See [C52].
E907. Sterritt, David. "Shakespeare's Shrew: Lots of Fun Even if Some Say It's Sexist." Christian Science Monitor 23 Jan. 1981: 19. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 266. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 399-400.
E908. Voth, Grant L. Five Shakespeare Plays: Third Season Study Guide. See [E14].
E909. Wells, Stanley. "A Prosaic Transformation." Times Literary Supplement 31 Oct. 1980: 1229. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 266-67. Rpt. in Shakespearean Criticism. Ed. Sandra L. Williamson and James E. Person. Vol. 12. Detroit: Gale Research, 1991. 398-99.
E910. . "Television Shakespeare." See [C59].
E911. Willis, Susan. "Jonathan Miller: Producer and Director." See [E42].
Dir. Norman Campbell (Canada, 1981).
E912. Coursen, H. R. "The Stratford, Canada, Shrew on TV." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 286-87.
E913. . "Kate and Consensus." See [E880].
E914. . "The Framing of Shrew." See [E881].
31. The Tempest
Dir. (?) (BBC, 1956).
E915. Jones, Elwyn. "The Tempest." Radio Times 12 Oct. 1956: 15.
E916. Vaughan, Alden T., and Virginia Mason Vaughan. "Screen History." Shakespeare's Caliban: A Cultural History. Cambridge: Cambridge UP, 1991. 199-214.
Dir. George Schaefer (NBC, 1960).
E917. Coursen, H. R. "Using Film and Television to Teach The Winter's Tale and The Tempest." Approaches to Teaching Shakespeare's The Tempest and Other Late Romances. Ed. Maurice Hunt. New York: MLA, 1992. 117-24. Part rpt., with minor revisions and additions, as "The Tempest on Television." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 227-33. Rpt. in revised, expanded form as "Energizing Weaker Productions: The Tempest." Teaching Shakespeare with Film and Television: A Guide. Westport and London: 1997. 27-41.
E918. Evans, Maurice. "1947-1963: '... this strange eventful history...': No Time for Sergeants." See [E559].
E919. Kiley, Frederick S. "Teaching Guide for The Tempest." English Journal 49 (1960): 131-33.
E920. Kliman, Bernice W. "'An Unseen Interpreter': Interview with George Schaefer." See [E108].
E921. Vaughan, Alden T., and Virginia Mason Vaughan. "Screen History." See [E916].
E922. Vaughan, Virginia M. "The Forgotten Television Tempest." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 3. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 241.
Dir. Basil Coleman (BBC, 1968).
E923. "The Tempest." Radio Times 9 May 1968: 12.
E924. Vaughan, Alden T., and Virginia Mason Vaughan. "Screen History." See [E916].
[Contents] [Index]
Dir. John Gorrie (BBC, 1979).
E925. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 263.
E926. Coursen, H. R. "Using Film and Television to Teach The Winter's Tale and The Tempest." See [E917].
E927. Fenwick, Henry. "The Production." The Tempest: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation; New York: Mayflower Books, 1980. 17-26.
E928. Grundy, Dominick. "The Shakespeare Plays on TV: The Tempest." Shakespeare on Film Newsletter 5.2 (May 1981): 3-4. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 263.
E929. Messina, Cedric. "Preface." The Tempest: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1980. 7-9.
E930. Pearce, G. M. Cahiers élisabéthains 18 (Octobre 1980): 89-90.
E931. The Shakespeare Plays: A Study Guide for the Second Season. See [E250].
E932. Vaughan, Alden T., and Virginia Mason Vaughan. "Screen History." See [E916].
Dir. William Woodman (The Bard Series, 1983).
E933. "The Bard/Britannica Tempest on TV Cassette." Shakespeare Newsletter 34.2 (182) (Summer 1984): 20.
E934. Coursen, H. R. "Using Film and Television to Teach The Winter's Tale and The Tempest." See [E917].
E935. Vaughan, Alden T., and Virginia Mason Vaughan. "Screen History." See [E916].
E936. Vaughan, Virginia Mason. "The Bard Tempest." Shakespeare on Film Newsletter 15.1 (Dec. 1990): 11.
Dir. John Hirsch (Canada, 1983).
E937. Coursen, H. R. "The Tempest on Television." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 227-33. Rpt. in revised, expanded form as "Energizing Weaker Productions: The Tempest." Teaching Shakespeare with Film and Television: A Guide. Westport and London: 1997. 27-41.
32. Timon of Athens
Dir. Jonathan Miller (BBC, 1981).
E938. Fenwick, Henry. "The Production." Timon of Athens: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 19-28.
E939. Gilbert, Miriam. "The Shakespeare Plays on TV: Timon of Athens." Shakespeare on Film Newsletter 6.2 (March 1982): 10. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 280-81.
E940. Masters, Anthony. Times 16 Apr. 1981: 13. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 20. Detroit: Gale Research, 1993. 471-72.
E941. Pearce, G. M. Cahiers élisabéthains 20 (Octobre 1981): 102-4. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 279. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 20. Detroit: Gale Research, 1993. 473.
E942. Voth, Grant L. Timon of Athens: A Study Guide for The Shakespeare Plays. Dubuque: Kendall/Hunt, 1981.
E943. Wells, Stanley. "Living Both Ends." Times Literary Supplement 24 Apr. 1981: 461. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 279-80. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 20. Detroit: Gale Research, 1993. 472-73.
E944. Willis, Susan. "Jonathan Miller: Producer and Director." See [E42].
33. Titus Andronicus
Dir. Jane Howell (BBC, 1985).
E945. Billington, Michael. "Shaping a Gory Classic for TV." New York Times 14 Apr. 1985, sec. 2: 29. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 313. Rpt. in Titus Andronicus: Critical Essays. Ed. Philip C. Kolin. New York: Garland, 1995. 435-38. [Interview with Jane Howell.]
E946. Dessen, Alan C. Titus Andronicus. Shakespeare in Performance Series. Manchester and New York: Manchester UP, 1989. 44-48, 50-51, 56, 77-78, 81-82, 84, 93, 96, 99, 105-6, 108-10, 113-14.
E947. Fenwick, Henry. "The Production." Titus Andronicus: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1986. 17-27.
E948. Maher, Mary Z. "Vision in the BBC's Titus." Shakespeare on Film Newsletter 10.1 (Dec. 1985): 5-6. Rpt., in revised and expanded form, as "Production Design in the BBC's Titus Andronicus." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 144-50.
E949. . "The Production Design in the BBC's Titus Andronicus." Shakespeare Bulletin 4.1 (Jan.-Feb. 1986): 5-7. Rpt., in revised and expanded form, as "Production Design in the BBC's Titus Andronicus." Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 144-50.
E950. Pearce, G. M. Cahiers élisabéthains 28 (Octobre 1985): 92-93.
E951. Wells, Stanley. "The Canon in the Can." See [C60].
E952. Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." See [E353].
E953. Willis, Susan. "Jane Howell's Approach." See [E355].
E954. . "Titus Andronicus in the Studio: Winter 1985." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 292-313.
34. Troilus and Cressida
Dir. Jonathan Miller (BBC, 1981).
E955. Fenwick, Henry. "The Production." Troilus and Cressida: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 18-28.
E956. Flowers, Max. "BBC's Troilus: Another View: Jonathan Miller's Shakespearean TV Dinner or beyond the Fridge." Bulletin of the New York Shakespeare Society 1.7 (Jan. 1983): 2, 11-12.
E957. Hodgdon, Barbara. "The Shakespeare Plays on TV: Troilus and Cressida: Mostly about Cressida?" Shakespeare on Film Newsletter 7.1 (Dec. 1982): 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 281.
E958. Miller, Jonathan. "Subsequent Performances: iv." Subsequent Performances. London and Boston: Faber and Faber; New York: Elisabeth Sifton/Viking, 1986. 123-27.
E959. O'Connor, John J. "BBC's Troilus and Cressida." New York Times 17 May 1982: C16. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 18. Detroit and London: Gale Research, 1992. 370-71.
E960. Pearce, G. M. Cahiers élisabéthains 21 (Avril 1982): 59-60. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 281. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 18. Detroit and London: Gale Research, 1992. 369.
E961. Wells, Stanley. "Speaking for Themselves." Times Literary Supplement 20 Nov. 1981: 1366. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 281. Rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 18. Detroit and London: Gale Research, 1992. 368-69.
E962. . "Television Shakespeare." See [C59].
E963. Willis, Susan. "Troilus and Cressida and Jonathan Miller: Summer 1981." The BBC Shakespeare Plays: Making the Televised Canon. Chapel Hill and London: U of North Carolina P, 1991. 229-59. Excerpt rpt. in Shakespearean Criticism. Ed. Joseph C. Tardiff. Vol. 18. Detroit and London: Gale Research, 1992. 371-81.
35. Twelfth Night
Dir. David Greene (NBC, 1957).
E964. Kiley, Frederick S. "Teaching Guide for Twelfth Night." English Journal 46 (1957): 582-85.
Dir. John Sichel (ATV, 1970).
E965. Coursen, H. R. "Genre and Production: The Madhouse Scene in Twelfth Night (4.2)." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 109-19.
E966. Costa de Beauregard, Raphaëlle. "Twelfth Night ou les noces de la nuit et de la fête: Du théâtre à l'écran." Shakespeare et le cinéma: Actes du Congrès de 1998. Ed. Patricia Dorval. Montpellier: Publications de l'Université Paul-Valéry, 1998. 37-55.
E967. Dorval, Patricia. "La syllepse du verbal au visuel." See [E860].
E968. Osborne, Laurie E. "The Videotexts of Twelfth Night." Shakespeare on Film Newsletter 16.2 (Apr. 1992): 5-6.
E969. . "The Video Editions." The Trick of Singularity: Twelfth Night and the Performance Editions. Iowa City: U of Iowa P, 1996. 105-36.
E970. Rothwell, Kenneth S. "A Shakespeare Mini-Series on Arts & Entertainment Channel." See [E61].
Dir. John Gorrie (BBC, 1980).
E971. Carr, Virginia M. "The Second Season: Twelfth Night." Shakespeare on Film Newsletter 4.2 (Apr. 1980): 5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 257.
E972. Charney, Maurice. "Shakespearean Anglophilia: The BBC-TV Series and American Audiences." See [E45]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 257.
E973. Coursen, H. R. "Genre and Production: The Madhouse Scene in Twelfth Night (4.2)." See [E965].
E974. Dorval, Patricia. "La syllepse du verbal au visuel." See [E860].
E975. Fenwick, Henry. "The Production." Twelfth Night: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1979. 18-26.
E976. Gaertner, Johannes A. "Notes on Costume Design BBC Teleplays." See [E420].
E977. Jorgens, Jack. "Twelfth Night." The Shakespeare Hour: A Companion to the PBS-TV Series. Ed. Edward Quinn. New York: New American Library, 1986. 49-71.
E978. Messina, Cedric. "Preface." Twelfth Night: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1979. 7-9.
E979. Osborne, Laurie E. "The Videotexts of Twelfth Night." See [E968].
E980. . "The Video Editions." See [E969].
E981. Pearce, G. M. Cahiers élisabéthains 17 (Avril 1980): 104-5. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 257.
E982. Preussner, Arnold W. "Countergenre and Performance: Twelfth Night." A Humanist's Legacy: Essays in Honor of John Christian Bale. Ed. Dennis M. Jonnes. Decorah: Luther College, 1990. 16-25.
E983. The Shakespeare Plays: A Study Guide for the Second Season. See [E250].
E984. Widmann, R. L. "From a Student's Point of View." See [E199].
E985. Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. Kenneth Branagh (stage) and Paul Kafno (Channel Four, 1988).
E986. Coursen, H. R. "The Renaissance Theatre's Television Twelfth Night." Shakespeare on Film Newsletter 13.2 (Apr. 1989): 3. Rpt., with minor revisions and additions, as part of the chapter "A Space for Shakespeare: VII. The Stage as Studio." Shakespearean Performance as Interpretation. Newark: U of Delaware P; London and Toronto: Associated UP, 1992. 215-16.
E987. . "Genre and Production: The Madhouse Scene in Twelfth Night (4.2)." See [E965].
E988. Costa de Beauregard, Raphaëlle. "Twelfth Night ou les noces de la nuit et de la fête: Du théâtre à l'écran." See [E966].
E989. Dorval, Patricia. "La syllepse du verbal au visuel." See [E860].
E990. Lennon, Peter. "Catching His Soul." See [E752].
E991. Osborne, Laurie E. "The Videotexts of Twelfth Night." See [E968].
E992. . "The Video Editions." See [E969].
Dir. Nicholas Hytner (PBS, 1998).
E993. Coursen, H. R. "Three Recent Shakespeare Productions on Television." See [E541].
36. The Two Gentlemen of Verona
Dir. Don Taylor (BBC, 1983).
E994. Derrick, Patty S. "Two Gents: A Crucial Moment." Shakespeare on Film Newsletter 16.1 (Dec. 1991): 1, 4. Rpt. in The Two Gentlemen of Verona: Critical Essays. Ed. June Schlueter. New York and London: Garland, 1996. 259-62.
E995. Fenwick, Henry. "The Production." The Two Gentlemen of Verona: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1984. 19-29.
E996. Keyishian, Harry. "The Shakespeare Plays on TV: The Two Gentlemen of Verona." Shakespeare on Film Newsletter 9.1 (Dec. 1984): 6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 307. Rpt. in The Two Gentlemen of Verona: Critical Essays. Ed. June Schlueter. New York and London: Garland, 1996. 257-59.
E997. Pearce, G. M. Cahiers élisabéthains 25 (Avril 1984): 115-16. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 307.
E998. Warren, Roger. "Shakespeare in England." See [E69]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 307.
E999. Wells, Stanley. "Melancholy Misunderstandings." See [E70]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 307.
E1000.Willis, Susan. "A Study in Diversity: The Televised Shakespeare Canon." See [E56].
Dir. Roland Rowinski (Poland, 1994).
E1001.Kapera, Marta. "The Two Gentlemen of Verona Rehearsed." Verbal and Non-Verbal Codes in European Drama. Ed. Marta Gibinska. Cracow: Uniwersytet Jagielonski, 1995. 43-50.
37. The Two Noble Kinsmen
Dir. George M. Wallace and Michael Winks (University of California at Berkeley, 1978).
E1002.Richmond, Hugh M. "Performance as Criticism: The Two Noble Kinsmen." Shakespeare, Fletcher, and The Two Noble Kinsmen. Ed. Charles H. Frey. Columbia: U of Missouri P, 1989. 163-85.
38. The Winter's Tale
Dir. Jane Howell (BBC, 1980).
E1003.Cook, Ann Jennalie. "Jane Howell's Manipulation of Distance in The Winter's Tale (BBC-TV)." Shakespeare Bulletin 11.3 (Summer 1993): 37-38.
E1004.Coursen, H. R. "Using Film and Television to Teach The Winter's Tale and The Tempest." See [E917].
E1005.Fenwick, Henry. "The Production." The Winter's Tale: The BBC TV Shakespeare. Ed. Peter Alexander et al. London: British Broadcasting Corporation, 1981. 17-27.
E1006.Hamburger, Maik. "Shakespeare und die Medien." See [B30].
E1007.Hedrick, Donald K. "The Shakespeare Plays on TV: The Winter's Tale." Shakespeare on Film Newsletter 6.1 (Jan. 1982): 4, 6. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 276. Rpt. in The Winter's Tale: Critical Essays. Ed. Maurice Hunt. New York and London: Garland, 1995. 403-5.
E1008.Holderness, Graham, and Christopher McCullough. "'Boxing the Bard': The Cultural Politics of Television Shakespeare." See [C22].
E1009.Otten, Elizabeth. "Jane Howell's Winter's Tale: The Message, Not the Medium." Shakespeare on Film Newsletter 14.1 (Dec. 1989): 5.
E1010.Pearce, G. M. Cahiers élisabéthains 20 (Octobre 1981): 97-99. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 276.
E1011.Rothwell, Kenneth S. "'The Shakespeare Plays': Hamlet and the Five Plays of Season Three." See [E10]. Excerpt rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 277. Excerpt rpt. in The Winter's Tale: Critical Essays. Ed. Maurice Hunt. New York and London: Garland, 1995. 399-401.
E1012.Voth, Grant L. Five Shakespeare Plays: Third Season Study Guide. See [E14].
E1013.Wells, Stanley. "Goes Out, Followed by a Furry Animal." Times Literary Supplement 20 Feb. 1981: 197. Rpt. in Shakespeare on Television: An Anthology of Essays and Reviews. Ed. J. C. Bulman and H. R. Coursen. Hanover and London: UP of New England, 1988. 276-77.
E1014.Willems, Michèle. "Entretien avec Jane Howell, réalisatrice de la première tetralogie, de The Winter's Tale et de Titus Andronicus." See [E353].
E1015.Willis, Susan. "Jane Howell's Approach." See [E355].
F. DERIVATIVES: INDIVIDUAL PLAYS
1. As You Like It
[As You Like It Shakespeare: The Animated Tales.] Dir. Alexei Karakov (Great Britain and Russia, 1996).
F1. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F2. Shakespeare, William. As You Like It. Abridged by Leon Garfield. London: Heinemann, 1994.
F3. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
2. Hamlet
[Gilligan's Island: The Producer.] Dir. Ida Lupino and George M. Cahan (CBS, 1966).
F4. Burt, Richard. "When Our Lips Synch Together: The Transvestite Voice, the Virtuoso, Speed, and Pumped-Up Volume in Some Over-heard Shakespeares." Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 181-89.
[Hamlet Shakespeare: The Animated Tales.] Dir. Natasha Orlova (Great Britain and Russia, 1992).
F5. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." See [D10].
F6. P[endleton], T[homas] A[ustin]. "Animated Shakespeare on HBO." See [D12].
F7. Rozett, Martha Tuck. "When Images Replace Words: Shakespeare, Russian Animation, and the Culture of Television." See [D15].
F8. Shakespeare, William. Hamlet. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
F9. Taylor, Neil. "The Films of Hamlet." See [E195].
F10. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
3. Julius Caesar
[Julius Caesar Shakespeare: The Animated Tales.] Dir. Yuri Yukalov (Great Britain and Russia, 1996).
F11. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F12. Shakespeare, William. Julius Caesar. Abridged by Leon Garfield. London: Heinemann, 1994.
F13. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
4. King Lear
[Queen Lear.] Dir. Beau Coleman (BBC and Open University, 1996).
F14. Dobson, Teresa. "'High-Engender'd Battles': Gender and Power in Queen Lear." New Theatre Quarterly 14 (1998): 139-45.
5. Macbeth
[Macbeth Shakespeare: The Animated Tales.] Dir. Nikolai Serebirakov (Great Britain and Russia, 1992).
F15. Coursen, H. R. "The Play in Performance: Macbeth on Television." See [E553].
F16. Grindhammer, Lucille. "Fragen zu Macbeth, Animated Shakespeare." Praxis 41 (1994): 264-70.
F17. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." See [D10].
F18. Rozett, Martha Tuck. "When Images Replace Words: Shakespeare, Russian Animation, and the Culture of Television." See [D15].
F19. Shakespeare, William. Macbeth. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
F20. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
[Macbeth on the Estate.] Dir. Penny Woolcock (BBC, 1997).
F21. Fletcher, Mary. "Shakespeare Rules OK!" TV Times 5 Apr. 1997: 13.
F22. Graham, Alison. "Is This a Council Estate I See before Me?" Radio Times 5 Apr. 1997: 23.
6. A Midsummer Night's Dream
[Bottom's Dream.] Dir. John Canemaker (USA, 1983).
F23. Wells, Paul. "'Thou art translated': Analysing Animated Adaptation." Adaptations: From Text to Screen, Screen to Text. Ed. Deborah Cartmell and Imelda Whelehan. London and New York: Routledge, 1999. 199-213.
[A Midsummer Night's Dream Shakespeare: The Animated Tales.] Dir. Robert Saakianz (Great Britain and Russia, 1992).
F24. O'Rourke, Gail. "Using Video Dreams." See [E693].
F25. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." See [D10].
F26. P[endleton], T[homas] A[ustin]. "Animated Shakespeare on HBO." See [D12].
F27. Shakespeare, William. A Midsummer Nights Dream. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
F28. Wells, Paul. "'Thou art translated': Analysing Animated Adaptation." See [F23].
7. Othello
[Filming Othello.] Dir. Orson Welles (West Germany, 1978).
F29. Anderegg, Michael. "The Texts of Othello." Orson Welles, Shakespeare, and Popular Culture. Film and Culture Series. New York: Columbia UP, 1999. 98-122.
F30. Biette, Jean-Claude. "Filming Othello (Orson Welles)." Cahiers du cinéma 310 (Avril 1980): 40-42.
F31. Bukatman, Scott. "Incompletion, Simulation, and the Refusal of the Real: The Last Films of Orson Welles." Persistence of Vision 7 (1989): 83-90.
F32. http://film.tierranet.com/directors/o.wells/fothello.html [Includes the screenplay for the film and an interview with Gary Graver.]
F33. Kliman, Bernice W. "The Making of Welles's Othello." Shakespeare on Film Newsletter 11.2 (Apr. 1987): 1, 6.
F34. Krohn, Bill. "Orson Welles revient." Cahiers du cinéma 331 (Janvier 1982): i-ii.
F35. Legrand, Gérard. "Strange Sense of Eternity... (Filming Othello)." Positif 231 (Juin 1980): 66-68.
F36. Petric, Vlada. "Welles Looks at Himself: An Educational Film: Filming Othello." Film Library Quarterly 13.4 (1980): 21-23.
F37. Rosenbaum, Jonathan. "Orson Welles's Essay Films and Documentary Fictions: A Two-Part Speculation." Cinematograph 4 (1991): 169-79.
F38. Wood, Bret. "Film Credits." Orson Welles: A Bio-Bibliography. Westport: Greenwood, 1990. 262-63.
[Otelo de Oliveira.] Dir. Paulo Afonso Grisolli (Brazil, 1984).
F39. Resende, Aimara da Cunha. "'For I Will Make Them Tell the Tale Anew': Readings of Identity in Shakespeare's Othello." Anais di XXIX Senapulli: Literature and Cultural Studies. Atibaia: ABRAPUI, 1997. 118-30.
F40. Rothwell, Kenneth S. "Shakespeare on Film All over the World: Otelo de Oliveira." Shakespeare on Film Newsletter 10.2 (Apr. 1986): 5-6.
[Othello Shakespeare: The Animated Tales.] Dir. Nikolai Serebryakov (Great Britain and Russia, 1996).
F41. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F42. Shakespeare, William. Othello. Abridged by Leon Garfield. London: Heinemann, 1994.
F43. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
8. Richard III
[Richard III Shakespeare: The Animated Tales.] Dir. Natasha Orlova (Great Britain and Russia, 1996).
F44. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F45. Shakespeare, William. Richard III. Abridged by Leon Garfield. London: Heinemann, 1994.
F46. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
9. Romeo and Juliet
[Romeos and Juliets, a.k.a. The Many Faces of Romeo and Juliet.] Dir. Clark Jones (Westinghouse, 1967).
F47. Williams, Raymond. "Some Versions of Shakespeare on the Screen." See [E582].
[The Brady Bunch: Juliet Is the Sun.] Dir. Jack Arnold (ABC, 1971).
F48. Burt, Richard. "Dumb and Dumber Shakespeares: Academic Fantasy, the Electronic Archive, Loser Criticism, and Other Diminished Critical Capacities." Introduction. Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 4, 6-8.
[Romeu e Julieta.] Dir. Paulo Afonso Grisolli (Brazil, 1982).
F49. Resende, Aimara da Cunha. "Shakespeare and Popular Culture." Anais do XI encontro nacional da ANPOLL (Joao Pessoa, Brazil, June 1996). Porto Allegre: ANPOLL, 1997. 78-80.
F50. Rothwell, Kenneth S. "Shakespeare All Over: A Brazilian Romeo and Juliet." Shakespeare on Film Newsletter 11.1 (Dec. 1986): 7.
[Romeo and Juliet Shakespeare: The Animated Tales.] Dir. Efim Gambourg (Great Britain and Russia, 1992).
F51. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." See [D10].
F52. Shakespeare, William. Romeo and Juliet. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
F53. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
[Romeu e Julieta.] Dir. Paulo Ubiratan, Gonzaga Blota and Luiz F. Carvalho (Brazil, 1992).
F54. Resende, Aimara da Cunha. "Shakespeare and Popular Culture." See [F49].
10. The Taming of the Shrew
[Kiss Me, Petruchio.] Dir. Wilford Leach (stage) and Christopher Dixon (PBS, 1981).
F55. Coursen, H. R. "Kate and Consensus." See [E880].
F56. Geimer, Roger. "Shakespeare Live on Videotape." See [E893].
F57. Henderson, Diana E. "A Shrew for the Times." See [E874].
[Moonlighting: Atomic Shakespeare.] Dir. Will MacKenzie (ABC, 1986).
F58. Coursen, H. R. "Kate and Consensus." See [E880].
F59. . "The Framing of Shrew." See [E881].
F60. Geimer, Roger. "Shakespeare Live on Videotape." See [E893].
F61. Henderson, Diana E. "A Shrew for the Times." See [E874].
F62. Hodgdon, Barbara. "Katherina Bound; or, Play(K)ating the Strictures of Everyday Life." See [E872].
F63. Joyrich, Lynne. "Tube Tied: Reproductive Politics and Moonlighting." Modernity and Mass Culture. Ed. James Naremore and Patrick Brantlinger. Bloomington: Indiana UP, 1991. 176-202.
F64. Oruch, Jack. "Shakespeare for the Millions: Kiss Me, Petruchio." Shakespeare on Film Newsletter 11.2 (Apr. 1987): 7.
F65. Radner, Hilary. "Quality Television and Feminine Narcissism: The Shrew and the Covergirl." Genders 8 (1990): 110-28. Rpt. in revised form in Shopping Around: Feminine Culture and the Pursuit of Pleasure. New York: Routledge, 1995. 1-13.
[The Taming of the Shrew Shakespeare: The Animated Tales.] Dir. Aida Ziablikova (Great Britain and Russia, 1996).
F66. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F67. Shakespeare, William. The Taming of the Shrew. Abridged by Leon Garfield. London: Heinemann, 1994.
F68. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
[The Taming of the Screw.] Dir. Jim Powers (Notorious, 1997).
F69. Burt, Richard. "Deep inside William Shakespeare: Pornographic Film and Video 'Classics' and the Castrated Gaze." Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 93-96.
11. The Tempest
[The Stuff of Dreams.] Dir. John Carroll and John Scagliotti (Vermont Educational Television, 1979).
F70. Rothwell, Kenneth S. "Looking Back to Arcadia: The Stuff of Dreams." Shakespeare on Film Newsletter 12.2 (Apr. 1988): 1-2.
[Resan till Melonia / The Voyage to Melonia.] Dir. Per Ählin (Sweden and Norway, 1989).
F71. Roudevitch, Michel. "Si Shakespeare m'était conté: Roméo, Prospero, Titania et les autres." See [D13].
[The Tempest Shakespeare: The Animated Tales.] Dir. Stanislav Sokolov (Great Britain and Russia, 1992).
F72. Osborne, Laurie E. "Poetry in Motion: Animating Shakespeare." See [D10].
F73. Shakespeare, William. The Tempest. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
F74. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
[a.k.a. The Southern Tempest.] Dir. Jack Bender (NBC, 1998).
F75. Coursen, H. R. "Three Recent Shakespeare Productions on Television." See [E541].
12. Twelfth Night
Dir. Ron Wertheim (Cinderella Productions, 1972).
F76. Burt, Richard. "The Love That Dare Not Speak Shakespeare's Name: New Shakesqueer Cinema." Shakespeare, the Movie: Popularizing the Plays on Film, TV, and Video. Ed. Lynda E. Boose and Richard Burt. London and New York: Routledge, 1997. 264-65. Rpt. in revised form in Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 74-75.
F77. . "Deep inside William Shakespeare: Pornographic Film and Video 'Classics' and the Castrated Gaze." Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 96-103.
F78. Coursen, H. R. "Cinderella's Twelfth Night." Marlowe Society of America Newsletter 10.1 (Spring 1990): 5-6.
F79. Osborne, Laurie E. "The Video Editions." See [E969].
[Twelfth Night Shakespeare: The Animated Tales.] Dir. Marcia Muat (Great Britain and Russia, 1992).
F80. Osborne, Laurie E. "The Video Editions." See [E969].
F81. . "Poetry in Motion: Animating Shakespeare." See [D10].
F82. P[endleton], T[homas] A[ustin]. "Animated Shakespeare on HBO." See [D12].
F83. Rozett, Martha Tuck. "When Images Replace Words: Shakespeare, Russian Animation, and the Culture of Television." See [D15].
F84. Shakespeare, William. Twelfth Night. Abridged by Leon Garfield. London: Heinemann, 1992; New York: Alfred Knopf, 1993.
13. The Winter's Tale
[The Winter's Tale Shakespeare: The Animated Tales.] Dir. Stanislav Sokolov (Great Britain and Russia, 1996).
F85. Osborne, Laurie E. "Mixing Media in Shakespeare: Animating Tales and Colliding Modes of Production." See [D11].
F86. Shakespeare, William. The Winters Tale. Abridged by Leon Garfield. London: Heinemann, 1994.
F87. Young, Michael W. "Editing an Aery Nothing into a Local Animation: The HBO Shakespeare's Animated Tales Series." See [D17].
G. OTHER DERIVATIVES
[Star Trek and Star Trek: The Next Generation.] TV series (USA).
G1. Blumrich, Ann Nord. "Into the Past through the Future: Captain Picard Meets Henry V." English in Texas 25.4 (Summer 1994): 5-6.
G2. Buhler, Stephen. "'Who calls me villain?': Blank Verse and the Black Hat." Extrapolation 36 (1995): 18-27.
G3. Burt, Richard. "Terminating Shakespeare with Extreme Prejudice: Postcolonial Cultural Cannibalism, Serial Quotation, and the Cinematic Spectacle of 1990s American Cultural Imperialism." Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture. New York: St. Martin's; Houndmills: Macmillan, 1998. 129-30, 132-35.
G4. Castaldo, Annalisa. "A Text of Shreds and Patches: Shakespeare and Popular Culture." West Virginia Shakespeare and Renaissance Association: Selected Papers 20 (1997): 59-71.
G5. Coursen, H. R. "Shakespeare in Space." Shakespeare and the Classroom 3.1 (Spring 1995): 24. Rpt. as part of the chapter "Some Extra-Shakespearean Contexts." Teaching Shakespeare with Film and Television: A Guide. Westport and London: Greenwood, 1997. 61-68. Part rpt. in "Uses of Media in Teaching Shakespeare." See [B18].
G6. Dutta, Mary Buhl. "'Very bad poetry, Captain': Shakespeare in Star Trek." Extrapolation 36 (1995): 38-45.
G7. Hawkins, Harriett. "Twentieth-Century Appropriations of The Tempest." English Review 3.2 (Nov. 1992): 18-22.
G8. Hegarty, Emily. "Some Suspect of Ill: Shakespeare's Sonnets and The Perfect Mate." Extrapolation 36 (1995): 55-64.
G9. Hines, Susan C. "What's Academic about Trek." Extrapolation 36 (1995): 5-9.
G10. Holderness, Graham. "Illogical, Captain!" Oxford Quarterly 1-2 (4-1) (Spring-Summer 1997): 43-46.
G11. Houlahan, Mark. "Cosmic Hamlets?: Contesting Shakespeare in Federation Space." Extrapolation 36 (1995): 28-37.
G12. La Polla, Franco. "Astronave William." Unità 25 Marzo 1997: 3.
G13. . "Uno (anzi due) Star Trek di meno." Ombre che camminano: Shakespeare I. Ed. Emanuela Martini. Bergamo: Lubrina, 1997. 81-85.
G14. Pendergast, John S. "A Nation of Hamlets: Shakespeare and Cultural Politics." Extrapolation 36 (1995): 10-17.
G15. Reinheimer, David. "Ontological and Ethical Allusion: Shakespeare in The Next Generation." Extrapolation 36 (1995): 46-54.
Adams, Val. [E458]
Albert, Richard N. [A1]
Anderegg, Michael. [F29]
Ardolino, Frank. [E217]
Banham, Martin. [E234], [E266], [E297]
Banks-Smith, Nancy. [E792]
Barry, Michael. [E102]
Bartlett, Bruce R. [E474], [E499], [E500], [E539]
Barton, John. [E331], [E367], [E828]
Beauman, Sally. [E154]
Beehler, Sharon A. [B1], [E723], [E746]
Benecke, Ingrid. [E606]
Bentley, Eric. [E475]
Bergeron, David M. [A2]
Biette, Jean-Claude. [F30]
Biggs, Murray. [E155]
Billington, Michael. [E945]
Bingham, Dennis. [E338], [E374], [E400], [E835]
Blinn, Hansjurgen. [A3]
Blumrich, Ann Nord. [G1]
Bodganov, Michael. [E255], [E284], [E318], [E356], [E391], [E817], [E854]
Boltz, Ingeborg. [D2]
Bornheim, Helmut. [E501]
Bornstein, Ron. [B61]
Brown, John Russell. [E1]
Buhler, Stephen. [G2]
Bukatman, Scott. [F31]
Bulman, J. C. [A4], [B3], [B4], [C4], [E44], [E645], [E646], [E657]
Burt, Richard. [B2], [F4], [F48], [F69], [F76], [F77], [G3]
Butland, Alan. [B5]
Butt, Nasim Riaz. [E566]
Carlisle, Carol J. [E448]
Carr, Virginia M. [E624], [E971]
Cartmell, Deborah. [E156]
Castaldo, Annalisa. [G4]
Cavecchi, Mariacristina. [E885]
Chamberlain, Richard. [E137]
Champion, Larry S. [A5], [E157]
Charney, Maurice. [C5], [C6], [C7], [E45], [E82], [E235], [E267], [E298], [E417], [E625], [E793], [E925], [E972]
Chinoy, Helen Krich. [E647]
Christensen, Ann C. [E873]
Clark, Meera T. [E236]
Clayton, Thomas. [E432]
Clemen, Wolfgang. [E226], [E259], [E290], [E324], [E359], [E394], [E784], [E822]
Colley, R. Scott. [E418], [E449], [E684]
Collins, Michael J. [E587], [E603], [E607], [E725], [E746], [E757]
Connors, Nancy P. [E207]
Cook, Ann Jennalie. [E744], [E1003]
Cook, Hardy M. [E158], [E339], [E375], [E401], [E476], [E502], [E836]
Costa de Beauregard, Raphaëlle. [E966], [E988]
Coursen, H. R. [A4], [B3], [B4], [B6], [B7], [B8], [B9], [B10], [B11], [B12], [B13], [B14], [B15], [B16], [B17], [B18], [E21], [E22], [E26], [E60], [E64], [E74], [E76], [E120], [E121], [E122], [E123], [E124], [E125], [E130], [E138], [E139], [E140], [E141], [E142], [E149], [E150], [E159], [E160], [E161], [E162], [E163], [E164], [E165], [E166], [E202], [E203], [E204], [E205], [E206], [E207], [E218], [E219], [E220], [E237], [E238], [E268], [E269], [E299], [E300], [E319], [E340], [E376], [E402], [E459], [E469], [E470], [E471], [E477], [E478], [E503], [E504], [E541], [E553], [E555], [E557], [E558], [E567], [E583], [E584], [E588], [E600], [E601], [E604], [E605], [E608], [E609], [E621], [E622], [E626], [E641], [E642], [E648], [E658], [E680], [E681], [E683], [E685], [E701], [E702], [E708], [E745], [E747], [E748], [E759], [E760], [E761], [E794], [E795], [E880], [E881], [E886], [E887], [E912], [E913], [E914], [E917], [E926], [E934], [E937], [E965], [E973], [E986], [E987], [E993], [E1004], [F15], [F55], [F58], [F59], [F75], [F78], [G5]
Cousin, Geraldine. [E450]
Cox, John F. [E710]
Crane, Milton. [E228], [E260], [E291], [E325], [E360], [E395], [E568], [E785], [E823]
Crowl, Samuel. [E23], [E27], [E43], [E83], [E211], [E239], [E256], [E285], [E320], [E357], [E392], [E433], [E818], [E855]
Cubeta, Paul M. [E301]
Curtis, J.-L. [C9]
D'Amico, Masolino. [E507]
Dash, Irene G. [E888]
David, Richard. [E28]
Davies, Anthony. [B19], [E479], [E508], [E540], [E749], [E859]
Davies, Tom. [E889]
Dawson, Anthony B. [E167]
Derrick, Patty S. [E994]
Dessen, Alan C. [B20], [E84], [E946]
Dews, Peter. [E20], [E80], [E431]
Dobson, Teresa. [F14]
Dorval, Patricia. [A6], [A7], [E434], [E589], [E610], [E611], [E727], [E762], [E860], [E967], [E974], [E989]
Duncan-Jones, Katherine. [E85], [E92]
Dunkley, Chris. [E890]
Dutta, Mary Buhl. [G6]
Dutton, Richard. [A8]
Ellis, Mark Spencer. [E763]
Elsom, John. [E2], [E86], [E686]
Erath, Frank. [E639]
Evans, Maurice. [E105], [E559], [E569], [E778], [E875], [E918]
Fargier, Jean-Paul. [C10]
Fenwick, Henry. [C11], [E3], [E29], [E46], [E65], [E87], [E93], [E168], [E240], [E270], [E302], [E341], [E377], [E403], [E419], [E435], [E451], [E480], [E542], [E612], [E627], [E659], [E674], [E687], [E711], [E728], [E771], [E796], [E797], [E837], [E861], [E891], [E927], [E938], [E947], [E955], [E975], [E995], [E1005]
Fink, Guido. [B21]
Fletcher, Mary. [F21]
Flowers, Max. [E956]
Forsdale, Louis. [E570]
Friedlander, Larry. [B22]
Gaertner, Johannes A. [E47], [E169], [E241], [E303], [E420], [E436], [E628], [E798], [E862], [E976]
Gardner, Peter S. [A9]
Garebian, Keith. [E892]
Garfield, Leon. [D7], [F2], [F8], [F12], [F19], [F27], [F42], [F45], [F52], [F67], [F73], [F84], [F86]
Garner, Lee S. [E242]
Geimer, Roger. [E893], [F56], [F60]
Gibinska, Marta. [E509]
Gibson, Rex. [B23]
Gilbert, Miriam. [E543], [E939]
Giroux, Robert. [E510]
Giulietti, Margherita. [C13]
Goodman, Lizbeth. [B24], [B25], [E57], [E58]
Gould, Jack. [E554], [E556], [E560]
Goy-Blanquet, Dominique. [E346], [E381], [E407]
Graham, Alison. [F22]
Griffin, Alice Venezky. [E106], [E114], [E332], [E368], [E429], [E460], [E561], [E721], [E779], [E829]
Griffin, C. W. [C14], [E304], [E321], [E682], [E688]
Grindhammer, Lucille. [F16]
Gross, John. [E649]
Grundy, Dominick. [E928]
Guardamagna, Daniela. [B26]
Gury, Jacques. [E863]
Hainfield, Harold. [B27], [B28]
Hale, David G. [E170], [E221], [E305]
Hale, Lionel. [E719]
Halio, Jay L. [B29], [E143], [E689], [E703]
Hall, Joan Lord. [E306]
Hallinan, Tim. [C15], [E30], [E660], [E729], [E894]
Hamburger, Maik. [B30], [E1006]
Hansen, Anne. [E571]
Hapgood, Robert. [B31], [E233], [E629]
Haring-Smith, Tori. [E895]
Hartwig, Joan. [E772]
Hassel, R. Chris, Jr. [E66], [E838]
Hattaway, Michael. [E342], [E346], [E378], [E381], [E404], [E407], [E730], [E750], [E764], [E839]
Hawkins, Harriett. [G7]
Hedrick, Donald K. [E1007]
Hegarty, Emily. [G8]
Henderson, Diana E. [E874], [E876], [E882], [E896], [F57], [F61]
Herbst, Thomas. [C16]
Hines, Susan C. [G9]
Hirsch, Foster. [E650]
Hodgdon, Barbara. [E271], [E286], [E333], [E369], [E590], [E751], [E765], [E819], [E830], [E872], [E957], [F62]
Hodge, Robert. [E511]
Holderness, Graham. [A12], [B32], [C17], [C18], [C19], [C20], [C21], [C22], [E212], [E343], [E344], [E345], [E379], [E380], [E405], [E406], [E840], [E897], [E898], [E1008], [G10]
Holland, Peter. [E481], [E512]
Hope-Wallace, Philip. [E446]
Houlahan, Mark. [G11]
Howard, Leon. [E780]
Howard, Tony. [E461]
Howell, Jane. [E346], [E381], [E407]
Hunter, G. K. [E4]
Hunter, Patrick. [E131], [E144], [E171]
Hutton, Clayton. [E572]
Ingram, Raymond. [E172]
Inverne, James. [A13]
Isenberg, Seymour. [E513]
Jacobi, Derek. [E173]
Jacobs, Henry E. [E94]
Jamieson, Michael. [A14], [E48],
Johnson, Robert Carl. [C23], [E174], [E175], [E176]
Johnson, Samuel Frederick. [E77]
Jones, Claude E. [E562]
Jones, Edward T. [E709], [E883]
Jones, Elwyn. [E915]
Jones, Gordon P. [C24], [E5], [E88], [E95], [E544], [E690]
Jorgens, Jack J. [A15], [B33], [E49], [E421], [E437], [E573], [E574], [E630], [E799], [E864], [E977]
Jorgensen, Paul A. [E877]
Joyrich, Lynne. [F63]
Kapera, Marta. [E1001]
Kaplan, Deborah. [E59]
Keats, Nathan, and Ann Keats. [E229], [E261], [E293], [E326], [E362], [E396], [E786], [E824]
Kemp, Peter. [E452], [E545], [E613], [E712], [E773]
Kennedy, Dennis. [B34], [E591]
Kermode, Frank. [E482]
Kerrigan, John. [E661]
Keyishian, Harry. [E483], [E514], [E996]
Kiley, Frederick S. [E575], [E919], [E964]
Kimbrough, R. Alan. [E50], [E515]
Kind, Joachim. [E841]
Kingston, Miles. [E31]
Kliman, Bernice W. [C25], [E107], [E108], [E109], [E115], [E116], [E126], [E127], [E132], [E133], [E145], [E146], [E151], [E152], [E177], [E178], [E179], [E208], [E209], [E216], [E472], [E563], [E564], [E576], [E577], [E585], [E586], [E592], [E614], [E781], [E878], [E879], [E920], [F33]
Knight, G. Wilson. [E578]
Knoll, Robert E. [E438]
Krohn, Bill. [F34]
Kroll, Jack. [E32], [E662], [E899]
Lambert, Angela. [D8]
La Polla, Franco. [G12], [G13]
Lardner, James. [E180]
Laroque, François. [E6], [E691], [E713]
Leckie, Bonney. [E181]
Leggatt, Alexander. [E484], [E516]
Legrand, Gérard. [F35]
Lennon, Peter. [B36], [E752], [E990]
Lippmann, Max. [A16], [A17], [A18]
Loehlin, James N. [E307], [E322]
LoMonico, Michael. [B37], [E593], [E615]
López Román, Blanca. [E182]
Lower, Charles B. [E33], [E865],
Lusardi, James P. [E192], [E193], [E485], [E486], [E487], [E488], [E517], [E518], [E519], [E640]
Maccioni, Giampietro. [C27], [C28], [C29], [C30], [C31]
Mackin, Thomas. [B38]
Madelaine, Richard. [E24], [E34]
Maguin, Angela. [E643]
Maguin, Jean-Marie. [A7], [E434], [E727], [E762]
Maher, Mary Z. [B39], [C32], [C33], [E183], [E213], [E222], [E223], [E547], [E714], [E948], [E949]
Malone, Henry B. [E117]
Manchel, Frank. [A19]
Manheim, Michael. [E257], [E287], [E323], [E334], [E347], [E348], [E358], [E370], [E382], [E383], [E393], [E408], [E409], [E453], [E663], [E800], [E820], [E831], [E842], [E843], [E856]
Manvell, Roger. [B40], [E230], [E262], [E294], [E327], [E335], [E363], [E371], [E397], [E579], [E787], [E825], [E832]
Maquerlot, J.-P. [A20], [B41], [E6], [E7], [E253], [E282], [E316], [E664], [E678], [E776], [E813]
Marder, Louis. [E231], [E263], [E295], [E328], [E364], [E398], [E788], [E826]
Margolies, David. [C34]
Masters, Anthony. [E940]
McCloskey, Susan. [E715]
McCord, Patrick. [E147]
McCullough, Christopher. [A12], [C22], [E345], [E1008]
McFeely, Maureen Connolly. [B42]
McGuire, Philip C. [E692]
McLean, Andrew M. [A22], [A23]
McMillin, Scott. [C35], [E243]
McMurtry, Jo. [A24], [E439], [E440], [E844]
Mebane, John S. [E520]
Melzer, Annabelle Henkin. [A29]
Messina, Cedric. [E51], [E184], [E244], [E272], [E308], [E801], [E866], [E929], [E978]
Meyer, Karl E. [C36]
Millard, Barbara. [B44], [C37], [E521]
Miller, Jonathan. [B45], [E35], [E473], [E651], [E665], [E731], [E732], [E900], [E901], [E958]
Miller, Mark Crispin. [C38], [E245], [E273], [E309]
Miner, Worthington. [E78]
Morris, Peter. [A25]
Moshinsky, Elijah. [B46]
Müller-Schwefe, Gerhard. [B47], [E185]
Mullin, Michael. [B48], [C39], [E580], [E594], [E616]
Muñoz Simonds, Peggy. [E96]
Murray, Timothy. [E8],
Nelson, Ralph. [E118]
Nicholls, Graham. [E631]
Occhiogrosso, Frank. [E522], [E523]
O'Connor, John J. [E186], [E454], [E802], [E959]
O'Ferrall, George More. [E103], [E104]
Olive, David. [B49]
Orbison, Tucker. [E524]
Oruch, Jack. [F64]
Osborne, Laurie E. [D10], [D11], [E704], [E968], [E969], [E979], [E980], [E991], [E992], [F1], [F5], [F11], [F17], [F25], [F41], [F44], [F51], [F66], [F72], [F79], [F80], [F81], [F85]
Otten, Elizabeth. [E1009]
Ottenhoff, John. [E187]
Papp, Joseph. [C40]
Parker, Elspeth. [E336], [E372], [E833]
Pearce, G. M. [E9], [E36], [E52], [E67], [E89], [E97], [E246], [E274], [E310], [E349], [E384], [E410], [E422], [E441], [E455], [E489], [E525], [E548], [E595], [E617], [E632], [E667], [E675], [E694], [E716], [E733], [E774], [E803], [E845], [E867], [E902], [E930], [E941], [E950], [E960], [E981], [E997], [E1010]
Pearson, Jacqueline. [E53], [E804], [E868]
Pearson, Richard. [E337], [E373], [E834]
Pendergast, John S. [G14]
Pendleton, Thomas Austin. [D12], [E462], [F6], [F26], [F82]
Pennington, Michael. [E255], [E284], [E318], [E356], [E391], [E817], [E854]
Perret, Marion D. [E442], [E526], [E596], [E633], [E653], [E668]
Petric, Vlada. [F36]
Phillips, Stephen J. [E644]
Pilkington, Ace G. [B50], [B51], [B52], [C41], [C42], [E247], [E248], [E275], [E276], [E311], [E312], [E805], [E806],
Porter, Joseph A. [E857]
Potter, Lois. [E734], [E753], [E766]
Preussner, Arnold W. [E982]
Prümm, Hans-Joachim. [E188]
Rabanus, Gert. [B53]
Radner, Hilary. [F65]
Rae, Kenneth. [A26]
Ratcliffe, Michael. [E903]
Reinheimer, David. [G15]
Resende, Aimara da Cunha. [F39], [F49], [F54]
Reynolds, Peter. [C43], [E189], [E491], [E528]
Richards, Bernard. [E735], [E754], [E767]
Richmond, Hugh M. [E423], [E718], [E846], [E1002]
Rissik, Andrew. [C44]
Ritchie, Charlie. [E214], [E215]
Roberts, Jeanne Addison. [E68], [E673], [E676]
Rose, Lloyd. [E529]
Rosenbaum, Jonathan. [F37]
Rosenberg, Marvin. [E110], [E111], [E119], [E128], [E134], [E148], [E153], [E190], [E210], [E224], [E463], [E722], [E782]
Rosenblum, Joseph. [A27]
Rosenfeld, Megan. [E549]
Rothwell, Kenneth S. [A28], [A29], [B54], [B55], [C45], [C46], [C47], [C48], [C49], [E10], [E37], [E61], [E191], [E464], [E465], [E466], [E472], [E492], [E493], [E494], [E530], [E531], [E532], [E586], [E654], [E669], [E707], [E815], [E858], [E884], [E904], [E970], [E1011], [F40], [F50], [F70]
Roudevitch, Michel. [D13], [F71]
Rozett, Martha Tuck. [D14], [D15], [E11], [F7], [F18], [F83]
Saccio, Peter. [E249], [E277], [E278], [E313], [E424], [E807]
Saunders, John. [E467], [E495]
Saville, Philip. [E135]
Schlueter, June. [E75], [E192], [E486], [E487], [E488], [E518], [E519], [E602], [E640], [E655]
Schreiber, Flora Rheta. [E112]
Schwartz, Mary C. [E533]
Shenk, Linda. [E847]
Shewring, Margaret. [E783], [E791], [E810], [E821]
Shrimpton, Nicholas. [E40], [E456], [E695]
Simmons, James R., Jr. [E194]
Simon, John. [C51]
Simon, Ronald. [E113], [E565], [E581]
Simone, R. Thomas. [E736]
Sinclair, Andrew. [E905]
Slater, Ann Pasternak. [C52], [E39], [E906]
Slights, William W. E. [C53]
Smith, Cecil. [C54]
Smith, Emma. [E656], [E737], [E768]
Smith, Ronn. [E534]
de Sousa, Geraldo U. [A2]
Spaul, Richard. [E215]
Sterritt, David. [E907]
Styan, J. L. [E12]
Swan, Christopher. [E457]
Taylor, John Russell. [B57]
Taylor, Neil. [C55], [E98], [E195], [E350], [E385], [E411], [E848], [F9]
Teague, Frances. [E550]
Terris, Olwen. [A21], [A31], [C56]
Thomas, Peter. [D16]
Törnqvist, Egil. [E597], [E618]
Treglown, Jeremy. [E13]
Turner, John. [E598]
Urkowitz, Steven. [E496], [E535]
Vahimagi, Tise. [B58]
Varney, Denise. [E635]
Vaughan, Alden T. [E916], [E921], [E924], [E932], [E935]
Vaughan, Virginia Mason. [E769], [E916], [E921], [E922], [E924], [E932], [E935], [E936]
Veidemanis, Gladys V. [C57]
Viguers, Susan. [E536]
Voth, Grant L. [E14], [E41], [E670], [E696], [E738], [E908], [E942], [E1012]
Wadsworth, Frank W. [E468]
Waller, Gary F. [B59], [B60], [C58]
Walton, David. [E196]
Warren, Roger. [E69], [E90], [E99], [E100], [E351], [E386], [E412], [E697], [E775], [E849], [E998]
Weber, Verne. [B61]
Weil, Herbert, Jr. [E15]
Weiner, Albert. [E232], [E265], [E296], [E330], [E366], [E399], [E790], [E827]
Weller, Philip. [E197]
Wells, Stanley. [C59], [C60], [D18], [E70], [E352], [E387], [E413], [E537], [E677], [E850], [E909], [E910], [E943], [E951], [E961], [E962], [E999], [E1013]
White, Dale. [E198]
Wiggins, Martin. [E739], [E770]
Wilders, John. [C61], [C62], [C63], [C64]
Wilds, Lillian. [E129]
Willems, Michèle. [A20], [B63], [B64], [C65], [C66], [C67], [C68], [E6], [E200], [E252], [E253], [E281], [E282], [E315], [E316], [E346], [E353], [E354], [E381], [E388], [E389], [E407], [E414], [E415], [E619], [E664], [E671], [E678], [E776], [E812], [E813], [E851], [E852], [E952], [E1014]
Willems, Raymond. [C68], [E619], [E664], [E671], [E740]
Williams, Gary Jay. [E698], [E705]
Williams, Michael. [E81]
Williams, Raymond. [E582], [F47]
Willis, Susan. [C69], [C70], [C71], [C72], [C73], [E16], [E17], [E18], [E25], [E42], [E56], [E63], [E71], [E72], [E91], [E101], [E201], [E254], [E283], [E317], [E355], [E390], [E416], [E427], [E445], [E497], [E551], [E599], [E620], [E637], [E672], [E679], [E699], [E717], [E741], [E777], [E814], [E853], [E871], [E911], [E944], [E953], [E954], [E963], [E985], [E1000], [E1015]
Willson, Robert F. Jr. [E638]
Wilson, John Howard. [B65]
Wine, Martin L. [E742]
Wood, Bret. [F38]
Wood, Robert E. [E73]
Worthen, William B. [C74], [E538]
Woudhuysen, H. R. [E498]
Young, David. [E700]
Young, Michael W. [D17], [F3], [F10], [F13], [F20], [F43], [F46], [F53], [F68], [F74], [F87]
Zitner, Sheldon P. [B66]
Anonymous entries
[A30], [B56], [C2], [C3], [C12], [C50], [D1], [D9], [E19], [E54], [E55], [E79], [E136], [E225], [E227], [E250], [E264], [E279], [E289], [E292], [E314], [E329], [E361], [E365], [E425], [E426], [E430], [E443], [E444], [E634], [E636], [E789], [E808], [E809], [E811], [E816], [E869], [E870], [E923], [E931], [E933], [E983], [F32]
Responses to this piece intended for the Readers' Forum may be sent to the Editor at L.M.Hopkins@shu.ac.uk.
© 1999-,
Lisa Hopkins (Editor, EMLS).