Early Modern Literary Studies 10.1 (May,
Information, Journal Availability, Contact Addresses
| Editorial Group
| Submission Information
- Article Abstracts.
A Shroud for the Mind: Ralegh's Poetic
Rewriting of the Self.  Miri Tashma-Baum, Tel-Aviv University.
"On forfeit of your selves,
think nothing true": Self-Deception in Ben Jonson’s Epicoene.
 J.A. Jackson, Hillsdale College.
Does Beatrice Joanna Have a Subtext?:
The Changeling on the London Stage.  Roberta Barker and David
Nicol, Dalhousie University.
- Women, Children, and the Rhetoric of Milton’s Divorce
Tracts.  Sara van den Berg, Saint Louis University.
- Milton’s ‘Divorcive’ Liberties: Ecclesiastical, Domestic
or Private, Civil and Cosmological . W. Scott Howard, University of
- Human Nature in Republican Tradition and Paradise Lost. William Walker, University of New South Wales.
- Roman or Revenger? The Definition and Distortion
of Masculine Identity in Titus Andronicus.  Brecken Rose Hancock,
University of New Brunswick.
- Bryson, Michael. The Tyranny of Heaven: Milton’s
Rejection of God as King.  Newark: U of Delaware P; London: Associated
University Presses, 2004. Peter C. Herman, San Diego State University.
- Stock, Brian. After Augustine: The Meditative
Reader and the Text.  Philadelphia: U of Pennsylvania P, 2001.
Gary Kuchar, University of Victoria.
- Banerjee, Pompa. Burning Women: Widows, Witches,
and Early Modern European Travelers in India.  New York: Palgrave
Macmillan, 2003. M. G. Aune, North Dakota State University.
- Lehmann, Courtney, and Lisa S. Starks, eds. The Reel
Shakespeare: Alternative Cinema and Theory.  Madison and Teaneck,
NJ: Fairleigh Dickinson UP; London: Associated UP, 2002. Carolyn Jess, The
Queen’s University of Belfast.
- Meads, Chris. Banquets Set Forth: Banqueting in English
Renaissance Drama.  Manchester: Manchester UP, 2001. Hillary Nunn,
University of Akron.
- Reviewing information, books received for review,
and forthcoming reviews.
- Cambridge Shakespeare, Spring 2004.  Reviewed
by Michael Grosvenor-Myer.
- The Merchant of Venice
by William Shakespeare, performed by Northern Broadsides at the Buxton Opera
House, April 2004.  Reviewed by Ben Spiller, Sheffield Hallam University.
- Othello, performed
by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon,
March 2004.  Reviewed by Kate Wilkinson, Sheffield Hallam University.
- Paradise Lost,
performed at the Bristol Old Vic.  Reviewed by Neil Forsyth, University
Responses to articles, reviews, and notes appearing in this issue that
are intended for the Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.
Responses to this piece intended for the
Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.
© 2004-, Matthew
Steggle (Editor, EMLS).