Early Modern Literary Studies 10.2 (September, 2004)
- Publishing Information, Journal Availability, Contact Addresses | Editorial Group | Submission Information -

Articles:

• Article Abstracts.
• "Caparisoned like the horse": Tongue and Tail in Shakespeare’s The Taming of the Shrew. [1] LaRue Love Sloan, University of Louisiana at Monroe.
• Shakespeare and the Public Discourse of Sovereignty: “Reason of State” in Hamlet. [2] Anthony DiMatteo, New York Institute of Technology.
• Who Knows Who Knows Who’s There? An Epistemology of Hamlet (Or, What Happens in the Mousetrap). [3] Steve Roth.
• The Muse of Mount Orgueil: a reading of William Prynne’s poetry.[4] Paul D. Green.

Book Reviews:

• Forsyth, Neil. The Satanic Epic. Princeton: Princeton UP, 2002. [5] Matthew Steggle, Sheffield Hallam University.
• Spolsky, Ellen. Satisfying Skepticism: Embodied Knowledge in Early Modern Europe. Aldershot, Hampshire; Ashgate, 2001. [6] Pramod K. Nayar, University of Hyderabad.
• Stewart, Stanley. "Renaissance" Talk. Pittsburgh: Duquesne University Press, 1997. [7] Tony Williams, Sheffield Hallam University.
• Bergeron, David M. English Civic Pageantry, 1558-1642. Revised Edition. Tempe, AZ: Medieval and Renaissance Texts and Studies, 2003.[8] Kevin Curran, University College, Dublin.
• Curran, John E. Jr., Roman Invasions: The British History, Protestant Anti-Romanism, and the Historical Imagination in England, 1530-1660. Newark: U of Delaware P, 2002. [9] Lisa Hopkins, Sheffield Hallam University.
• Reynolds, Bryan. Becoming Criminal: Transversal Performance and Cultural Dissidence in Early Modern England. Cambridge: Cambridge UP, 2002. [10] Rebecca Nesvet, University of Gloucestershire.

• Reviewing information, books received for review, and forthcoming reviews.

Theatre Reviews:

• Romeo and Juliet. Presented by the Royal Shakespeare Company at the Royal Shakespeare Theatre, Stratford-upon-Avon. March 26 - October 8, 2004. [11] Reviewed by Kate Wilkinson Sheffield Hallam University.
• Cambridge Shakespeare, Summer 2004: Cheek by Jowl's Othello at the Arts Theatre. [12] Reviewed by Michael Grosvenor-Myer.
• Measure for Measure, a co-production of Theatre de Complicite and the National Theatre Company at the Olivier Theatre, Royal National Theatre, London, 2004. [13] Reviewed by David Nicol, Dalhousie University.
  

Readers' Forum:

Responses to articles, reviews, and notes appearing in this issue that are intended for the Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.

Responses to this piece intended for the Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.

© 2004-, Matthew Steggle (Editor, EMLS).