Early Modern Literary Studies 11.3 (January, 2006)

- Publishing Information, Journal Availability, Contact Addresses | Editorial Group | Submission Information -

Articles:

• Article Abstracts.
• Editor's Foreword. [1]
• Shakespeare as Poet or Playwright?:  The Player’s Speech in Hamlet. [2] Jason Gleckman, Chinese University of Hong Kong.
• Poisoned Ears and Parental Advice in Hamlet. [3] Reina Green, Mount Saint Vincent University.
• A Son Less Than Kind: Iconography, Interpolation,and Masculinity in Branagh’s Hamlet. [4] L. Monique Pittman, Andrews University.
• Another Look at ‘Amyntor’s Grove’: Pastoral and Patronage in Lovelace’s Poem. [5] Dosia Reichardt, James Cook University, Cairns.
• Genre’s “Phantastical Garb”: The Fashion of Form in Margaret Cavendish’s Natures Pictures Drawn by Fancies Pencil to the Life. [6] Emily Smith, Emory University.

Reviews:

• Cristina León Alfar. Fantasies of Female Evil: The Dynamics of Gender and Power in Shakespearean Tragedy. London: Associated University Presses, 2003. [7] Reviewed by Rebecca Nesvet, University of Gloucestershire.
• David Colclough. Freedom of Speech in Early Stuart England. Cambridge: Cambridge UP, 2005. [8] Reviewed by Cyndia Susan Clegg, Pepperdine University.
• John K. Hale. Milton as Multilingual: Selected Essays, 1982-2004.Otago: Otago Studies in English, 2005. [9] Reviewed by Matthew Steggle, Sheffield Hallam University.
• David Hume of Godscroft. The British Union: A Critical Edition and Translation of David Hume of Godscroft's De Unione Insulae Britannicae. Ed. and trans. Paul J. McGinnis and Arthur H. Williamson. Aldershot: Ashgate, 2002. [10] Reviewed by Christopher Ivic, SUNY, Potsdam.
• Carol Thomas Neely. Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture. Ithaca and London: Cornell UP, 2004. [11] Adam H. Kitzes, University of North Dakota.
• David Lindley. Shakespeare at Stratford: The Tempest. London: Thomson Learning, 2003. [12] Katherine Wilkinson, Sheffield Hallam University.
• Lina Bolzoni. The Gallery of Memory: Literary and Iconographic Models in the Age of the Printing Press. Trans. Jeremy Parzen. Toronto: U of Toronto P, 2001. [13] Peter Kanelos, University of San Diego.
• Dorothea Heitsch and Jean-François Vallée, eds. Printed Voices: The Renaissance Culture of Dialogue. Toronto: U Toronto P, 2004. [14] Robert W. Haynes, Texas A&M International University.

• Reviewing Information, Books Received for Review, and Forthcoming Reviews.

Theatre reviews:

• Theatre in ‘Season’: Stratford and the Globe in 2005. [15] Reviewed by Neil Forsyth, University of Lausanne.

• Christopher Marlowe, Tamburlaine. Presented at the Bristol Old Vic Theatre, October 2005. [16] Reviewed by Siobhan Keenan, De Montfort University.

• William Shakespeare, Richard II at the Old Vic theatre, London. 12th November 2005. [17] Reviewed by Katherine Wilkinson, Sheffield Hallam University.
• William Shakespeare, Measure for Measure, presented by the Globe Theatre Company at the Guthrie Theater, Minneapolis, Minnesota, 26 October - 6 November 2005. [18] Reviewed by Kristina Caton, North Dakota State University, and M. G. Aune, North Dakota State University.

• John Webster,The Duchess of Malfi. Presented by Apricot Theatre Company on tour to London, York, and the Edinburgh Fringe Festival. 1 July - 30 August 2004. [19] Reviewed by Thomas Larque, University of Kent.

• Cambridge Shakespeare, Autumn 2005. [20] Reviewed by Michael Grosvenor Myer.

© 2006-, Matthew Steggle (Editor, EMLS).