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Corvey 'Adopt an Author'
Regina Maria Roche
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The Corvey Project at
Sheffield Hallam University |
Synopsis of Maria Regina Roche's The Children of
the Abbey by Emma Hodinott
This four volume Gothic Romance novel follows the lives
of Oscar and Amanda Fitzalan, the children of Malvina Dunreath and Fitzalan
and the disinherited heirs of Dunreath Abbey in Scotland. Deprived of
their rightful inheritance and occupying an obscure place in society,
the novel traces their return to wealth and nobility.
The novel opens in the picturesque setting of a small
Welsh village, the place of Amanda’s birth and her ‘sweet asylum’ (p1)
from the harsh and often dangerous world of eighteenth century Britain.
It is here, in the grounds of Tudor Hall, that Amanda meets Lord Mortimer.
Romance blossoms and Amanda’s beauty and piety overcome her disadvantages
of obscure origins and want of fortune.
Events are destined to divide the two lovers, however,
and Amanda’s father tears her from the object of her affection. Fitzalan
sees the relationship as potentially harmful to the name of Lord Mortimer,
and reliant on Lord Mortimer’s father, the Earl of Cherbury, he acts to
halt what could anger the Earl.
Settled in Ireland, the paths of Amanda and Lord Mortimer
are destined to cross again, the residence of Amanda and Fitzalan being
the property of the late Countess of Cherbury’s. It is in Ireland that
we meet Amanda's brother Oscar for the first time and hear his melancholy
tale of lost love, his beloved Adela having been forced into a marriage
with the manipulative Colonel Belgrave.
Amanda’s cousin, Lady Euphrasia, and her mother, the
Marchioness of Rosline, visit the area, bringing with them the news of
Lord Mortimer’s presence in the province. Rumours of an attachment between
Euphrasia and Mortimer are rife and Amanda suffers the agonies of disappointed
love while waiting to see him again. Eventually the night arrives when
they might behold each other once more, but so injured were the feelings
of Lord Mortimer’s on Amanda’s desertion from Wales, that the only attention
she receives is from Sir Charles Bingley and all hopes are momentarily
dashed. Just as Amanda and Mortimer look set to resolve their differences
however, events again conspire against them, and Amanda is detained from
meeting him. Exasperated by her inattention, he resolves to relinquish
her.
Winter arrives and the area becomes deserted. It is agreed
that Amanda should visit London with family friend Lady Greystock, who
unbeknown to Amanda, has been enlisted by the Marchioness and Euphrasia
to spy on her. In London, both Lord Mortimer’s and Charles Bingley’s attachments
to Amanda are rekindled. Finally, Amanda and Mortimer acknowledge their
true feelings for each other and marriage looks likely until the interference
of Colonel Belgrave. Besotted with Amanda, this libertine embarks on a
campaign of ruin against her, in order that her reputation be soiled so
he can acquire her as a mistress. Spirited away from London under a cloud
of suspicion, Amanda is taken, against her will, to Colonel Belgrave’s
Devonshire manor and detained. Able to escape before coming to any harm,
she flees to Ireland, only to find her father dying.
Left alone in the world, with Oscar missing after his
disappointment in love drove him from the army, Amanda repairs to the
convent near Castle Carberry. Lord Mortimer, distressed by Amanda’s way
of leaving London, is in Ireland for a break, when the two lovers again
happen upon each other. He believes her assurance of her innocence and
assists her situation. With the difficulties in the way of their relationship
now removed, romance blossoms once more and wedding plans are made. However,
Amanda, within hours of her marriage to Mortimer, receives a visit from
Lord Cherbury, imploring her to leave Mortimer, so that he is free to
marry Lady Euphrasia. This would add to the family fortune and save them
from the financial ruin that the Earl has inflicted upon them through
gambling. Amanda consents, and in a heart broken state, runs away to Scotland.
It is while she is in Scotland that Amanda visits Dunreath
Abbey, the ancestral home of her late mother, and in the only true Gothic
moment in the entire novel, happens across the ghostly figure of Lady
Dunreath, the step-mother of Amanda's mother. Imprisoned in the Abbey
by her daughter, the Marchioness of Rosline, she has spent her years repenting
her decision to deprive Malvina (Amanda's mother)of her fortune, by forging
the will of her late husband, who in his dying moments had forgiven his
eldest daughter. She divulges the whole, sordid story to Amanda, who sets
off to London to settle the affair. Devoid of all assistance, she again
falls prey to Colonel Belgrave and ends up penniless on the streets of
London, because he has ensured that her reputation has been ruined to
the extent she is deserted by all possible sources of assistance. All
this while, Oscar is languishing in prison.
It is at this point that fate intervenes and Amanda is
accidentally discovered and rescued by Sir Charles Bingley. Not only does
he expose the guilt of Belgrave, who flees to the Continent where he dies
in an agony of shame, but he also frees Oscar from prison and assists
him in the requisition of his rightful fortune. The party travels to Scotland,
where the family is in preparation for the forthcoming marriage of Euphrasia
to Lord Mortimer. Euphrasia elopes with the foppish character of Freelove
before this event can take place, however, and is subsequently killed
when her carriage topples over the edge of a cliff. Oscar and Amanda then
arrive to expose the villains.
Upon the death of Colonel Belgrave, Adela, now free
to marry again, is reunited with Oscar. So too are Amanda and Mortimer.
Reinstated to their rightful positions, the novel ends with the marriage
of all the good characters and the punishment of the bad.
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