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Introduction |
The Corvey Project at
Sheffield Hallam University |
The Corvey library,
as it exists today, was largely the creation of Victor Amadeus, Landgraf
of Hesse-Rotenburg (1779-1834). At Castle Corvey, his residence near Höxter
in Westphalia, Germany, he amassed a great collection of books, 72,000
volumes in all, including 35,000 volumes in German, 20,000 in French,
and 15,000 in English. The prominence of English-language publications
within the collection may have been due in part to the tastes of his second
wife, Elise, Princess of Hohenlohe-Langenburg (1790-1830), whose cousin
married into the British royal family.
After the Landgraf's
death, the library remained undisturbed and almost forgotten until the
1980s, when scholars became aware of its historical and literary significance.
Projekt Corvey at the University of Paderborn began the work of cataloguing,
and have arranged production of a series of facsimile editions in microfiche:
belles-lettres (in collaboration with the publisher Belser Wissenschftlicher
Dienst), travel writing, and history and biography (both sections by the
publisher Georg Olms Verlag).
The Corvey Microfiche
Edition of belles-lettres in English, on which the Sheffield Hallam Corvey
Project is based, contains poetry, drama, short story collections, and
some literary periodicals, chapbooks, memoirs, and travel journals; but
above all, novels. As a record of Romantic-era fiction in Britain the
Corvey collection is unsurpassed, containing hundreds of rare works and
a number that can be found nowhere else.
Sheffield Hallam University was the first institution outside Germany
to acquire the English belles-lettres section of the Corvey Microfiche
Edition, in 1994. The following year, it won funding from the British
Academy (now the Arts and Humanities Research Board) for a four-year project
on Romantic-era women's writing, based on the facsimiles. In 1996 two
full-time research fellows were appointed - Dr. Emma Clery and Dr. Glenn
Dibert-Himes - who have worked in collaboration with other Romantic-era
and women's writing specialists in the department: Professor Robert Miles,
Dr. Philip Cox, Dr. Lisa Hopkins, Dr. Mary Peace, Professor Sara Mills,
and Visiting Professor Stephen Behrendt of University of Nebraska. For
the final year of current project (1999-2000), Professor Julie Shaffer,
of University of Wisconsin has replaced Dr. Dibert-Himes.
The project was envisaged from the start as a combination of traditional
scholarship and new digital technology. The information and interpretations
arising from the study of the women's writing found in the collection
are to be disseminated by means of the World Wide Web. The defining aim
of the Sheffield Hallam Corvey Project was very broad at the outset: to
'map women's writing' in the period from about 1790 to 1835 using the
unique resource of the Corvey Microfiche Edition, and to disseminate the
findings by means of digital technology. The result has been Corvey Women
Writers on the Web: an electronic guide to literature 1796-1834. This
contains a range of material on the 1,071 female-authored works in the
collection, and the 420 women writers represented there (more than twice
the number from the period found in the best existing reference guide,
the Feminist Companion to Literature in English).
In the first two years, a standard catalogue of women's belles-lettres
writing in the CME was established, with the assistance of Projekt Corvey
at the University of Paderborn, headed by Professor Rainer Shoewerling,
and Cardiff Corvey, headed by Dr. Peter Garside. The Sheffield Hallam
Corvey Project website has been developing over this period, to incorporate
catalogue information, news, related links, and above all new research.
A number of events, conferences and symposia, have been used to introduce
the Project, and provided opportunities to develop cooperative ties with
other projects and individual scholars in the field. An 'Adopt an Author'
scheme has been initiated to involve undergraduates in research, and a
number of doctoral students within the department have begun exploring
different aspects of the collection.
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