Early Modern Literary Studies 8.3 (January,
2003) / Special Issue 11
Middleton
Lisa Hopkins and Mathew Martin, editors
- Publishing
Information, Journal Availability, Contact Addresses
| Editorial
Group | Submission
Information -
Articles:
Article Abstracts. Introduction. Mathew Martin, Brock University.Comedy, Carnival, and Class: A Chaste Maid in
Cheapside . [1] Rick Bowers, University of Alberta.A Yorkshire Tragedy
and Middleton's Tragic Aesthetic. [2] Lisa Hopkins, Sheffield Hallam University."Today, Vindici Returns": Alex Cox's Revengers
Tragedy . [3] Ben Spiller, University of Warwick."O, how my offences wrestle with my repentance!":
The Protestant Poetics of Redemption in Thomas Middleton's A Chaste Maid
in Cheapside . [4] Alizon Brunning, University of Central Lancashire.Realism, Desire and Reification: Thomas Middleton's
A Chaste Maid in Cheapside . [5] Pier Paolo Frassinelli, University
of the Witwatersrand.
Reviews :
Andrew P. Williams, ed., The Image of Manhood
in Early Modern Literature: Viewing the Male . Westport, Conn. & London:
Greenwood P, 1999. [ 6] Jim Daems, Simon Fraser University.Bernhard Klein, Maps and the Writing of Space
in Early Modern England and Ireland . Basingstoke: Palgrave, 2001.
[7 ] Andrew Murphy, University of St Andrews.Robert Matz,Defending Literature in Early Modern
England: Renaissance Literary Theory in Social Context . Cambridge: Cambridge
UP, 2000. [8 ] Edward Gieskes, University of South Carolina.Jennifer Andersen and Elizabeth Sauer, eds. Books
and Readers in Early Modern England: Material Studies . Philadelphia: U
of Pennsylvania P, 2002. [9] Jason Scott-Warren, University of York.Stevie Simkin. Marlowe: The Plays . New York:
Palgrave, 2001. [10] Scott Newstrom, Amherst College.Graham Parry and Joad Raymond, eds. Milton and
the Terms of Liberty . Cambridge: D. S. Brewer, 2002. [11] William
Walker, University of New South Wales.Andrew Hadfield, ed. The Cambridge Companion to
Spenser . Cambridge: Cambridge UP, 2001. xx+278pp. [12] William Barker,
Memorial University.Jesús Tronch-Pérez. A Synoptic Hamlet:
A Critical-Synoptic Edition of the Second Quarto and First Folio Texts of
Hamlet . [13] Steve Roth.Ann Rosalind Jones and Peter Stallybrass. Renaissance
Clothing and the Materials of Memory . Cambridge: CUP, 2000. [14] Jerome
de Groot, University College Dublin.Robert Wilcher. The Writing of Royalism 1628-1660 .
Cambridge: Cambridge UP, 2001. [15] Christopher Orchard, Indiana University
of Pennsylvania.Reviewing Information, Books Received for Review,
and Forthcoming Reviews.
The Tempest .
Presented by The Crucible Theatre, Sheffield, England. 25 September - 19 October,
2002. [16 ] Annaliese Connolly, Sheffield Hallam University.Henry IV at The Peacock Theatre, Dublin.Cambridge Shakespeare, Michaelmas Term 2002.
[18] Michael Grosvenor Myer."Romancing Multiplicity: Female Subjectivity and the Body Divisible
in Margaret Cavendish's Blazing World." Geraldine Wagner, College of
the Holy Cross.
"Elizabeth Cary's Mariam and the Critique of Pure Reason."
William M. Hamlin, Washington State University.
"Propaganda or a Record of Events? Richard Mulcaster's The Passage
Of Our Most Drad Soveraigne Lady Quene Elyzabeth Through The Citie Of London
Westminster The Daye Before Her Coronacion ." William Leahy, Brunel
University.
"Religion, Politics, Revenge: The Dead in Renaissance Drama."
Thomas Rist, University of Aberdeen.
Readers' Forum:
Responses to articles, reviews, and notes appearing in this issue that are intended
for the Readers' Forum may be sent to the Editor at L.M.Hopkins@shu.ac.uk .
Responses to this piece intended for the Readers'
Forum may be sent to the Editor at L.M.Hopkins@shu.ac.uk .
© 2003-, Lisa
Hopkins (Editor, EMLS ).
