Early Modern Literary Studies 8.3 (January,
2003) / Special Issue 11
Lisa Hopkins and Mathew Martin, editors
Information, Journal Availability, Contact Addresses
Group | Submission
Introduction. Mathew Martin, Brock University.
Comedy, Carnival, and Class:  Rick Bowers, University of Alberta. A Chaste Maid in
A Yorkshire Tragedy
and Middleton's Tragic Aesthetic.  Lisa Hopkins, Sheffield Hallam University.
"Today, Vindici Returns": Alex Cox's  Ben Spiller, University of Warwick. Revengers
"O, how my offences wrestle with my repentance!":
The Protestant Poetics of Redemption in Thomas Middleton's  Alizon Brunning, University of Central Lancashire. A Chaste Maid
Realism, Desire and Reification: Thomas Middleton's
 Pier Paolo Frassinelli, University
of the Witwatersrand. A Chaste Maid in Cheapside.
Andrew P. Williams, ed., [ 6] Jim Daems, Simon Fraser University. The Image of Manhood
in Early Modern Literature: Viewing the Male. Westport, Conn. & London:
Greenwood P, 1999.
[7 ] Andrew Murphy, University of St Andrews. Maps and the Writing of Space
in Early Modern England and Ireland. Basingstoke: Palgrave, 2001.
Robert Matz, [8 ] Edward Gieskes, University of South Carolina. Defending Literature in Early Modern
England: Renaissance Literary Theory in Social Context. Cambridge: Cambridge
Jennifer Andersen and Elizabeth Sauer, eds.  Jason Scott-Warren, University of York. Books
and Readers in Early Modern England: Material Studies. Philadelphia: U
of Pennsylvania P, 2002.
Stevie Simkin.  Scott Newstrom, Amherst College. Marlowe: The Plays. New York:
Graham Parry and Joad Raymond, eds.  William
Walker, University of New South Wales. Milton and
the Terms of Liberty. Cambridge: D. S. Brewer, 2002.
Andrew Hadfield, ed.  William Barker,
Memorial University. The Cambridge Companion to
Spenser. Cambridge: Cambridge UP, 2001. xx+278pp.
Jesús Tronch-Pérez.  Steve Roth. A Synoptic Hamlet:
A Critical-Synoptic Edition of the Second Quarto and First Folio Texts of
Ann Rosalind Jones and Peter Stallybrass.  Jerome
de Groot, University College Dublin. Renaissance
Clothing and the Materials of Memory. Cambridge: CUP, 2000.
Robert Wilcher.  Christopher Orchard, Indiana University
of Pennsylvania. The Writing of Royalism 1628-1660.
Cambridge: Cambridge UP, 2001.
Reviewing Information, Books Received for Review,
and Forthcoming Reviews.
The Tempest .
Presented by The Crucible Theatre, Sheffield, England. 25 September - 19 October,
2002. [16 ] Annaliese Connolly, Sheffield Hallam University.
[17 ] Jerome de Groot, University College Dublin. Henry IV at The Peacock Theatre, Dublin.
Cambridge Shakespeare, Michaelmas Term 2002.
 Michael Grosvenor Myer.
Articles Accepted and Forthcoming in
Future Issues "Romancing Multiplicity: Female Subjectivity and the Body Divisible
in Margaret Cavendish's Blazing World." Geraldine Wagner, College of
the Holy Cross.
Mariam and the Critique of Pure Reason."
William M. Hamlin, Washington State University. "Propaganda or a Record of Events? Richard Mulcaster's
Of Our Most Drad Soveraigne Lady Quene Elyzabeth Through The Citie Of London
Westminster The Daye Before Her Coronacion." William Leahy, Brunel
University. "Religion, Politics, Revenge: The Dead in Renaissance Drama."
Thomas Rist, University of Aberdeen.
Responses to articles, reviews, and notes appearing in this issue that are intended
for the Readers' Forum may be sent to the Editor at
Readers' Forum: L.M.Hopkins@shu.ac.uk.
Responses to this piece intended for the Readers'
Forum may be sent to the Editor at L.M.Hopkins@shu.ac.uk .
© 2003-, Lisa
Hopkins (Editor, EMLS).