Books (authored):

• Matthew Steggle, Digital Humanities and the Lost Drama of Early Modern England: Ten Case Studies (Aldershot: Ashgate, 2015). "Brilliant and scrupulous" (Notes and Queries).
• Matthew Steggle, Laughing and Weeping in Early Modern Theatres (Aldershot: Ashgate, 2007). "A fascinating and welcome study... an immensely valuable resource for future scholarship" (Early Theatre); "offers a wealth of evidence about early modern performance practices that has never been amassed before" (Review of English Studies); "this thoughtful, useful book" (Times Literary Supplement).
• Lisa Hopkins (50%) and Matthew Steggle (50%), Renaissance Literature and Culture (London: Continuum, 2006). "the background of English Renaissance literature in a nutshell... squeeze[s] a tremendous amount of readable information into a mere 144 pages" (Sixteenth Century Journal).
• Matthew Steggle, Richard Brome: Place and Politics on the Caroline Stage (Manchester: Manchester University Press, 2004). "Admirable and clear-headed" (Times Literary Supplement); "most impressive" (Ben Jonson Journal); "advances... discussion by several giant leaps" (Comparative Drama);"a thoroughly good book" (Notes and Queries).
• Matthew Steggle, Wars of the Theatres: The Poetics of Personation in the Age of Jonson (Victoria, B.C.: English Literary Studies, 1998). "Steggle is one of the most promising and productive of the newest generation of Jonsonians" (Ben Jonson Journal).

Books (edited):

• David McInnis and Matthew Steggle, eds., Lost Plays in Shakespeare’s England (London: Palgrave Macmillan, 2014).  Includes a co-authored "Introduction", and a chapter by Steggle, "Lost, or Rather Surviving as a Very Short Document". "McInnis and Steggle redefine the field… genuinely innovative" (RES); "one of the pleasures of the season" (SEL); "a major achievement" (TLS).
• Matthew Steggle, ed.,Volpone: A Critical Guide (London: Continuum, 2011). "The most wide-ranging and thought-provoking overview of Jonson's comedy ever assembled... Future study of Volpone starts here" (Richard Dutton, Ohio State University).

Editions:

• John Marston, The Complete Works of John Marston, gen. eds. Martin Butler and Matthew Steggle. 4 vols.  Oxford: Oxford UP, forthcoming 2020.
• William Shakespeare, Measure for Measure in Stephen Greenblatt, gen. ed., The Norton Shakespeare, 3rd edition (New York: W. W. Norton, 2015), 2171-2240.
• Ben Jonson, Cynthia's Revels, or the Fountain of Self-Love, ed. Eric Rasmussen and Matthew Steggle, in Martin Butler, David Bevington, and Ian Donaldson, gen. eds., The Cambridge Edition of the Works of Ben Jonson (Cambridge: Cambridge University Press, 2012), 1. 429-548, 5. 1-100.   "The Cambridge Jonson... can be welcomed as the outstanding edition of any English dramatist in our time" (TLS).
• Richard Brome, The English Moor, ed. Matthew Steggle, in Richard A. Cave, gen. ed., Richard Brome Online (2010). Online at http://www.hrionline.ac.uk/brome/. ISBN 978-0-9557876-1-4.

• “Marlowe and Lost Plays: The case of ‘The Maiden’s Holiday’” in Roslyn Knutson and Kirk Melnikoff, eds., Booking Marlowe Booking Marlowe: Cultures of Performance and Publication (Cambridge: Cambridge UP, forthcoming 2016).  Winner of the 2015 Calvin and Rose G. Hoffman Prize for Distinguished Publication on Christopher Marlowe.
• "Ben Jonson and Performance" in Eugene Giddens, ed., The Oxford Handbook of Ben Jonson (Oxford: Oxford UP, forthcoming): published online, October 2016, within Oxford Handbooks Online.
• “The Humors in Humor: Shakespeare and Early Modern Psychology” in Heather Hirschfeld, ed., The Oxford Handbook of Shakespearean Comedy (Oxford: Oxford UP, forthcoming).

• ‘Two Emendations to Measure for Measure’, Notes and Queries (forthcoming, September 2016).
• "Philip Henslowe's Artificial Cow", MRDE (forthcoming).
• "The 'Comedy of a Duke of Ferrara' in 1598", Early Theatre 19.2 (forthcoming, 2016).
  
• "Othello, the Moor of London: Shakespeare's Black Britons" in Robert C. Evans, ed., Othello: A Critical Reader (London: Arden, 2015), 103-124.
• "The Monster in the Corner: Plague and The Three Ladies of London". Invited contribution to the McMaster University project, Performance as Research in Early English Theatre Studies: 'The Three Ladies of London' in Context (2015).
• "Lost, or Rather Surviving as a Very Short Document", in Steggle and McInnis, eds., Lost Plays in Shakespeare's England (2014), 72-83.
• Arun Cheta and Matthew Steggle, "Thomas Nashe reads The Nosegay of Morall Philosophie", Notes and Queries 61.2 (2014): 221-223.
• "The cruces of Measure for Measure and EEBO-TCP", Review of English Studies 65 (2014): 438-455. Winner of the 2015 RSA/TCP Article Prize for Digital Renaissance Research.
• "Notes towards an analysis of early modern applause" in Katharine A. Craik and Tanya Pollard, eds., Shakespearean Sensations: Experiencing Literature in Early Modern England (Cambridge: Cambridge UP, 2013), 118-137.
• "Essexianism and the work of Gervase Markham" in Annaliese Connolly and Lisa Hopkins, eds., Essex: The Cultural Impact of an Elizabethan Courtier (Manchester: Manchester UP, 2013), 47-62.
• "The Alchemist: The State of the Art" in Helen Ostovich and Erin Julian, eds., The Alchemist: A Critical Reader, Arden Early Modern Drama Guides (London: Bloomsbury, 2013), 75-103.
• "Imagining Marston, or, If Shakespeare is the Beatles, Marston is the Kinks". Invited contribution to the Dutch Courtesan Project at the University of York (2013).
• "Urbane John Marston: obscenity, playfulness, co-operation", in A. D. Hoenselaars, ed., The Cambridge Companion to Shakespeare and Contemporary Dramatists (Cambridge: Cambridge UP, 2012), 70-82.
• "A Lost Turk Play: Actors Mufti Nassuf &c (1614-42)", Ben Jonson Journal 19.1 (May, 2012): 45-64.
• McInnis, David, and Matthew Steggle. ‘Folger MS X. d. 390 (1-2) and Folger MS X. d. 391’, Notes and Queries 58.3 (Sept, 2011): 374-76.
• "A lost Jacobean tragedy: Henry the Una (c.1619)", Early Theatre 13 (2010): 65-81. Winner of the biennial Early Theatre Prize 2011. Online at http://www.lostplays.org/images/6/6b/ET_Steggle.pdf.
• "Prospero and Plagiarism: Early Modern Studies and the rise of Wikipedia", Digital Studies/Le Champ Numerique 2.1 (2010). Online at http://www.digitalstudies.org/ojs/index.php/digital_studies/article/viewArticle/205/241.
• "Jonson in the Elizabethan Era" in Julie Sanders, ed., Ben Jonson in Context (Cambridge: Cambridge UP, 2010), 15-22.

• "Case studies in reading literary texts" in Robert C. Evans and Eric J. Sterling, eds., The Seventeenth-Century Literature Handbook (London: Continuum, 2010), 85-107.
• "Doctor Faustus and the devils of Empedocles", Notes and Queries 56 (2009): 544-7.
• Lisa Hopkins, Raymond G. Siemens, and Matthew Steggle, "EMLS: A Case Study in the Development of an Ejournal", in William R. Bowen and Raymond G. Siemens, eds., New Technologies and Renaissance Studies (Tempe, Arizona: Iter, 2008), 144-160.
• "'Knowledge will be multiplied': Digital literary studies and early modern literature", in Raymond G. Siemens and Susan Schreibman, eds., A Companion to Digital Literary Studies (Oxford: Blackwell, 2007), 82-105. Online at http://www.digitalhumanities.org/companion/DLS/.
• "Two Notes on Robert Tofte's Alba (1598)", Notes and Queries 54 (2007): 262-4.
• "Cynthia waning: Cynthia's Revels imagines the death of the Queen", in Annaliese Connolly and Lisa Hopkins, eds., Goddesses and Queens: The Iconography of Elizabeth I (Manchester: Manchester UP, 2007), 154-66.
• "Aristophanes in Early Modern England" in Edith Hall and Amanda Wrigley, eds., Aristophanes in Performance 421 BC-AD 2007: Peace, Birds, and Frogs (Oxford: Legenda, 2007), 52-65.
• "Ben Jonson" in Andrew Hiscock and Lisa Hopkins, eds., Teaching Shakespeare and Early Modern Dramatists (Basingstoke: Palgrave Macmillan, 2007), 106-117.
• "Who wrote The Christmas Ordinary?", Review of English Studies 58 (2007): 657-68.
• "John Marston's Entertainment at Ashby and the 1606 Fleet Conduit Eclogue", Medieval and Renaissance Drama in England 19 (2006): 249-255.
  
• "Demoniceacleare in The Miseries of Inforst Mariage", Notes and Queries 53 (2006): 514-15.
• "Players at the Maidenhead Inn, Islington, 1618", Notes and Queries 53 (2006): 519-21.
• "Greenes Baboone: Thomas Greene, ape impersonator?", Theatre Notebook 60 (2006): 72-5.
• "Placing Caroline politics on the professional comic stage" in Julie Sanders and Ian Atherton, eds, The 1630s: Interdisciplinary Essays on Culture and Politics in the Caroline Era (Manchester: Manchester University Press, 2006), 154-70.
• "Editor's foreword". Early Modern Literary Studies 11.3 (January, 2006): 1.1-4. <URL: http://purl.oclc.org/emls/11-3/editfore.htm>.
• "Gabriel Harvey, the Excellent Gentlewoman, and the Sidney Circle", Sidney Journal 22 (2004 for 2006): 115-30.
• "The Manipulus Florum and The Anatomy of Absurditie", Notes and Queries 251 (2006): 43-6.
• "Walter Scot's True History and John Taylor", English Language Notes 43 (2005): 30-34.
• "Richard Head's The Floating Island (1673) plagiarizes Thomas Powell", Notes and Queries 250 (2005): 325-7.
• "The Manipulus Florum and An Almond for a Parrat", Notes and Queries 250 (2005): 178-82.
• "The names of Gabriel Harvey: Russian, Cabbalistic, and Fencing Sources", Notes and Queries 250 (2005): 185-6.
• "Salomon Pavy: Jonson's avatar?" The Ben Jonson Journal 11 (2004): 259-64.
• "The reinvention of scholia: etexts and the teaching of early modern literature", Literature Compass 1 (2004) 17C 051, 1-4. Reissued in Literature Compass 4 (2007), 'Technology and Literary Studies' Cluster.
• "The other side of the war: Marston and Dekker" in Harold Bloom ed., Bloom's Period Studies: Elizabethan Dramatists (Philadelphia: Chelsea House, 2004), 261-84 (rpt. of Chapter Two of Wars of the Theatres).
• "James Yates, Elizabethan Servant Poet", Studies in Philology 101 (2004): 48-58.
• "The Knave in Grain puts Holland's Leaguer on stage", Notes and Queries 249 (2004): 355-6.
• "An emendation to Thomas May's The Tragedy of Julia Agrippina", Notes and Queries 249 (2004): 306-7.
• "Charles Chester and Richard Hakluyt", Studies in English Literature 1500-1900 43 (2003): 65-82.
• "C. G.: A Member of the Brome Circle", Notes and Queries 248 (2003): 175-7.
• "Casting the Prelude in Cynthia's Revels", Notes and Queries 248 (2003): 62-3.
• "Shakespeare, Jonson, Harington, and Paper's Complaint", Notes and Queries 247 (2002): 251-3.
• "Greville's Buxton poem: a text and commentary", Sidney Journal 20 (2002): 55-68.
• "Redating A Jovial Crew", Review of English Studies 53 (2002): 365-372.
• "Richard Brome's First Patron", Notes and Queries 247 (2002): 259-61.
• "Weighing winged words: An intertext in The Faerie Queene 5.2", Spenser Studies 16 (2002): 273-6.
• "Fulke Greville: Life and Works" in Matthew C. Hansen and Matthew Woodcock, eds., Fulke Greville, Sidney Journal 19 (2001): 1-10.
• "Brome, Covent Garden, and 1641", Renaissance Forum 5.2 (2001). <URL: http://www.hull.ac.uk/renforum/v5no2/steggle.htm>.
• "The New Academy and the New Exchange", Research Opportunities in Renaissance Drama 40 (2001): 67-82.
• "Paradise Lost and the Acoustics of Hell", Early Modern Literary Studies 7.1/Special Issue 8 (May, 2001): 9.1-17. <URL: http://purl.oclc.org/emls/07-1/stegmil2.htm>.
• "Macflecknoe and Cynthia's Revels", Notes and Queries 246 (2001): 397-8.
• "'The Tragical Part': Milton's Masque and Euripides" in Classical and Modern Literature 20 (2000): 18-36.
• "What-so-ere your fantasy dreams on: What You Will and varieties of fantasy", The Drama of John Marston ed. T.F. Wharton (Cambridge: Cambridge UP, 2000), 45-59.
• "Spenser's Ludgate: A Topical Allusion in The Faerie Queene II.x", Notes and Queries 245 (2000): 34-7.
• "Charles Chester and Ben Jonson" in Studies in English Literature 1500-1900 39 (1999): 313-26.
• "Horace the Second, or, Ben Jonson, Thomas Dekker, and the Battle for Augustan Rome" in The Author as Character: Representing Historical Writers in Western Literature ed. Paul Franssen and Ton Hoenselaars (Madison: Farleigh Dickinson University Press, 1999), 118-30.
• "'Gums of glutinous heat' and Euripides' Medea", Notes and Queries 244 (1999): 328-30.
• "'Acute Canaidus' in What You Will 567", Notes and Queries 244 (1999): 248-50.
• "Valeat Res Ludicra: An imitation of Horace in Jonson's 'Ode To Himself'", The Ben Jonson Journal 5 (1998): 101-13.
• "Jonson's Every Man Out and Commentators on Terence", Notes and Queries 242 (1997): 525-6.
• "A New Marprelate Allusion", Notes and Queries 242 (1997): 34-6.
• "Rhetorical Ordering in Moulsworth's 'Memorandum'", Critical Matrix: The Princeton Journal of Women, Gender, and Culture 10 (1996): 27-31.
• "'The Memorandum', Sacraments, and Ewelme Church" in "The Muses Females Are": Martha Moulsworth and Other Women Writers of the English Renaissance ed. Robert C. Evans and Anne C. Little (West Cornwall, CT: Locust Hill Press, 1995), 101-6.

• "The Comedy of Errors" in William Baker and Ken Womack, eds., The Facts on File Companion to Shakespeare (New York: Chelsea House, 2012), 537-578.
• "Richard Brome" in Garrett Sullivan and Alan Stewart, gen eds., The Encyclopedia of English Renaissance Literature (Oxford: Blackwell, 2012).
• "Fulke Greville" in David Scott Kastan, ed., The Oxford Encyclopedia of British Literature (Oxford: Oxford University Press, 2006).
• Contributions to Chapters 5-10 of The Year's Work in English Studies, 1999-2006, including sections on "Jonson", "Other Renaissance Drama", "Marvell", and "Restoration poetry".
• 42 new or revised articles for the Oxford Dictionary of National Biography (Oxford University Press, 2004), <http://www.oxforddnb.com>, including the following:
  • Richard Argall (fl. 1621), supposed poet
  • Robert Aylett (1583-1655), lawyer and poet
  • William Barclay (c.1570-c.1630), medical writer and neo-Latin poet
  • Ralph Bathurst (1620-1704), Dean of Wells and President of Trinity College, Oxford
  • Daubridgcourt Belchier (1581-?1621), playwright
  • Catharine Bentley (c.1591-1659), abbess and translator
  • Charles Chester (?1554-1604), informer and wit
  • Roger Cotton (c.1557-1602), draper and poet
  • Thomas Edwards (fl.1595), Inns of Court student and poet
  • Thomas Evans (d.1633), cleric and poet
  • Elizabeth Evelinge (c.1597-1668), abbess and translator
  • Henry Fitzgeffrey (fl.1612-1621), lawyer, debtor, and poet
  • Thomas Fortescue (d.1602), translator and alleged sorceror
  • Dunstan Gale (fl.1596), poet "both dull and bad"
  • John Glanvill (?1664-1735), poet and translator
  • John Grange (b.?1557), Inns of Court student and poet
  • H. A. (fl.1613), poet
  • Henry Hutton (d.1671), satirist and cleric
  • George Jeffreys (1678-1755), poet and translator
  • William Lisle (?1569-1637), translator and Anglo-Saxon scholar
  • Gervase Markham (1557-1636/7), Sheriff of Nottingham
  • Gervase Markham (?1568-1636/7), playwright and poet
  • Henry Martyn (1665-1721), essayist
  • Joseph Perkins (b.1657), poet and preacher
  • Ludovico Petrucci (b.c.1575), soldier of fortune and poet
  • Thomas Proctor (fl.1578-1584), stationer, anthologist, and poet
  • John Rous (1584-1644), clergyman and diarist
  • John Smith (1662-1717), poet and dramatist
  • Thomas Storer (c.1571-1604), poet
  • Nicholas Udall (1504-1556), scholar, translator, and playwright
  • James Yates (fl.1582), servingman and poet
• Contributions to the online edition of the Oxford DNB, including
  • Salomon Pavy (bap. 1588, d. 1602), actor
• Contributions to Helen Ostovich and Elizabeth Sauer, eds., Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700 (London: Routledge, 2004).
• "Richard Brinsley Sheridan" in Jonathan Dewald, ed., Europe 1450-1789: Encyclopedia of the Early Modern World (New York: Charles Scribner's Sons, 2004).
• Contributions to Robert Clark, Emory Elliott, and Janet Todd, eds., The Literary Encyclopedia, including the article "Ben Jonson".
• Contributions to David Rundle, ed., The Hutchinson Encyclopedia of the Renaissance (Oxford: Helicon, 1999), including the article "William Shakespeare" (364-67).
  

• Contributions to Alan Sommerstein, gen. ed., The Blackwell Encyclopedia of Greek Comedy (forthcoming, 2016).
• "Flight and Spaceflight in Romeo and Juliet", in Robert C. Evans, ed., Romeo and Juliet: Critical Insights (Salem Press, forthcoming 2017).  

• Co-editor with Roslyn L. Knutson and David McInnis, Lost Plays Database <http://www.lostplays.org>.
• Co-editor with Annaliese Connolly,, Early Modern Literary Studies <http://purl.org/emls>.
• Associate Editor, The Year's Work in English Studies, 2006-9.
• Member of the Academic Advisory Board to the JISC-funded projects Electronic Ephemera: Digitized selections from the John Johnson Collection < http://www.bodley.ox.ac.uk/eejjc/>; the Shakespeare Quartos Archive, http://quartos.org/; JISC Historic Books, http://ecollections.mimas.ac.uk/books/about.html; and the SECT project, http://www.bodleian.ox.ac.uk/eebotcp/sect/.
• Editorial Board member:
  • Shakespeare.
  • Appositions <http://appositions.blogspot.com/>;
  • Postgraduate English <http://www.dur.ac.uk/postgraduate.english/>;

• Includes Radio Sheffield and Radio 3.