Anonymous (1607), The Tragedie of Caesar and Pompey or Caesars Revenge, two versions available from Early English Books Online (http://eebo.chadwyck.com), from: British Library (reel 722) available at http://eebo.chadwyck.com.lcproxy.shu.ac.uk/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99857502&VID=176939&PAGENO=1&FILE=../session/1199625469_10265&SEARCHSCREEN=CITATIONS&SEARCHCONFIG=var_spell.cfg and Folger Shakespeare Library (reel 2059) available at http://eebo.chadwyck.com.lcproxy.shu.ac.uk/search/full_rec?SOURCE=pgimages.cfg&ACTION=ByID&ID=99857502&FILE=../session/1199625469_10265&SEARCHSCREEN=CITATIONS&VID=133077-01&PAGENO=1&ZOOM=FIT&VIEWPORT=&SEARCHCONFIG=var_spell.cfg&DISPLAY=param(DISPLAY)&HIGHLIGHT_KEYWORD=param(HIGHLIGHT_KEYWORD).

Anonymous (2006/1911Malone Society reprint), The Tragedy of Caesar's Revenge, Edited by Boas, F S, Hesperides Press, London.

Ayres, Harry Morgan (1910), "Shakespeare's Julius Caesar in the Light of Some Other Versions" published in PMLA, 25/2, pp 183-227.

Ayres, Harry Morgan (1915), "Caesar's Revenge", published in PMLA, 30/4, pp771-787.

Bowers, Fredson (1966), Elizabethan Revenge Tragedy 1587-1642, Princeton University Press, Princeton.

Brazil, Robert and Flues, Barboura (2002-2007), The Elizabethan Authors website, http://www.elizabethanauthors.com/.

Foakes, R A (1997), "Playhouses and Players" published in The Cambridge Companion to English Renaissance Drama, pp 1-52.

Fishman, Burton J (1976), "Pride and Ire: Theatrical Iconography in Preston's Cambises" published in Studies in English Literature, 1500-1900, 16/2 Elizabethan and Jacobean Drama, pp 201-211.

Flower, H I (2006) The Art of Forgetting: Disgrace and Oblivion in Roman Political Culture, University of North Caroline Press, Chapel Hill NC.

Harkness, Deborah E (2007), The Jewel House: Elizabethan London and the Scientific Revolution, Yale University Press, Yale.

Harris, Robert A (Version Date: April 6, 2005), A Handbook of Rhetorical Devices, http://www.virtualsalt.com/rhetoric.htm.

Henrichs, Albert (1995), "Graecia Capta: Roman Views of Greek Culture" published in Harvard Studies in Classical Philology, Vol. 97, Greece in Rome: Influence, Integration, Resistance, pp 243-261.

Hopkins, Clare (2005), Trinity: 450 Years of an Oxford College Community, Oxford University Press, Oxford.

Hopkins, Lisa (2008), The Cultural Uses of the Caesars on the English Renaissance Stage, Ashgate, Aldershot and Burlington.

Lomax, Marion (1987), Stage Images and Traditions: Shakespeare to Ford, Cambridge University Press, Cambridge.

Moore Smith, C G (1916), "The Tragedy of Caesar's Revenge" published in Notes and Queries, 12/S/II Oct. 14, pp 305-307, 325-327.

Nelson, Alan H (2007), Early Cambridge Theatres: College, university, and town stages, 1464-1720, Cambridge University Press, Cambridge.

Parrott, T M (1910), "The 'Academic Tragedy' of 'Caesar and Pompey' " published in The Modern Language Review, 5/4, pp 435-444.

Riggs, David (2005), The World of Christopher Marlowe, Faber and Faber, London.

Roberts, William (1963), "Classical Sources of Saint-Amant's L'Arion" published in French Studies, XVII/4, pp 341-349, reprint available from http://fs.oxfordjournals.org/cgi/reprint/XVII/4/341.pdf.

Shakespeare, William (1968), A Midsummer-Night's Dream, Edited by Quiller-Couch, Sir Arthur and Dover Wilson, John, Cambridge University Press, Cambridge.

Smith, Molly Easo (2001), "The Theatre and the Scaffold: Death as Spectacle in The Spanish Tragedy" in Revenge Tragedy, Edited by Simkin, Stevie, Palgrave, Basingstoke.

Spenser, Edmund (1968/1590), Faerie Queene, Edited by Smith, J C, Oxford University Press, London.