Table of Contents
Introduction
| Introduction: John Ford in Performance 2014-16 | |
| Lisa Hopkins |
Articles
| Perkin Warbeck and Massinger | |
| Lisa Hopkins |
| “What think you of this present state?”: Representations of Scotland and Scottish union in Robert Greene’s The Scottish History of James the Fourth and John Ford’s Perkin Warbeck | |
| Steven Veerapen |
| 'It Seems She Was Born First': The Persistence of Twinship in The Duchess of Malfi and The Broken Heart. | |
| Louise Powell |
| ‘I haue paid the Duty to the Sonne, which I haue vowed to the Father’: Serving the Father in John Ford’s ’Tis Pity She’s A Whore | |
| Iman Sheeha |
| Ungovernable Passion in 'Tis Pity She's a Whore | |
| Kibrina Davey |
| Bergetto - The Prodigal Son Abroad in 'The Iron Age'. | |
| Julian Real |
John Ford in Performance
| Staging Ford in New York, 2015: An Interview with Jesse Berger, Artistic Director of the Red Bull Theater | |
| Tanya Pollard |
| Reflections on John Ford’s Story by MED Theatre’s Young Company, 2011 | |
| Amelia Young |
| Directing The Lady's Trial | PDF 1 - Chapel 2 - Guzman and Fulgoso 3- Spinella in Frames 4- Freeze |
| Perry Mills |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1201-2459