Early Modern Literary Studies 12.3 (January, 2007)

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Articles:

• Article Abstracts.
• Is “Hand D” of Sir Thomas More Shakespeare’s? Thomas Bayes and the Elliott–Valenza Authorship Tests. [1] MacDonald P. Jackson, University of Auckland.
  
• The School of the World: Trading on Wit in Middleton’s Trick to Catch the Old One. [2] Eric Leonidas, Central Connecticut State University.
• Observations upon the Irish Devils: Echoes of Eire in Paradise Lost. [3] Maura Grace Harrington, Seton Hall University.
• Hero’s Afterlife: Hero and Leander and ‘lewd unmannerly verse’ in the late Seventeenth Century. [4] Roy Booth, Royal Holloway.
• Verse, Voice, and Body: The retirement mode and women's poetry 1680-1723. [5] Bronwen Price, Portsmouth University.

Reviews:

• Peter McCullough. Lancelot Andrewes: Selected Sermons and Lectures. Oxford: Oxford UP, 2005. [6] Mary Ann Lund, Mansfield College, Oxford.
• Ben Jonson. Epicene, or The Silent Woman. Ed. Richard Dutton. Manchester: Manchester UP, 2003. [7] Tom Lockwood, University of Birmingham.
• Patricia Fumerton. Unsettled: The Culture of Mobility and the Working Poor in Early Modern England. Chicago and London: U of Chicago P, 2006. [8] Adam Hansen, Queen's University Belfast.
• Catie Gill. Women in the Seventeenth-Century Quaker Community: A Literary Study of Political Identities, 1650-1700. Aldershot: Ashgate, 2005. [9] Alison Searle, Queen Mary, University of London.
• King, John N., ed. Voices of the English Reformation: A Sourcebook. Philadelphia: U of Pennsylvania P, 2004. Booty, John E., ed. The Book of Common Prayer 1559: The Elizabethan Prayer Book. Charlottesville: U of Virginia P for the Folger Shakespeare Library, 2005. [10] Timothy Rosendale, Southern Methodist University.
• Jesse M. Lander. Inventing Polemic: Religion, Print, and Literary Culture in Early Modern England. Cambridge: Cambridge UP, 2006. [11] Ian McAdam, University of Lethbridge.
• Armando Maggi. In The Company of Demons: Unnatural Beings, Love, and Identity in the Italian Renaissance. Chicago and London: U of Chicago P, 2006. [12] Neil Forsyth, University of Lausanne.
• Daniel Vitkus. Turning Turk: English Theater and the Multicultural Mediterranean, 1570-1630. New York: Palgrave Macmillan, 2003. [13] Andrew Duxfield, Sheffield Hallam University.
• Harold Love. English Clandestine Satire, 1660-1702. Oxford: Oxford UP, 2004. [14] Tom Lockwood, University of Birmingham.
• Donna B. Hamilton. Anthony Munday and the Catholics, 1560-1633. Aldershot, England ; Burlington, VT: Ashgate, 2005. [15] Adam H. Kitzes, University of North Dakota.

• Reviewing Information and Books Received for Review.

Theatre reviews:

• As You Like It at the Crucible Theatre, Sheffield, 31 January - 24 March 2007. [16] Lisa Hopkins, Sheffield Hallam University.
  

© 2007-, Matthew Steggle (Editor, EMLS).