Early Modern Literary Studies 10.1 (May, 2004)
- Publishing Information, Journal Availability, Contact Addresses | Editorial Group | Submission Information -

Articles:

• Article Abstracts.

• A Shroud for the Mind: Ralegh's Poetic Rewriting of the Self. [1] Miri Tashma-Baum, Tel-Aviv University.

• "On forfeit of your selves, think nothing true": Self-Deception in Ben Jonson’s Epicoene. [2] J.A. Jackson, Hillsdale College.

• Does Beatrice Joanna Have a Subtext?: The Changeling on the London Stage. [3] Roberta Barker and David Nicol, Dalhousie University.

• Women, Children, and the Rhetoric of Milton’s Divorce Tracts. [4] Sara van den Berg, Saint Louis University.
• Milton’s ‘Divorcive’ Liberties: Ecclesiastical, Domestic or Private, Civil and Cosmological [5]. W. Scott Howard, University of Denver.
• Human Nature in Republican Tradition and Paradise Lost. [6]William Walker, University of New South Wales.
• Roman or Revenger? The Definition and Distortion of Masculine Identity in Titus Andronicus. [7] Brecken Rose Hancock, University of New Brunswick.

Book Reviews:

• Bryson, Michael. The Tyranny of Heaven: Milton’s Rejection of God as King. [8] Newark: U of Delaware P; London: Associated University Presses, 2004. Peter C. Herman, San Diego State University.
• Stock, Brian. After Augustine: The Meditative Reader and the Text. [9] Philadelphia: U of Pennsylvania P, 2001. Gary Kuchar, University of Victoria.
• Banerjee, Pompa. Burning Women: Widows, Witches, and Early Modern European Travelers in India. [10] New York: Palgrave Macmillan, 2003. M. G. Aune,  North Dakota State University.
• Lehmann, Courtney, and Lisa S. Starks, eds. The Reel Shakespeare: Alternative Cinema and Theory. [11] Madison and Teaneck, NJ: Fairleigh Dickinson UP; London: Associated UP, 2002. Carolyn Jess, The Queen’s University of Belfast.
• Meads, Chris. Banquets Set Forth: Banqueting in English Renaissance Drama. [12] Manchester:  Manchester UP, 2001. Hillary Nunn, University of Akron.
• Reviewing information, books received for review, and forthcoming reviews.

Theatre Reviews:

• Cambridge Shakespeare, Spring 2004. [13] Reviewed by Michael Grosvenor-Myer.
• The Merchant of Venice by William Shakespeare, performed by Northern Broadsides at the Buxton Opera House, April 2004. [14] Reviewed by Ben Spiller, Sheffield Hallam University.
• Othello, performed by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon, March 2004. [15] Reviewed by Kate Wilkinson, Sheffield Hallam University.
• Paradise Lost, performed at the Bristol Old Vic. [16] Reviewed by Neil Forsyth, University of Lausanne.
  
  

Film Reviews:

• The King Is Alive. Directed by Kristian Levring, Pathé, 2000. [17] Reviewed by Carolyn Jess, The Queen's University of Belfast.
• Scotland, PA. Directed by Billy Morrissette. Lot 47, 2001. [18] Reviewed by Carolyn Jess, The Queen's University of Belfast.

Readers' Forum:

Responses to articles, reviews, and notes appearing in this issue that are intended for the Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.

Responses to this piece intended for the Readers' Forum may be sent to the Editor at M.Steggle@shu.ac.uk.

© 2004-, Matthew Steggle (Editor, EMLS).