Early Modern Literary Studies 16.1 (2012)

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Articles:

• Pious Aeneas, False Aeneas: Marlowe’s Dido, Queen of Carthage and the Gift of Death. Mathew Martin, Brock University. [1]
• The publication of No-body and Some-body: humanism, history and economics in the early Jacobean public theatre. Anthony Archdeacon, Liverpool Hope University. [2]
• Fair Foul and Right Wrong: The Language of Alchemy in Timon of Athens. Anna Feuer, Wolfson College, Oxford. [3]
• England’s Adam: the short career of the Giant Samothes in English Reformation thought. Jack P. Cunningham, Bishop Grosseteste University College, Lincoln. [4]
• Learning to Obey in Milton and Homer. Daniel Shore, Georgetown University. [5]

Reviews:

• John M. Adrian, Local Negotiations of English Nationhood, 1570-1680. Basingstoke: Palgrave Macmillan, 2011. Patrick J. Murray, University of Glasgow. [6]
• David J. Baker. On Demand: Writing for the Market in Early Modern England. Stanford: Stanford UP, 2010. Jonathan P. Lamb, University of Kansas. [7]
• Elizabeth Clarke, Politics, Religion and the Song of Songs in Seventeenth-Century England. Basingstoke: Palgrave Macmillan, 2011. Marie-Louise Coolahan, National University of Ireland, Galway. [8]
• A. D. Cousins and Alison V. Scott, eds. Ben Jonson and the Politics of Genre. Cambridge: Cambridge UP, 2009. Bernadette Andrea, University of Texas, San Antonio. [9]
• Simon C. Estok. Ecocriticism and Shakespeare: Reading Ecophobia. New York: Palgrave Macmillan, 2011. Todd Borlik, Bloomsburg University. [10]
• Jane Kingsley-Smith. Cupid in Early Modern Literature and Culture. New York: Cambridge University Press, 2011. William Junker, University of St. Thomas. [11]
• Kirk Melnikoff, ed., Robert Greene. Burlington, VT: Ashgate, 2011. Jenny Sager, Jesus College, Oxford. [12]

Theatre Reviews:

• Two productions of Dr Faustus on Bankside, presented by Little Goblin Productions at the Rose Theatre, and by Shakespeare’s Globe Theatre, Summer 2011. Neil Forsyth, University of Lausanne. [13]
• Hamlet presented by the Jungle Theater, Minneapolis, Minnesota. 26 August – 9 October, 2011. Bruce E. Brandt South Dakota State University. [14]
• East Anglia Shakespeare, Summer/Autumn 2011. Michael Grosvenor Myer. [15]
• Measure for Measure, Julius Caesar, Henry IV Part Two, Love’s Labor’s Lost, The African Company Presents Richard III, and Ghostlight, presented by the Oregon Shakespeare Festival, February-November 2011. Geoff Ridden, Southern Oregon University. [16]
• Othello presented at the Crucible Theatre, Sheffield, 27th September 2011. Claire Warden, University of Lincoln. [17]
• The Two Noble Kinsmen, King Edward III, and Double Falsehood, presented by Atlanta's New American Shakespeare Tavern (March-June 2011). Joanne E. Gates, Jacksonville State University. [18]
• The Tempest (Stormen), presented by the Royal Dramatic Theatre, Stockholm, November 19, 2010. Neil Forsyth and Anna Swärdh University of Lausanne and University of Karlstad. [19]
• ’Tis Pity She’s A Whore, a rehearsed reading presented at the Samuel Beckett Theatre, Trinity College Dublin. 9th June 2011. Edel Semple, University College Dublin. [20]
  

© 2012-, Annaliese Connolly and Matthew Steggle (Editors, EMLS).