Table of Contents
Articles
| Thomas Nashe and William Cotton: Parallel Letters, Parallel Lives | |
| Katherine Duncan-Jones |
| Giddy Lies the Head that Wears the Crown: Apoplexy and Political Spectacle in 2 Henry IV | |
| Pauline Ellen Reid |
| Why Redistribute? The Jacobean Union Issue and King Lear | |
| Marie O'Connor |
| 'The art of known and feeling sorrows': Rethinking Capitalist Transition, and the Performance of Class Politics, in Shakespeare’s King Lear | |
| Chris J Fitter |
| Heywood, Shakespeare and the Mystery of Troye | |
| Douglas Arrell |
| The ‘Doubling’ Life of John Florio: Revaluating his Influence on Shakespeare’s Style | |
| Joe Falocco |
| Silence, Speech and Gender in Webster's The White Devil: A Presentist Palestinian Perspective | |
| Bilal Tawfiq Hamamra |
| Manifesting the Soul in Andrew Marvell's 'On a Drop of Dew' | |
| Ben Faber |
Book Reviews
| Brian Cummings and Freya Sierhus, eds, Passions and Subjectivity in Early Modern Culture (Farnham: Ashgate, 2013) | |
| Sabina Amanbayeva |
| Mark Hailwood, Alehouses and Good Fellowship in Early Modern England (Woodbridge, Suffolk: The Boydell Press, 2014). | |
| Steven Earnshaw |
| John S. Garrison, Friendship and Queer Theory in the Renaissance (New York: Routledge, 2014) | |
| Jamie M. Jones |
| Lisa Walters, Margaret Cavendish: Gender, Science and Politics (Cambridge: Cambridge University Press, 2014) | |
| Holly Faith Nelson |
| Heidi Brayman Hackel and Ian Frederick Moulton, eds, Teaching Early Modern English Literature from the Archives (New York: MLA, 2015) | |
| Joseph Navitsky |
| R. Chris Hassel, Jr, Shakespeare’s Religious Language: A Dictionary (London: Bloomsbury, 2015) | |
| Chris Ivic |
| Hannah Crawforth, Sarah Dustagheer and Jennifer Young, eds, Shakespeare in London (London: Bloomsbury, 2014) | |
| Philip Major |
Theatre Reviews
| Much Ado About Nothing, Pericles, Antony and Cleopatra, and Head over Heels, presented by the Oregon Shakespeare Festival, February-November 2015 | |
| Geoff Ridden |
| Cymbeline, a film directed by Michael Almereyda (2014) | |
| Justin B. Hopkins |
| Macbeth, presented by the Berkeley Repertory Company at the Berkeley Repertory Theater, Berkeley, California, February 19-April 10, 2016 | |
| Adrienne L. Eastwood |
| Juliet & Romeo (Julia & Romeo), a ballet presented by The Royal Swedish Opera, Stockholm, 24 March and 9 April 2016 | |
| Anna Swardh |
| Cymbeline, presented by the Royal Shakespeare Company at the Royal Shakespeare Theatre, Stratford-upon-Avon, 2016 | |
| Lisa Hopkins |
| A Midsummer Night’s Dream, presented by Shakespeare’s Globe Theatre, London, 2016 | |
| Lisa Hopkins |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1201-2459