Early Modern Literary Studies

Early Modern Literary Studies (ISSN 1201-2459) is a refereed journal serving as a formal arena for scholarly discussion and as an academic resource for researchers in the area. Articles in EMLS examine English literature, literary culture, and language during the sixteenth and seventeenth centuries; responses to published papers are also published as part of a Readers' Forum. Reviews evaluate recent work as well as academic tools of interest to scholars in the field. EMLS is committed to gathering and to maintaining links to the most useful and comprehensive internet resources for Renaissance scholars, including archives, electronic texts, discussion groups, and beyond.

EMLS is published by agreement with, and with the support of, the Humanities Research Centre, Sheffield Hallam University.


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For EMLS content from 1994 to 2012 see http://extra.shu.ac.uk/emls

 

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Vol 19, No 2 (2017)

Table of Contents

Articles

Collaborative Writing and Lyric Interchange in Philip Sidney's Old Arcadia PDF
Margaret Simon
Pragma-Rhetoric and Henry's 'Rabbit-Duck' Effect in Shakespeare's Henry V PDF
Jelena Marelj
‘Sheep-skin-weaver’: Ben Jonson in Thomas Dekker's Satiromastix PDF
P.B. Roberts
‘Virtue perforce is vice’: Ceremonial and Infernal Nuptials in John Marston’s Sophonisba PDF
Adrian Blamires
Keeping Boys and Men: Marvelous Pageboys in Romantic Tragicomedy PDF
Mary Trull
‘Oh, to make boards speak! There is a task’: understanding the iconography of the applied paintings at Bolsover Castle PDF
Crosby Stevens

Review Essays

Roger A. Stritmatter & Lynne Kositsky, On the Date, Sources and Design of Shakespeare’s 'The Tempest' (Jefferson, NC: MacFarland, 2013) PDF
Alden T. Vaughan, Tom Reedy

Book Reviews

Matthew Dimmock, Andrew Hadfield and Paul Quinn, eds, Art, Literature and Religion in Early Modern Sussex: Culture and Conflict (Farnham: Ashgate, 2014) PDF
Philip Major
Eva Griffith, A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (c.1605-1619) (Cambridge: Cambridge University Press, 2013) PDF
Tom Rutter
Stephanie Shirilan, Robert Burton and the Transformative Powers of Melancholy (Farnham: Ashgate, 2015; repr. London: Routledge, 2016) PDF
Jessica Tabak

Books received

Books Received PDF
 

Theatre Reviews

A Tale of Two Twelfth Nights: Twelfth Night presented by University of the Fraser Valley Theater, March 3 – 20 2016, and Trinity Western University Theater, March 29 – April 9 2016 PDF
Aaron Frede
A Midsummer Night’s Dream, presented by the Royal Shakespeare Company and Everyman Theatre at the New Theatre, Cardiff, 28 May 2016 PDF
P.B. Roberts
The Merchant of Venice presented by Shakespeare’s Globe at the Chicago Shakespeare Theatre, Saturday, August 13, 2016 PDF
Bill Gelber
Romeo and Juliet presented by the Kenneth Branagh Theatre Company at the Garrick Theatre, London, UK. May 12-August 13, 2016. PDF
Michael John Collins
Twelfth Night, Hamlet, The Winters’ Tale, Richard II, Timon of Athens, presented by the Oregon Shakespeare Festival, February-November 2016. PDF
Geoff Ridden
The Changeling presented by Shakespeare’s Globe at the Sam Wanamaker Playhouse, London, January 2015 PDF
Nora J. Williams
Timon of Athens, Presented by the Folger Theatre, Washington, D.C., May 9-June 11, 2017 PDF
Justin B. Hopkins
Julius Caesar, performed by Sheffield Theatres at the Crucible Theatre, Sheffield, UK, 24th May 2017 PDF
Caroline Heaton
Two Richard II films, directed by Rupert Goold (2012) and Gregory Doran (2013) PDF
Arlynda Boyer
Review of Cavendish, Woolf, and the Cypriot Goddess Natura by Jim Fitzmaurice, performed at the Centre of Visual Arts and Research, Nicosia, Cyprus PDF
Lisa Walters, Sean Ferrier


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ISSN: 1201-2459