Yorkshire crafts and craftspeople
The David Morgan Rees collection
at Sheffield Hallam University

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Extract from a Journal article by David

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Building
Cutlery
Fabric work
Furniture making
Glasswork
Leather work
Metal work
Stone work
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Miscellaneous

Metal work

Brass band instrument maker
Blacksmith
Farrier
Silversmith

Brass band instrument maker

Roy Wadham, tuba maker Roy Wadman working on the bell of a tuba in the workshop of RS Kitchen Ltd which was founded in 1875 to repair the instruments of brass bands in the North of England. In the early Twentieth century many mills, collieries and factories supported their own brass bands.

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Blacksmith

Because he made almost everything needed for the community for use in the home, on the land or to wage war, the blacksmith was regarded as the king among craftsmen.

George Twiddle, blacksmith George Twiddle, a traditional country Blacksmith at Brigham near Driffield, pictured here standing outside his smithy, which is reputed to be well over 250 years old, with one of his farrows.
Blacksmith and anvil George Twiddle at work on his single ended anvil in his small crowded smithy.

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Farrier

Men who specialised in the shoeing of horses were called farriers, derived from the Latin 'faber farrarius' or 'one skilled in iron work. The blacksmith was the worker in iron, smithing or 'smiting' implements and iron work generally, the farrier made the shoes and shod the horses, whether for working on the land or for riding and hunting.

Phil Dowson, farrier Phil Dowson, the fourth generation of a Kirkbymoorside family to work as a farrier in the Rydale forge, here seen nailing a hind shoe

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Silversmith

Silver production in Sheffield was of the mass produced, poorly designed, but profitable variety until the end of the 19th century. Under the influence of a number of Silversmiths trained at the Sheffield School of art a new, higher standard of work has developed, with the focus on craftsmanship and inspiration.

Jack Spencer, silversmith Jack Spencer, a designer silversmith of Ecclesall Road, Sheffield, uses a double-ended hammer to 'block out' a disc of sterling silver on a silversmith's leather-covered sandbag as the first stage in hand-raising a silver goblet.

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