Table of Contents
Articles
| Collaborative Writing and Lyric Interchange in Philip Sidney's Old Arcadia | |
| Margaret Simon |
| Pragma-Rhetoric and Henry's 'Rabbit-Duck' Effect in Shakespeare's Henry V | |
| Jelena Marelj |
| ‘Sheep-skin-weaver’: Ben Jonson in Thomas Dekker's Satiromastix | |
| P.B. Roberts |
| ‘Virtue perforce is vice’: Ceremonial and Infernal Nuptials in John Marston’s Sophonisba | |
| Adrian Blamires |
| Keeping Boys and Men: Marvelous Pageboys in Romantic Tragicomedy | |
| Mary Trull |
| ‘Oh, to make boards speak! There is a task’: understanding the iconography of the applied paintings at Bolsover Castle | |
| Crosby Stevens |
Review Essays
| Roger A. Stritmatter & Lynne Kositsky, On the Date, Sources and Design of Shakespeare’s 'The Tempest' (Jefferson, NC: MacFarland, 2013) | |
| Alden T. Vaughan, Tom Reedy |
Book Reviews
| Matthew Dimmock, Andrew Hadfield and Paul Quinn, eds, Art, Literature and Religion in Early Modern Sussex: Culture and Conflict (Farnham: Ashgate, 2014) | |
| Philip Major |
| Eva Griffith, A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (c.1605-1619) (Cambridge: Cambridge University Press, 2013) | |
| Tom Rutter |
| Stephanie Shirilan, Robert Burton and the Transformative Powers of Melancholy (Farnham: Ashgate, 2015; repr. London: Routledge, 2016) | |
| Jessica Tabak |
Books received
| Books Received | |
Theatre Reviews
| A Tale of Two Twelfth Nights: Twelfth Night presented by University of the Fraser Valley Theater, March 3 – 20 2016, and Trinity Western University Theater, March 29 – April 9 2016 | |
| Aaron Frede |
| A Midsummer Night’s Dream, presented by the Royal Shakespeare Company and Everyman Theatre at the New Theatre, Cardiff, 28 May 2016 | |
| P.B. Roberts |
| The Merchant of Venice presented by Shakespeare’s Globe at the Chicago Shakespeare Theatre, Saturday, August 13, 2016 | |
| Bill Gelber |
| Romeo and Juliet presented by the Kenneth Branagh Theatre Company at the Garrick Theatre, London, UK. May 12-August 13, 2016. | |
| Michael John Collins |
| Twelfth Night, Hamlet, The Winters’ Tale, Richard II, Timon of Athens, presented by the Oregon Shakespeare Festival, February-November 2016. | |
| Geoff Ridden |
| The Changeling presented by Shakespeare’s Globe at the Sam Wanamaker Playhouse, London, January 2015 | |
| Nora J. Williams |
| Timon of Athens, Presented by the Folger Theatre, Washington, D.C., May 9-June 11, 2017 | |
| Justin B. Hopkins |
| Julius Caesar, performed by Sheffield Theatres at the Crucible Theatre, Sheffield, UK, 24th May 2017 | |
| Caroline Heaton |
| Two Richard II films, directed by Rupert Goold (2012) and Gregory Doran (2013) | |
| Arlynda Boyer |
| Review of Cavendish, Woolf, and the Cypriot Goddess Natura by Jim Fitzmaurice, performed at the Centre of Visual Arts and Research, Nicosia, Cyprus | |
| Lisa Walters, Sean Ferrier |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1201-2459