Early Modern Literary Studies (ISSN 1201-2459) is a refereed journal serving as a formal arena for scholarly discussion and as an academic resource for researchers in the area. Articles in EMLS examine English literature, literary culture, and language during the sixteenth and seventeenth centuries; responses to published papers are also published as part of a Readers' Forum. Reviews evaluate recent work as well as academic tools of interest to scholars in the field. EMLS is committed to gathering and to maintaining links to the most useful and comprehensive internet resources for Renaissance scholars, including archives, electronic texts, discussion groups, and beyond.
EMLS is published by agreement with, and with the support of, the Humanities Research Centre, Sheffield Hallam University.
PLEASE NOTE: We are currently experiencing some issues with our system's registration facility. If you would like to make a submission and do not have a user profile with us, please contact Daniel Cadman on d.cadman@shu.ac.uk.
Issues available:
- Volume 16, Issue 3
- Volume 17, Issue 1
- Volume 17, Issue 2
- Volume 18, Issues 1 & 2
- Volume 19, Issue 1
- Volume 19, Issue 2
- Volume 20, Issue 1
- Volume 20, Issue 2
- Volume 21, Issue 1
Special Issues:
- 22: Communities and Companionship in Early Modern Literature and Culture
- 23: Christopher Marlowe: Identities, Traditions, Afterlives
- 24: Readings of Love and Death
- 25: Rome and Home: The Cultural Uses of Rome in Early Modern English Literature
- 26: John Ford
- 27: European Women in Early Modern Drama
- 28: Early Modern Domestic Tragedy
For EMLS content from 1994 to 2012 see http://extra.shu.ac.uk/emls
- EMLS, Volumes 1 to 16
- EMLS, Special Issues 1-20
- EMLS Text series, Interactive EMLS, and hosted resources
Vol 22, No 1 (2021)
Table of Contents
Articles
| ‘Exchange is no robbery’: Hospitality and Hostility in Robert Greene’s Friar Bacon and John of Bordeaux | |
| Jenny Emma Sager |
| Imaginative Language and the Simile in As You Like It | |
| M Burdick Smith |
| Prodigal Fathers and Virtuous Bastards: The Moral Economy of Inheritance in Richard Brome’s The Demoiselle, or The New Ordinary | |
| Jakob Ladegaard |
| Elevating Thomas Watson: An Investigation into New Authorship Claims | |
| Darren Freebury-Jones |
Book Reviews
| Julie A. Eckerle and Naomi McAreavey, eds, Women's Life Writing and Early Modern Ireland (Lincoln: University of Nebraska Press, 2019) | |
| Caroline Curtis |
| Richmond Barbour, The Loss of the 'Trades Increase': An Early Modern Maritime Catastrophe (Philadelphia: University of Pennsylvania Press, 2021) | |
| Sean Lawrence |
| Natalie Crohn Smith, Performing Commedia dell'Arte, 1570–1630 (Abingdon: Routledge, 2020) | |
| Tom Roberts |
| Christopher Ivic, The Subject of Britain 1603–25 (Manchester: Manchester University Press, 2020) | |
| Margaret Tudeau-Clayton |
| Emma Smith, This is Shakespeare (New York: Random House, 2021) | |
| Mary Hjelm |
| Ceri Sullivan, Shakespeare and the Play Scripts of Private Prayer (Oxford: Oxford University Press, 2020) | |
| Amy Jennings |
| Curtis Perry, Shakespeare and Senecan Tragedy (Cambridge: Cambridge University Press, 2020) | |
| Domenico Lovascio |
| Thomas May, Lucan's Pharsalia (1627), edited by Emma Buckley and Edward Paleit, Tudor and Stuart Translations 18 (Cambridge: Modern Humanities Research Association, 2020) | |
| Maddalena Repetto |
| Nicholas McDowell, Poet of Revolution: The Making of John Milton (Princeton, NJ: Princeton University Press, 2020) | |
| Geoff Ridden |
Books received
| Books Received | |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1201-2459