Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-CenturyEnglish Literature

Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature

- Editorial Group | Submission Information -

Regular Series:

Volume 1: 1.1 (April, 1995) | 1.2 (August, 1995) | 1.3 (December, 1995)
Volume 2: 2.1 (April, 1996) | 2.2 (August, 1996) | 2.3 (December, 1996)
Volume 3: 3.1 (May, 1997) | 3.2 (September, 1997) | 3.3 (January, 1998)
Volume 4: 4.1 (May, 1998) | 4.2 (September, 1998) | 4.3 (January, 1999)
Volume 5: 5.1 (May, 1999) | 5.2 (September, 1999) | 5.3 (January, 2000)
Volume 6: 6.1 (May, 2000) | 6.2 (September, 2000) | 6.3 (January, 2001)
Volume 7: 7.1 (May, 2001) | 7.2 (September, 2001) | 7.3 (January, 2002)
Volume 8: 8.1 (May, 2002) | 8.2 (September, 2002) | 8.3 (January, 2003)
Volume 9: 9.1 (May, 2003) | 9.2 (September, 2003) | 9.3 (January, 2004)
Volume 10: 10.1 (May, 2004) | 10.2 (September, 2004) |10.3 (January, 2005)
Volume 11: 11.1 (May, 2005) | 11.2 (September, 2005) |11.3 (January, 2006)
Volume 12: 12.1 (May, 2006) | 12.2 (September, 2006) | 12.3 (January, 2007)
Volume 13: 13.1 (May, 2007) | 13.2 (September, 2007) | 13.3 (January, 2008)
Volume 14: 14.1 (May, 2008) | 14.2 (September, 2008) | 14.3 (January, 2009)
Volume 15: 15.1 (2009-10) | 15.2 (2010-11) | 15.3 (2011)
Volume 16: 16.1 (2012) | 16.2 (2012)

Special Issue Series:

Number 1: New Scholarship from Old Renaissance Dictionaries: Applications of the Early Modern English Dictionaries Database. Ian Lancashire and Michael Best, eds. (April, 1997).
Number 2: The Internet Shakespeare: Opportunities in a New Medium. Michael Best, ed. (January, 1998).
Number 3: Literature and Geography. Richard Helgerson and Joanne Woolway Grenfell, eds. (September, 1998).
Number 4: Renaissance Literary Studies and Humanities Computing. R.G. Siemens and David R. Shore, eds. (January, 2000).
Number 5: Shakespeare on Screen. Michael Best, Lisa Hopkins and R.G.Siemens, eds. (May, 2000).
Number 6: Women Writers. Lisa Hopkins, ed. (January, 2001).
Number 7: Wrestling with God: Literature and Theology in the English Renaissance, Essays to Honour Paul Grant Stanwood. Mary Ellen Henley and W.Speed Hill, with R.G.Siemens, eds. (May, 2001).
Number 8: Listening to the Early Modern. Matthew Steggle, ed. (May, 2001).
Number 9: Constructions of the Early Modern Subject. Paul Dyck and Matthew Martin, eds. (January, 2002).
Number 10: Gold on the Early Modern Stage. Lisa Hopkins, ed.
Number 11: Middleton. Lisa Hopkins and Matthew Martin, eds.
Number 12: Monitoring Electronic Shakespeares. Michael Best and Eric Rasmussen, eds.
Number 13: Computer modelling of performance spaces. Gabriel Egan, ed.
Number 14: Essays from the Fifth Biennial International Margaret Cavendish Conference. Lisa Hopkins, Emma Rees, and Gweno Williams, eds.
Number 15: Court culture 1642-1660. Jerome de Groot and Peter Sillitoe, eds.
Number 16: The Long 1590s. Annaliese Connolly and Lisa Hopkins, eds.
Number 17: Bringing Text Alive: The Future of Scholarship, Pedagogy, and Electronic Publication. Shawn Martin, ed.
Number 18: George Gascoigne. Stephen Hamrick, ed.
Number 19: Embodying Shakespeare. David McInnis and Brett D. Hirsch, eds.
Number 20: Emblem Digitization: Conducting Digital Research with Renaissance Texts and Images. Mara R. Wade, ed.
Number 21: Shakespearean Configurations. Jean-Christophe Mayer, William H. Sherman, Stuart Sillars and Margaret Vasileiou, eds.

EMLS (ISSN 1201-2459) is published by agreement with, and with the support of, the Humanities Research Centre, Sheffield Hallam University. EMLS is indexed by the MLA International Bibliography, the Modern Humanities Research Association's Annual Bibliography of English Language and Literature (ABELL), and is linked to from the resource pages of scholarly journals, libraries, educational institutions, and others worldwide.
EMLS does not appear in print form, but can be obtained free of charge in hypertext format at
http://purl.oclc.org/emls/emlshome.html

The EMLS site is mirrored at the University of Toronto . EMLS is a participant in the National Library of Canada's Electronic Publications Pilot Project, where it is also archived; it is also archived by the Committee on Institutional Cooperation (CIC) Electronic Journals Collection
and Stanford University's LOCKSS program.

Articles (Alphabetical, by Author)

Abrams, Richard, University of Southern Maine. Meet the Peters. [8.2 / Special Issue 10]

Acheson, Katherine O., University of Waterloo. "Outrage your face": Anti-Theatricality and Gender in Early Modern Closet Drama by Women. [6.3/ Special Issue 6]

Akkerman, Nadine N.W., Vrije Universiteit Amsterdam, and Marguérite Corporaal, University of Groningen. Mad Science Beyond Flattery: The Correspondence of Margaret Cavendish and Constantijn Huygens. [Special Issue 14]

Rayne Allinson, (Magdalen College, Oxford) "'These latter days of the world': the Correspondence of Elizabeth I and James VI, 1590-1603". [Special Issue 16]

Kristine J. Anderson, Purdue University Libraries. Doing Translation History in EEBO and ECCO.

Appelbaum, Robert, University of Cincinnati. Anti-geography. [4.2 / Special Issue 3]

Anthony Archdeacon, Liverpool Hope University. The publication of No-body and Some-body: humanism, history and economics in the early Jacobean public theatre. [16.1]

Ardolino, Frank, University of Hawaii. The Influence of Spenser's Faerie Queene on Kyd's Spanish Tragedy. [7.3]

John Astington (University of Toronto). Actors and the Court after 1642. [Special Issue 15]

Aune, M. G., North Dakota State University. Elephants, Englishmen and India: Early Modern Travel Writing and the Pre-Colonial Moment. [11.1]

Gillian Austen, University of Bristol. Self-portraits and Self-presentation in the Work of George Gascoigne. [Special Issue 18]

‘Enamoured of thy parts:’ Dismemberment and Domesticity in Romeo and Juliet. [10] Ariane M. Balizet (Texas Christian University).

Barker, Roberta, and David Nicol, Dalhousie University. Does Beatrice Joanna Have a Subtext?: The Changeling on the London Stage. [10.1]

Barker, William, Memorial University, and Mark Feltham, University of Western Ontario. The Web and the Book: The Memorial Electronic Edition of Andrea Alciato's Book of Emblems. [5.3 / Special Issue 4]

Barton, Carol, Averett College. "In this dark world and wide": Samson Agonistes and the Meaning of Christian Heroism. [5.2]

Barton, Carol, Averett College. "To stand upright will ask thee skill": The Pinnacle and the Paradigm [6.2]

Benet, Diana Treviño, New York University. "Witness this Booke, (thy Embleme)": Donne's Holy Sonnets and Biography. [Special Issue 7]

Benkert, Lysbeth, Northern State University. Translation as Image-Making: Elizabeth I's Translation of Boethius's Consolation of Philosophy. [6.3/ Special Issue 6]

Bennett, Alexandra G., Northern Illinois University. Happy Families and Learned Ladies:Margaret Cavendish, William Cavendish, and their onstage academy debate. [Special Issue 14]

Bennett, Alexandra G., Northern Illinois University. “Now let my language speake”: The Authorship, Rewriting, and Audience(s) of Jane Cavendish and Elizabeth Brackley. [11.2]

Best, Michael, University of Victoria, BC. Afterword: Dressing Old Words New [The Internet Shakespeare: Opportunities in a New Medium]. [3.3 / Special Issue 2]

Best, Michael, University of Victoria, BC. Foreword. The Internet Shakespeare: Opportunities in a New Medium. [3.3 / Special Issue 2]

Best, Michael, University of Victoria, BC. From Book to Screen: A Window on Renaissance Electronic Texts.[1.2]

Best, Michael, University of Victoria, and Ian Lancashire, University of Toronto. New Scholarship from Old Renaissance Dictionaries Applications of the Early Modern English Dictionaries Database. Editorial Preface. [Special Issue 1]

Marcie Bianco (Rutgers University). "To Sodomize a Nation: Edward II, Ireland, and the Threat of Penetration ". [Special Issue 16]

Billing, Christian, University of Hull. Modelling the anatomy theatre and the indoor hall theatre: Dissection on the stages of early modern London. [Special Issue 13]

Binda, Hilary J., Tufts University. Hell and Hypertext Hath No Limits: Electronic Texts and the Crises in Criticism. [5.3 / Special Issue 4]

We've Come a Long Way: French Emblems on the Internet. [4] Elizabeth Black, Old Dominion University, Virginia.

Blamires, Adrian. "Homoerotic Pleasure and Violence in the Drama of Thomas Middleton". EMLS 16.2 (2012): 3. URL: http://purl.org/emls/16-2/blammidd.htm

Blissett, William C., University College, University of Toronto. "The strangest pageant, fashion'd like a court": John Donne and Ben Jonson to 1600 -- Parallel Lives. [Special Issue 7]

“Every word doth almost tell my name”: Ambiguity, Authority, and Authenticity in Shakespeare’s Dramatic Letters. Matthew Bolton, Ohio State University.

Booth, Roy, Royal Holloway. Hero’s Afterlife: Hero and Leander and ‘lewd unmannerly verse’ in the late Seventeenth Century. [12.3]

Witchcraft, flight and the early modern English stage. [3] Roy Booth, Royal Holloway University of London.

Booty, John E., Episcopal Church, USA. The Core of Elizabethan Religion. [Special Issue 7]

Bowen, William R., University of Toronto. Iter: Where Does the Path Lead? [5.3 / Special Issue 4]

Bowers, Rick, University of Alberta. Comedy, Carnival, and Class: A Chaste Maid in Cheapside. [8.3 / Special Issue 11]

Bridge, G. Richmond, St. Paul's Episcopal Church, New Smyrna Beach, Florida. Trumpet Vibrations: Theological Reflections on Donne's Doomsday Sonnet. [Special Issue 7]

Karen Britland (Keele University). 'Tyer'd in her Banish'd dress': Henrietta Maria in exile. [Special Issue 15]

Bromley, James M., Loyola University, Chicago. Intimacy and the Body in Seventeenth-Century Religious Devotion. [11.1]

Brunning, Alizon, University of Central Lancashire."In his gold I shine": Jacobean Comedy and the art of the mediating trickster. [8.2 / Special Issue 10]

Brunning, Alizon, University of Central Lancashire. Jonson's Romish Foxe: Anti-Catholic Discourse in Volpone. [6.2]

Brunning, Alizon, University of Central Lancashire. "O, how my offences wrestle with my repentance!": The Protestant Poetics of Redemption in Thomas Middleton's A Chaste Maid in Cheapside. [8.3 / Special Issue 11]

Bruster, Douglas, University of Texas at Austin. Critical Subjects. [Special Issue 9]

Buick, Stephen, University of Toronto. "That purpose which is plain and easy to be understood": Using the Computer Database of Early Modern English Dictionaries to Resolve Problems in a Critical Edition of The Second Tome of Homilies (1563). [Special Issue 1]

Burgess, Irene, Wheeling Jesuit University. "The Wreck of Order" in Early Modern Women's Drama. [6.3/ Special Issue 6]

Burke, Victoria, University of Ottowa. Ann Bowyer's Commonplace Book (Bodleian Library Ashmole MS 51): Reading and Writing Among the "Middling Sort". [6.3/ Special Issue 6]

Bushnell, Rebecca, University of Pennsylvania. Reinventing Rare Books: The "Virtual Furness Shakespeare Library" at the University of Pennsylvania. [5.3 / Special Issue 4]

Carey-Webb, Allen, Western Michigan University. National and Colonial Education in Shakespeare's The Tempest. [5.1]

Carlson, David R., University of Ottawa. Skelton and Barclay, Medieval and Modern. [1.1]

Carson, Christie, Royal Holloway University of London. A report on Virtual Reality (VR) in theatre history research: Creating a spatial context for performance. [Special Issue 13]

Carter, Sarah, Warwick University.From the ridiculous to the sublime: Ovidian and Neoplatonic registers in A Midsummer Night’s Dream. [12.1]

Charles Cathcart, The Open University. Old Plays and the General Reader: an Essay in Praise of the Regents Renaissance Drama Series. [14.3]

Catt, Mark, University of Toronto. Renaissance Dictionaries and Shakespeare's Language: A Study of Word-meaning in Troilus and Cressida. [Special Issue 1]

Tyrant, Thy Name is King: The Tragedy of Tiberius and Neo-Stoic Taciteanism. [9] Iclal Cetin, State University of New York Fredonia.

‘A nature but infected’: Plague and Embodied Transformation in Timon of Athens. [9] Darryl Chalk (University of Southern Queensland). [Special Issue 19]

Iago and Equivocation: The Seduction and Damnation of Othello. R. M. Christofides, Independent Scholar.

Jennifer Clement, Vanderbilt University. The Queen’s Voice: Elizabeth I’s Christian Prayers and Meditations. [13.3]

Library Workflows to Provide Emblem-Level Descriptions and Access. [8] Timothy W. Cole and Myung-Ja Han, University of Illinois at Urbana-Champaign.

Connolly, Annaliese, Sheffield Hallam University. O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire. [8.2 / Special Issue 10]

Connolly, Annaliese, Sheffield Hallam University. "Peele's David and Bethsabe: Reconsidering Biblical Drama of the Long 1590s " [Special Issue 16]

Cook, Patrick J., George Washington University. Beggary/Buggery and Oedipal Conflict in Thomas Middleton’s The Phoenix. [12.2]

Cormack, Lesley, University of Alberta. Britannia Rules the Waves?: Images of Empire in Elizabethan England. [ 4.2 / Special Issue 3]

Corporaal, Marguérite, University of Groningen. An Empowering Wit and an "Unnatural" Tragedy: Margaret Cavendish's Representation of the Tragic Female Voice. [Special Issue 14]

Corporaal, Marguérite, University of Leiden, the Netherlands. Love, Death and Resurrection in Tragicomedies by Seventeenth-Century English Women Dramatists. [12.1]

Cousins A. D., and R. J. Webb, Macquarie University.Appropriating and Attributing the Supernatural in the Early Modern Country House Poem. [11.2]

Cox, Nick, Leeds Metropolitan University. "Subjected thus": Plague and Panopticism in Richard II. [6.2]

Craig, Hugh. University of Newcastle, New South Wales. Common-words frequencies, Shakespeare's style, and the Elegy by W. S. [8.1]

Style, statistics, and new models of authorship. Hugh Craig, University of Newcastle.

Stefania Crowther, University of London; Ethan Jordan, Michigan Technological University; Jacqueline Wernimont, Brown University; and Hillary Nunn, University of Akron. New Scholarship, New Pedagogies: Views from the 'EEBO Generation'.

Jack P. Cunningham, Bishop Grosseteste University College, Lincoln. England’s Adam: the short career of the Giant Samothes in English Reformation thought. [16.1]

Curran, Kevin, McGill University. Virtual Scholarship: Navigating Early Modern Studies on the World Wide Web. [12.1]

Davidson, Mary Catherine, University of Toronto. Did Shakespeare Consciously Use Archaic English? [Special Issue 1]

Dawson, Lesel, University of Bristol. "New Sects of Love": Neoplatonism and Constructions of Gender in Davenant's The Temple of Love and The Platonick Lovers. [8.1]

Dell, Jessica. "Divided They Fall: (De)constructing the Triple Hecate in Spenser's Cantos of Mutabilitie". EMLS 16.2 (2012): 1. URL: http://purl.org/emls/16-2/dellfaer.htm

Dickson, Lisa, University of North British Columbia. The Prince of Rays: Spectacular Invisibility in Spenser's The Faerie Queene. [12.2]

DiMatteo, Anthony, New York Institute of Technology. Shakespeare and the Public Discourse of Sovereignty: “Reason of State” in Hamlet. [10.2]

Doerksen, Daniel W., University of New Brunswick. Milton and the Jacobean Church of England. [1.1]

Dooley, Mark, University of Teesside. The Healthy Body: Desire and Sustenance in John Lyly's Love's Metamorphosis. [6.2]

Dorval, Patricia, Université Paul Valéry. Shakespeare on Screen: Threshold Aesthetics in Oliver Parker's Othello. [6.1 / Special Issue 5]

Downs-Gamble, Margaret, Virginia Tech. New Pleasures Prove: Evidence of Dialectical Disputatio in Early Modern Manuscript Culture. [2.2]

Duncan, Helga, Stonehill College.“Headdie Ryots” as Reformations: Marlowe’s Libertine Poetics. [12.2]

Andy Duxfield (Sheffield Hallam University). "'Resolve me of all ambiguities': Doctor Faustus and the Failure to Unify". [Special Issue 16]

Dyck, Paul, University of Alberta, and R.G. Siemens, Malaspina University College; Jennifer Lewin, Yale University, and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities. [5.3 / Special Issue 4]

The Rumbling Belly Politic: Metaphorical Location and Metaphorical Government in Coriolanus. [2] Nate Eastman, Lehigh University.

Edwards, Jess, London Metropolitan University. How to Read an Early Modern Map: Between the Particular and the General, the Material and the Abstract, Words and Mathematics [9.1]

Egan, Gabriel, Shakespeare's Globe and King's College London. The 1599 Globe and its modern replica: Virtual Reality modelling of the archaeological and pictorial evidence. [Special Issue 13]

Coriolanus and the Paradox of Place. Doug Eskew, Colorado State University–Pueblo.

Evans, Robert C., Auburn University Montgomery. Jonson's Stoic Politics: Lipsius, the Greeks, and the "Speach According to Horace." [4.1]

Feerick, Jean E., Brown University. Tragicomic Transformations: Passion, Politics, and the ‘Art to Turn’ in Fletcher’s The Island Princess. [Special Issue 19]

Feltham, Mark, University of Western Ontario, and William Barker, Memorial University. The Web and the Book: The Memorial Electronic Edition of Andrea Alciato's Book of Emblems. [5.3 / Special Issue 4]

Extra-illustrating Shakespeare. [8] Lori Anne Ferrell (Claremont University)

Anna Feuer, Wolfson College, Oxford. Fair Foul and Right Wrong: The Language of Alchemy in Timon of Athens.

Findlay, Alison, University of Lancaster. "I hate such an old-fashioned House": Margaret Cavendish and the search for home. [Special Issue 14]

Finn, Patrick, St. Mary's College, Calgary. @ the Table of the Great: Hospitable Editing and the Internet Shakespeare Editions Project. [9.3 / Special Issue 12]

Fisher, Joshua B., Wingate University."He is turned a ballad-maker": Broadside Appropriations in Early Modern England. [9.2]

Fitter, Chris, Rutgers University, Camden. The Poetic Nocturne: From Ancient Motif to Renaissance Genre. [3.2]

Fitter, Chris, Rutgers University. Historicising Shakespeare’s Richard II: Current Events, Dating, and the Sabotage of Essex. [11.2]

Fitzmaurice, James, Northern Arizona University. The Intellectual and Literary Courtship of Margaret Cavendish. [Special Issue 14]

Fitzpatrick, Tim, University of Sydney. Reconstructing Shakespeare's second Globe using 'Computer Aided Design' (CAD) tools. [Special Issue 13]

Hamlet, the Pirate’s Son. [12] Mary Floyd-Wilson (The University of North Carolina at Chapel Hill). [Special Issue 19]

Forsyth, Jennifer C., Oregon State University. Playing with Wench-like Words: Copia and Surplus in the Internet Shakespeare Edition of Cymbeline. [9.3 / Special Issue 12]

Foster, Donald, Vassar College. A Romance of Electronic Scholarship; with the True and Lamentable Tragedies of Hamlet, Prince of Denmark. Part 1: The Words. [3.3 / Special Issue 2]

Frassinelli, Pier Paolo, University of the Witwatersrand. Realism, Desire and Reification: Thomas Middleton's A Chaste Maid in Cheapside. [8.3 / Special Issue 11]

Cartography of a queen: race, region and royalty in Cymbeline. [15.2] Samantha Frénée-Hutchins.

Fujinaga, Ichiro, and Susan Forscher Weiss, The Peabody Conservatory. A Study of Early Music on CD-ROM. [5.3 / Special Issue 4]

Fumerton, Patricia, Department of English, University of California, Santa Barbara. Remembering by Dismembering: Databases, Archiving, and The Recollection of Seventeenth-Century Broadside Ballads.

Galey, Alan, University of Toronto.Dizzying the Arithmetic of Memory: Shakespearean Documents as Text, Image, and Code. [9.3 / Special Issue 12]

Edward J. Geisweidt (University of Alabama). Horticulture of the Head: The Vegetable Life of Hair in Early Modern English Thought. [Special Issue 19]

Masculinity and Barbarism in Titus Andronicus. [15-2] Eugene Giddens, Anglia Ruskin University.

Gilbert, Anthony, Lancaster University. Othello, the Baroque, and Religious Mentalities. [7.2]

Gleckman, Jason, Chinese University of Hong Kong. Shakespeare as Poet or Playwright?: The Player’s Speech in Hamlet. [11.3]

Godshalk, W.L., University of Cincinnati. The Texts of Troilus and Cressida. [1.2]

Gooch, Bryan N.S., University of Victoria. Donne and Britten: Holy Sonnets Set to Music. [Special Issue 7]

Sara Gorman, Magdalen College, Oxford. The Theatricality of Transformation: cross-dressing, sexual misdemeanour and gender/sexuality spectra on the Elizabethan stage, Bridewell Hospital Court Records, and the Repertories of the Court of the Aldermen, 1574-1607. [13.3]

Gorton, Lisa, Oxford University. John Donne's Use of Space. [4.2 / Special Issue 3]

“Corpus Electronicum Cano”: Some Implications of Very Large Electronic Emblem Corpora. [2] David Graham, Concordia University, Montreal. [Special Issue 20]

Graham, Jean E., College of New Jersey. "Ay me": Selfishness and Empathy in "Lycidas." [2.3]

Green, Paul D. The Muse of Mount Orgueil: a reading of William Prynne’s poetry [10.2]

Green, Reina, Mount Saint Vincent University. Poisoned Ears and Parental Advice in Hamlet. [11.3]

Grenfell, Joanne Woolway, Oxford University. Significant Spaces in Edmund Spenser's View of the Present State of Ireland. [4.2 / Special Issue 3]

Grenfell, Joanne Woolway, Oriel College, Oxford, and R.G. Siemens, Malaspina University College; Paul Dyck, University of Alberta; Jennifer Lewin, Yale University. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities. [5.3 / Special Issue 4]

Griffin, Andrew, McMaster University. The Banality of History in Troilus and Cressida. [12.2]

Griffiths, Huw, University of Strathclyde. Translated Geographies: Spenser's "Ruins of Time". [4.2 / Special Issue 3]

Gurr, Andrew, University of Reading. Other Accents: Some Problems with Identifying Elizabethan Pronunciation. [ 7.1/ Special Issue 8]

Stephen Guy-Bray (University of British Columbia). "Shakespeare and the Invention of the Heterosexual". [Special Issue 16]

Hatchuel, Sarah, University of Paris IV Sorbonne. Leading the Gaze: From Showing to Telling in Kenneth Branagh's Henry V and Hamlet. [6.1 / Special Issue 5]

Hagen, Tanya, University of Toronto. An English Renaissance Understanding of the Word "Tragedy," 1587-1616. [Special Issue 1]

Hagerman, Anita M., Southwest Missouri State University. "But Worth pretends": Discovering Jonsonian Masque in Lady Mary Wroth's Pamphilia to Amphilanthus. [6.3 / Special Issue 6]

Hale, John K., University of Otago. England as Israel in Milton's Writings. [2.2]

Milton’s Titles. [4] John K. Hale, University of Otago.

Hallett, Nicky, University of Kent at Canterbury. "as if it had nothing belonged to her": the Lives of Catherine Burton (1668 - 1714) as a Discourse on Method in Early Modern Life-writing. [7.3]

Hamlin, William M., Washington State University. Elizabeth Cary's Mariam and the Critique of Pure Reason [9.1]

Hampton-Reeves, Stuart, University of Central Lancashire. Alarums and Defeats: Henry VI on Tour. [5.2]

Hamrick, Stephen, Minnesota State University, Moorhead. "Set in portraiture": George Gascoigne, Queen Elizabeth, and Adapting the Royal Image. [11.1]

Hancock, Brecken Rose, University of New Brunswick.Roman or Revenger? The Definition and Distortion of Masculine Identity in Titus Andronicus. [10.1]

Harrington, Maura Grace, Seton Hall University. Observations upon the Irish Devils: Echoes of Eire in Paradise Lost.[12.3]

Hart, Jonathan, University of Alberta. Public/Private Subjectivity in the Early Modern Period: The Self Colonizing and Colonizing the Self [Special Issue 9]

Elizabeth Heale, University of Reading. The fruits of war: The voice of the soldier in Gascoigne, Rich, and Churchyard. [Special Issue 18]

Heaney, Peter F., Staffordshire University. Petruchio's Horse: Equine and Household Management in The Taming of the Shrew. [4.1]

Heaney, Peter F., Staffordshire University. The Laureate Dunces and the Death of the Panegyric [5.1]

Helgerson, Richard, UC Santa Barbara. Introduction [4.2 / Special Issue 3]

Henley, Mary Ellen, University of British Columbia.Wrestling with God: Introduction [Special Issue 7]

Herendeen, Wyman H., University of Houston. "I launch at paradise and saile toward home": The Progresse of the Soule as Palinode. [Special Issue 7]

Hill, Tracey, Bath Spa University College. "The Cittie is in an uproare": Staging London in The Booke of Sir Thomas More. [11.1]

The Kingdoms of Lear in Tate and Shakespeare: A Restoration Reconfiguration of Archipelagic Kingdoms. [10] Atsuhiko Hirota (University of Kyoto)

Hirsch, Brett D., University of Western Australia. An Italian Werewolf in London: Lycanthropy and The Duchess of Malfi. [11.2]

Hirsch, Brett D., University of Victoria. Counterfeit Professions: Jewish Daughters and the Drama of Failed Conversion in Marlowe’s The Jew of Malta and Shakespeare’s The Merchant of Venice. [Special Issue 19]

Hodgson, M. A., University of British Columbia. Mourning Eve, Mourning Milton in Paradise Lost. [11.1]

Simon Hodson, University of Hull, University of East Anglia. The use of Virtual Research Environments and eScience to enhance use of online resources: the History of Political Discourse VRE Project.

Holmes, Christopher, McGill University. Time for the Plebs in Julius Caesar. [7.2]

Holmesland, Oddvar, Agder University College, Norway. Fighting the Kingdom of Faction in Bell in Campo. [Special Issue 14]

Hope, Jonathan, and Michael Witmore, Strathclyde University and Carnegie Mellon University. The Very Large Textual Object: A Prosthetic Reading of Shakespeare. [9.3 / Special Issue 12]

Hopkins, Lisa, Sheffield Hallam University. A Yorkshire Tragedy and Middleton's Tragic Aesthetic. [8.3 / Special Issue 11]

Hopkins, Lisa, Sheffield Hallam University. "And shall I die, and this unconquered?": Marlowe's Inverted Colonialism. [2.2]

Hopkins, Lisa, Sheffield Hallam University. Crime and Context in The Unnatural Tragedy. [Special Issue 14]

Hopkins, Lisa, Sheffield Hallam University. Orlando and the Golden World: The Old World and the New in As You Like It. [8.2 / Special Issue 10]

Howard, W. Scott, Denver University. Milton’s ‘Divorcive’ Liberties: Ecclesiastical, Domestic or Private, Civil and Cosmological [10.1]

Mark Hutchings (University of Reading). "The 'Turk Phenomenon' and the Repertory of the Late Elizabethan Playhouse". [Special Issue 16]

Thomas M. Izbicki. What Are We to Do About Robert Bellarmine?

Jackson, J.A., Hillsdale College. "On forfeit of your selves, think nothing true": Self-Deception in Ben Jonson’s Epicoene. [10.1]

Jackson, MacDonald P., University of Auckland. Is “Hand D” of Sir Thomas More Shakespeare’s? Thomas Bayes and the Elliott–Valenza Authorship Tests. [12.3]

Deciphering a Date and Determining a Date: Anthony Munday’s John a Kent and John a Cumber and the Original Version of Sir Thomas More. [15.3] MacDonald P. Jackson, University of Auckland.

Jaeger, Kathleen Grant, University of King's College, Halifax. Martyrs or Malignants? Some Nineteenth-century Portrayals of Elizabethan Catholics. [Special Issue 7]

Jenstad, Janelle Day, University of Windsor. "The City Cannot Hold You": Social Conversion in the Goldsmith's Shop. [8.2 / Special Issue 10]

Differing Returns: On History, Bodies and Early Modern Lives. [14] Laurie Johnson (University of Southern Queensland).

“Away, Stand off, I say”: Women’s Appropriations of Restraint and Constraint in The Birth of Merlin and The Devil is an Ass. Sarah E. Johnson, McMaster University.

Johnson, Lee M., University of British Columbia. Renaissance Copresences in Romantic Verse. [Special Issue 7]

Salerio, Solanio, and “all the boys in Venice”. Mark Jones, Trinity Christian College.

Jones, Nicholas R., Oberlin College. Trevor Nunn's Twelfth Night: Contemporary Film and Classic British Theatre. [8.1]

Claire Jowitt (Nottingham Trent University). "'Et in Arcadia Ego': The Politics of Pirates in the Old Arcadia, New Arcadia and Urania". [Special Issue 16]

Kay, Dennis, University of North Carolina, Charlotte. Marlowe, Edward II, and the Cult of Elizabeth. [3.2]

Kay, Magdalena, University of California, Berkeley. The Metaphysical Sonnets of John Donne and Mikolaj Sep Szarzynski: A Comparison. [9.2]

Kelly, Erna, University of Wisconsin, Eau Claire. Playing with Religion: Convents, Cloisters, Martyrdom, and Vows. [Special Issue 14]

Kelly, Philippa, University of New South Wales. Surpassing Glass: Shakespeare's Mirrors. [8.1]

Subject Access Through an Emblem Portal: A Common Standard for Students and Scholars. [5] Thomas Kilton, University of Illinois at Urbana-Champaign.

Klein, Bernhard, University of Dortmund. Partial Views: Shakespeare and the Map of Ireland. [4.2 / Special Issue 3]

Shakespeare in Bundles. [6] Jeffrey Todd Knight (University of Washington)

Koch, Mark, St. Mary's College. Ruling the World: The Cartographic Gaze in Elizabethan Accounts of the New World. [4.2 / Special Issue 3]

Kuchar, Gary McMaster University. Narrative and the Forms of Desire in Shakespeare's Venus and Adonis. [5.2]

Kevin Laam, Oakland University. ‘Lyke Chaucers boye’: Poetry and Penitence in Gascoigne’s Grief of Joye. [Special Issue 18]

Mythological Reconfigurations on the Contemporary Stage: Giving a New Voice to Philomela in Titus Andronicus. [11] Agnès Lafont (University of Montpellier)

Lakowski, Romuald I., University of British Columbia. Utopia and the 'Pacific Rim': the Cartographical Evidence. [5.2]

Lancashire, Anne, University of Toronto. What Do the Users Really Want? [3.3 / Special Issue 2]

Lancashire, Ian, University of Toronto. The Common Reader's Shakespeare. [3.3 / Special Issue 2]

Lancashire, Ian, University of Toronto. The Theory and Practice of Lexicons of Early Modern English. [Special Issue 17]

Lancashire, Ian, University of Toronto, and Michael Best, University of Victoria. New Scholarship from Old Renaissance Dictionaries Applications of the Early Modern English Dictionaries Database. Editorial Preface. [Special Issue 1]

Lancashire, Ian, University of Toronto. Understanding Shakespeare's Titus Andronicus and the EMEDD. [Special Issue 1]

Landau, Aaron, Ben-Gurion University of the Negev. "I Live With Bread Like You": Forms of Inclusion in Richard II. [11.1]

Social and political satire in the impotency poems of Rémy Belleau and Thomas Nashe. [15.3] Hannah Lavery, The Open University.

Leahy, Wililam, Brunel University. Propaganda or a Record of Events? Richard Mulcaster's The Passage Of Our Most Drad Soveraigne Lady Quene Elyzabeth Through The Citie Of London Westminster The Daye Before Her Coronacion. [9.1]

“Counterfeiting Mandarins”: Early Modern English Marginality/ia in Western Encounters with China. [15-2] Adele Lee, Queen's University, Belfast.

Lehmann, Courtney, University of the Pacific, with Lisa S. Starks, University of South Florida. Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet. [6.1 / Special Issue 5]

Leonidas, Eric, Central Connecticut State University. The School of the World: Trading on Wit in Middleton’s Trick to Catch the Old One. [12.3]

Lewin, Jennifer, Yale University, and R.G. Siemens, Malaspina University College; Paul Dyck, University of Alberta; Jennifer Lewin, Yale University; and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities. [5.3 / Special Issue 4]

Lucking, David, University of Lecce, Italy. "The price of one fair word": Negotiating Names in Coriolanus. [2.1]

Luxon, Thomas H., Dartmouth College. A Second Daniel: The Jew and the "True Jew" in The Merchant of Venice. [4.3]

Angelina Lynch, University College, Dublin. To ‘truck for trade with darksome things’: Faithful Teate’s ‘Epithalamium’ (1655) and Cromwell’s ‘Western Design’ [14.3]

Antony’s Body. [11] Joyce Green MacDonald (University of Kentucky). [Special Issue 19]

MacInnes, Ian, Albion College. Cheerful Girls and Willing Boys: Old and young bodies in Shakespeare's Sonnets. [6.2]

MacIntyre, Jean, University of Alberta. Production Resources at the Whitefriars Playhouse, 1609-1612. [2.3]

Macintyre, Jean, University of Alberta. The (Self)-Fashioning of Ezekiel Edgworth in Jonson's Bartholomew Fair. [4.3]

Michael Lee Manous (University of California, Riverside). "'You serued God he set you free': Self, Nation, and Celebration in the Wager-Voyaging Adventure of Richard Ferris". [Special Issue 16]

‘O die a rare example’: Beheading the Body on the Jacobean Stage. [8] Fiona Martin (University of Waikato).

Martin, Matthew, University of Alberta."[B]egot between tirewomen and tailors": Commodified Self-Fashioning in Michaelmas Term. [5.1]

Mathew Martin, Brock University. Pious Aeneas, False Aeneas: Marlowe’s Dido, Queen of Carthage and the Gift of Death. [16.1]

Martin, Randall, University of New Brunswick. Isabella Whitney's " Lamentation upon the death of William Gruffith.". [3.1]

Martin, Randall, University of New Brunswick. Taking a Walk on the Wild Side: Henry Goodcole’s Heavens Speedie Hue and Cry Sent After Lust and Murther (1635) and London Criminal Chorography.

Martz, Louis L., Yale University. Donne, Herbert, and the Worm of Controversy. [Special Issue 7]

Marx, Stephen, Cal Poly University. Greenaway's Books. [7.2]

Massai, Sonia, King's College London. Redefining the Role of the Editor for the Electronic Medium: A New Internet Shakespeare Edition of Edward III. [9.3 / Special Issue 12]

Divorcing Kin and Kind: Selective Generosity in A Woman Killed with Kindness. [4] Maya Mathur, University of Mary Washington.

Jennifer Rae McDermott (University of Toronto). Perceiving Shakespeare: A Study of Sight, Sound, and Stage. [Special Issue 19]

The Golden Man and the Golden Age: The Relationship of English Poets and the New World Reconsidered. [1] David McInnis, University of Melbourne.

Mind-Travelling, Ideal Presence and the Imagination in Early Modern England. [7] David McInnis (University of Melbourne).

McRae, Andrew, University of Sydney. "On the Famous Voyage": Ben Jonson and Civic Space.[4.2 / Special Issue 3]

Kirk Melnikoff (University of University of North Carolina at Charlotte). "'[I]ygging vaines' and 'riming mother wits': Marlowe, Clowns and the Early Frameworks of Dramatic Authorship". [Special Issue 16]

Mendelson, Sarah H., McMaster University. Concocting the world's olio: Margaret Cavendish and continental influence. [Special Issue 14]

Shakespeare and the Order of Books. [5] Jean-Christophe Mayer (French National Centre for Scientific Research and University of Montpellier)

Michel, J.Y., Université de Metz. Monuments in Late Elizabethan Literature: A Conservatory of Vanishing Traditions. [9.2]

Mitsi, Efterpi, University of Athens. The ''popular philosopher'': Plato, Poetry, and Food in Tudor Aesthetics. [9.2]

Morton, Peter, Flinders University. Novel Oxfords: Two fictive biographies presenting Edward de Vere as 'Shakespeare'. [5.2]

Mosher, Joyce Devlin, Colorado Mountain College. Female Spectacle as Liberation in Margaret Cavendish's Plays. [11.1]

Configuring the Book. [2] Andrew Murphy (University of St. Andrews) [Special Issue 21]

Difference vs. Change: The Theory of Configuration. [12] Svenn-Arve Myklebost (University of Bergen)

O'Brien, Robert Viking, California State University, Chico. The Madness of Syracusan Antipholus. [2.1]

The Emblem inside the Emblem Book – The Structuring and Indexing of Texts and Images. [7] Andrea Opitz, Herzog August Bibliothek, Wolfenbüttel.

Is There Life After Sex?: Macbeth and Post-Sexuality. [13] Helen Ostovich (McMaster University). [Special Issue 19]

Parkinson, David J., University of Saskatchewan. "The Legend of the Bischop of St. Androis Lyfe" and the Survival of Scottish Poetry. [9.1]

Parry, Graham, University of York. The Devotional Flames of William Austin. [Special Issue 7]

Jason Peacey (University College London). 'Hot and eager in courtship': representations of court life in the parliamentarian press, 1642-9. [Special Issue 15]

Pebworth, Ted-Larry, University of Michigan-Dearborn. John Donne's "Lamentations" and Christopher Fetherstone's Lamentations . . . in prose and meeter (1587). [Special Issue 7]

Peterson, Lesley, University of Alberta. Defects Redressed: Margaret Cavendish Aspires to Motley. [Special Issue 14]

Piette, Adam, University of Glasgow. Performance, Subjectivity and Slander in Hamlet and Much Ado About Nothing. [7.2]

Pittman, L. Monique, Andrews University. A Son Less Than Kind: Iconography, Interpolation,and Masculinity in Branagh’s Hamlet. [11.3]

Plant, Sarah, Macquarie University. "Wise Handling and Faire Governance": Spenser's Female Educators. [7.3]

Powers-Beck, Jeffrey, East Tennessee State University. 'Not Onely a Pastour, but a Lawyer also': George Herbert's Vision of Stuart Magistracy. [1.2]

Price, Bronwen, Portsmouth University. Verse, Voice, and Body: The retirement mode and women's poetry 1680-1723. [12.3]

Razovsky, Helaine, Northwestern State University. Popular Hermeneutics: Monstrous Children in English Renaissance Broadside Ballads. [2.3]

“Have I Caught Thee?”: Cordelia and the Runaway Jesus. [7] Robert W. Reeder, Providence College.

Jennifer Rich, Hofstra University. The Merchant Formerly Known as Jew: Redefining the Rhetoric of Merchantry in Shakespeare’s Merchant of Venice. [13.3]

Reichardt, Dosia, James Cook University, Cairns. Another Look at ‘Amyntor’s Grove’: Pastoral and Patronage in Lovelace’s Poem. [11.3]

Reid, Lindsay Ann. "Beaumont and Fletcher's Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid's Tragedy". EMLS 16.2 (2012): 4. URL: http://purl.org/emls/16-2/reidrhod.htm

“Am I Not an Ass?”: Masochism and Reprobation in The Changeling. [15-2] Gabriel Rieger, Concord University.

Rist, Thomas, University of Aberdeen. Religion, Politics, Revenge: The Dead in Renaissance Drama. [9.1]

Roberts, Caroline, University of Toronto. The Politics of Persuasion: Measure for Measure and Cinthio's Hecatommithi. [7.3]

Robson, Mark, University of Nottingham. Looking with ears, hearing with eyes: Shakespeare and the Ear of the Early Modern. [7.1/ Special Issue 8]

Roebuck, Graham, McMaster University. "This innocent worke": Adam and Eve, John Smith, William Wood and the North American Plantations. [1.1]

Rosenfeld, Nancy, University of Haifa. "That vain Animal": Rochester's Satyr and the Theriophilic Paradox. [9.2]

Roth, Steve. Hamlet as The Christmas Prince: Certain Speculations on Hamlet, the Calendar, Revels, and Misrule. [7.3]

Roth, Steve. Who Knows Who Knows Who’s There? An Epistemology of Hamlet (Or, What Happens in the Mousetrap). [10.2]

Roth-Schwartz, Emma. "Colon and Semi-Colon in Donne's Prose Letters: Practice and Principle. [3.1]

Sanders, Julie, Keele University. "Powdered with Golden Rain": The Myth of Danae in Early Modern Drama. [ 8.2 / Special Issue 10]

Bradley D. Ryner, Arizona State University. Commodity Fetishism in Richard Brome’s A Mad Couple Well Matched and its Sources. [13.3]

Sager, Jenny. "'When dead ones are revived': The Aesthetics of Spectacle in Robert Greene's James IV (c. 1590)". EMLS 16.2 (2012): 2. URL: http://purl.org/emls/16-2/sagejame.htm

Linda Bradley Salamon, George Washington University. Gascoigne’s Globe: The Spoyle of Antwerpe and the Black Legend of Spain. [7]

Julie Sanders (University of Nottingham) and Ann Hughes (Keele University). The Hague Courts of Elizabeth of Bohemia and Mary Stuart: Theatrical and Ceremonial Cultures. [Special Issue 15]

Schneider, Ben Ross, Jr., Lawrence University. King Lear in its Own Time: The Difference that Death Makes. [1.1]

Schille, Candy B. K., Georgia Southern University. "With Honour Quit the Fort": Ambivalent Colonialism in Dryden’s Amboyna. [4]

Schütz, Chantal, Ecole Nationale de la Statistique et de l’Administration Economique, Paris (France). Music at the New Globe. [7.1/ Special Issue 8]

Schwyzer,Philip, UC Berkeley. A Map of Greater Cambria. [4.2 / Special Issue 4]

Scott, Alison, Macquarie University. Marketing Luxury at the New Exchange: Jonson’s Entertainment at Britain’s Burse and the Rhetoric of Wonder. [12.2]

Scott, Gray, University of California, Riverside.Signifying Nothing? A Secondary Analysis of the Claremont Authorship Debates. [12.2]

Searle, Alison, Queen Mary, University of London‘My Souls Anatomiste’: Richard Baxter, Katherine Gell and Letters of the Heart. [12.2]

Shawcross, John T., University of Kentucky. "The Virtue and Discipline" of Wrestling with God [Henry Vaughan and Lord Herbert of Cherbury].[Special Issue 7]

Linda Shenk (Iowa State University) "'To Love and Be Wise': the Earl of Essex, Humanist Court Culture, and England's Learned Queen". [Special Issue 16]

Punctuation as Configuration; Or, How Many Sentences Are There In Sonnet 1? [4] William H. Sherman (University of York, UK)

Daniel Shore, Georgetown University. Learning to Obey in Milton and Homer. [16.1]

Shore, David R., University of Ottawa, and R.G. Siemens, Malaspina University College. Renaissance Literary Studies and Humanities Computing: Introduction. [5.3 / Special Issue 4]

Siegfried, B.R., Brigham Young University. An Apology for Knowledge: Gender and the Hermeneutics of Incarnation in the Works of Aemilia Lanyer and Sor Juana Inés de la Cruz [6.3 / Special Issue 6]

Siegfried, B.R., Brigham Young University. The City of Chance, or, Margaret Cavendish's Theory of Radical Symmetry. [Special Issue 14]

Siemens, R.G., University of Alberta. Disparate Structures, Electronic and Otherwise: Conceptions of Textual Organisation in the Electronic Medium, with Reference to Electronic Editions of Shakespeare and the Internet. [3.3 / Special Issue 2]

Siemens, R.G., Malaspina University College. "I have often such a sickly inclination": Biography and the Critical Interpretation of Donne's Suicide Tract, Biathanatos. [Special Issue 7]

Siemens, R.G., Malaspina University College, and David R. Shore, University of Ottawa. Renaissance Literary Studies and Humanities Computing: Introduction. [5.3 / Special Issue 4]

Siemens, R.G., Malaspina University College, and Paul Dyck, University of Alberta; Jennifer Lewin, Yale University; and Joanne Woolway Grenfell, Oriel College, Oxford. The Janus-Face of Early Modern Literary Studies: Negotiating the Boundaries of Interactivity in an Electronic Journal for the Humanities. [5.3 / Special Issue 4]

Ray Siemens, University of Victoria. Revisiting the Text of the Henry VIII Manuscript (BL Add Ms 31,922): An Extended Note. [14.3]

Poetic Statesmanship and the Politics of Patronage in the Early Tudor Court: Material Concerns of John Skelton’s Early Career as a Critical Context for the Interpretation of The Bowge of Courte. Ray Siemens, University of Victoria.

Thoughts on the Illustrated Edition. [9] Stuart Sillars (University of Bergen)

Simpson, Ken, University College of the Cariboo. The Rituals of Presence in Paradise Regained. [Special Issue 7]

Sloan, LaRue Love, University of Louisiana at Monroe. "Caparisoned like the horse": Tongue and Tail in Shakespeare’s The Taming of the Shrew. [10.2]

“A cypress, not a bosom, hides my heart”: Olivia’s Veiled Conversions. [6] Amy L. Smith, Kalamazoo College, and Elizabeth Hodgson, University of British Columbia.

Smith, Bruce R., Georgetown University. Hearing Green: Logomarginality in Hamlet.[7.1/ Special Issue 8]

Smith, Bruce R., University of Southern California. How Should One Read a Shakespeare Sonnet? [Special Issue 19]

Smith, Emily, Emory University. Genre’s “Phantastical Garb”: The Fashion of Form in Margaret Cavendish’s Natures Pictures Drawn by Fancies Pencil to the Life. [11.3]

Geoffrey Smith (University of Melbourne). 'Long, dangerous and expensive journeys': the grooms of the bedchamber at Charles II's court in exile. [Special Issue 15]

Edith Snook (University of New Brunswick). 'Soveraigne Receipts' and the Politics of Beauty in the The Queens Closet Opened. [Special Issue 15]

Sohmer, Steve, Lincoln College, Oxford. 12 June 1599: Opening Day at Shakespeare's Globe. [3.1]

Sohmer, Steve, Lincoln College, Oxford. Certain Speculations on Hamlet, the Calendar, and Martin Luther. [2.1]

Sohmer, Steve, Lincoln College, Oxford. The Lunar Calendar of Shakespeare's King Lear. [5.2]

Spiller, Ben, University of Warwick. "Today, Vindici Returns": Alex Cox's Revengers Tragedy. [ 8.3 / Special Issue 11]

Spradlin, Derrick, Auburn University. Imperial Anxiety in Thomas Hughes’s The Misfortunes of Arthur. [10.3]

Practical Issues of the Wolfenbüttel Emblem Schema. [6] Thomas Stäcker, Herzog August Bibliothek, Wolfenbüttel.

Stanwood, Paul G., University of British Columbia. Lives of Devotion: The Correspondence of Isaac Basire and Frances Corbett: 1635-1660. [5.1]

"Paradise Lost”: Epic and Opera. [5] P.G. Stanwood, University of British Columbia.

Publishing Shakespeare. [3] Sarah Stanton (Cambridge University Press) [Special Issue 21]

Starks, Lisa S., University of South Florida, with Courtney Lehmann, University of the Pacific. Making Mother Matter: Repression, Revision, and the Stakes of 'Reading Psychoanalysis Into' Kenneth Branagh's Hamlet.[6.1 / Special Issue 5]

Steggle, Matthew, Sheffield Hallam University. Paradise Lost and the Acoustics of Hell. [7.1/ Special Issue 8]

Steggle, Matthew, Sheffield Hallam University.The text and attribution of "Thou who dost all my thoughts employ": a new Moulsworth poem? [6.3 / Special Issue 6 ]

Ceri Sullivan, University of Bangor. The carpe diem topos and the ‘geriatric gaze’ in early modern verse. [14.3]

Sullivan, Garrett, Pennsylvania State University. Civilizing Wales: Cymbeline, Roads and the Landscapes of Early Modern Britain. [4.2 / Special Issue 3]

Updating Folios: Readers’ Reconfigurations and Customisations of Shakespeare. [7] Noriko Sumimoto (Meisei University)

Summers, Claude J., University of Michigan-Dearborn. W[illiam] S[hakespeare]'s A Funeral Elegy and the Donnean Moment. [Special Issue 7]

Tancke, Ulrike, Trier University. (M)others and selves: Identity formation and/in relationship in early modern women’s self-writings. [10.3]

Tashma-Baum, Miri, Tel-Aviv University. A Shroud for the Mind: Ralegh's Poetic Rewriting of the Self. [10.1]

Tate, Joseph, University of Washington. Numme Feete: Meter in Early Modern England. [7.1/ Special Issue 8]

James C.W. Truman, Huntingdon College. The Body in Pain in Early Modern England. [14.3]

van den Berg, Sara, University of Washington, Seattle. Marking his Place: Ben Jonson's Punctuation. [1.3]

van den Berg, Sara, Saint Louis University. Women, Children, and the Rhetoric of Milton’s Divorce Tracts. [10.1]

Vickers, Brian. Approaching Shakespeare's Late Style. [13.3]

Vinovich, J. Michael, University of Toronto. Protocols of Reading: Milton and Biography. [1.3]

Voekel, Swen, Rochester University. Upon the Suddaine View": State, Civil Society and Surveillance in Early Modern England. [4.2 / Special Issue 3]

Showcasing Digital Resources: Emblems and Renaissance Festival Books. [9] Mara R. Wade, University of Illinois at Urbana-Champaign.

Walker, William, University of New South Wales. Human Nature in Republican Tradition and Paradise Lost. [10.1]

Wallraven, Miriam, Tübingen University. "My Spirits long to wander in the Air...": Spirits and Souls in Margaret Cavendish's Fiction between Early Modern Philosophy and Cyber Theory. [Special Issue 14]

Walters, Lisa, The University of Edinburgh. Gender Subversion in the Science of Margaret Cavendish. [Special Issue 14]

Allyna E. Ward, University of Newcastle upon Tyne. ‘If the head be evill the body cannot be good’: Legitimate Rebellion in Gascoigne and Kinwelmershe’s Jocasta. [Special Issue 18]

Ward, Ian, University of Dundee. Shakespeare and the Politics of Community. [4.3]

Warren, Jonathan, University of Toronto. Reflections of an Electronic Scribe: Two Renaissance Dictionaries and Their Implicit Philosophies of Language. [Special Issue 1]

Weiss, Susan Forscher, and Ichiro Fujinaga, The Peabody Conservatory. A Study of Early Music on CD-ROM. [5.3 / Special Issue 4]

Werstine, Paul, University of Western Ontario. Hypertext and Editorial Myth. [3.3 / Special Issue 2]

Whalen, Robert, University of Toronto. "How shall I measure out thy bloud?", or, "Weening is not measure": TACT, Herbert, and Sacramental Devotion in the Electronic Temple. [5.3 / Special Issue 4]

Williams, Andrew P., North Carolina Central University. Shifting Signs: Increase Mather and the Comets of 1680 and 1682. [1.3]

Williams, Andrew P., North Carolina Central University. The Centre of Attention: Theatricality and the Restoration Fop. [4.3]

Winson, Patricia, University of Toronto. "A Double Spirit of Teaching": What Shakespeare's Teachers Teach Us. [Special Issue 1]

Richard Wood (Sheffield Hallam University). "'The representing of so strange a power in love': Philip Sidney's Legacy of Anti-factionalism". [Special Issue 16]

Sam Wood, Manchester Metropolitan University.Where Iago Lies: Home, honesty and the Turk in Othello. [14.3]

Woodbridge, Linda, Pennsylvania State University. Impostors, Monsters, and Spies: What Rogue Literature Can Tell us about Early Modern Subjectivity. [Special Issue 9]

Yachnin, Paul, University of British Columbia. Personations: The Taming of the Shrew and the Limits of Theoretical Criticism. [2.1]

Yim, Sung-Kyun, Sookmyung Women's University. "Thy temperance invincible": Humanism in Book II of The Faerie Queene and Paradise Regained. [9.1]

Digitizing the Emblem. [3] Alan R. Young, Acadia University. [Special Issue 20]

Matthew Zarnowiecki, Auburn University. ‘Nedelesse Singularitie’: George Gascoigne’s Strategies for Preserving Lyric Delight. [Special Issue 18]

Bibliography

Díaz-Fernández, José Ramón, University of Málaga. Shakespeare on Television: A Bibliography of Criticism. [6.1 / Special Issue 5]

Grenfell, Joanne Woolway, Oxford University. A Bibliography of Secondary Texts Relating to Early Modern Literature and Geography. [4.2 / Special Issue 3]

Lakowski, Romuald Ian. A Bibliography of Thomas More's Utopia. [1.2]

Sanford, Rhonda Lemke. Early Modern Cartographic Resources on the World Wide Web. [4.2 / Special Issue 3]

Siemens, R.G. Paul Grant Stanwood: Publications [Special Issue 7]

Wagner, Geraldine, College of the Holy Cross. Romancing Multiplicity: Female Subjectivity and the Body Divisible in Margaret Cavendish's Blazing World. [9.1]

Ziegler, Georgianna, Folger Shakespeare Library. Women Writers Online: An Evaluation and Annotated Bibliography of Web Resources. [6.3 / Special Issue 6]

Notes (Alphabetical, by Author)

Brown, Eric C., Harvard University. Ovid's Rivers and the Naming of Milton's Lycidas.[7.2]

Egan, Gabriel, De Montfort University. Revision of scene 4 of Sir Thomas More as a test of New Bibliographical principles. [6.2]

Egan, Globe Education (Shakespeare's Globe) and King's College, London. Idealist and Materialist Interpretations of BL Harley 7368, the Sir Thomas More Manuscript. [7.2]

Flannagan, Roy, Ohio University. Reflections on Milton and Ariosto. [2.3]

Gilbert, Anthony, Lancaster University. "Unaccommodated man" and his discontents in King Lear: Edmund the Bastard and interrogative puns. [6.2]

Hale, John K., University of Otago, NZ. Milton and the Sexy Seals: A Peephole into the Horton Years. [1.3]

Fitzpatrick, Joan, Shakespeare Institute, Stratford upon Avon. "Corrupt with goodly meede": Munera and Medusa in Book 5 of Spenser's The Faerie Queene. [1.3]

Kahan, Jeffrey. Ambroise Paré's Des Monstres as a Possible Source for Caliban. [3.1]

Kahan, Jeffrey. Reassessing the Use of Doubling in Marston's Antonio and Mellida. [2.2]

MacIntyre, Jean, University of Alberta. Additional to "Production Resources at the Whitefriars Playhouse, 1609-1612" (EMLS 2.3 [December, 1996]: 2.1-35). [3.3]

Moon, Paul, Auckland Institute of Technology, NZ. Blending Popular Culture and Religious Instruction: Herbert's Outlandish Proverbs. [2.1]

Rasmussen, Eric, University of Nevada, Reno. Gilded monuments and living records: A note on critical editions in print and online.[9.3 / Special Issue 12]

Richman, Gerald, Suffolk University. A Third Choice: Adam, Eve, and Abdiel. [9.2]

Sohmer, Steve, Center for Medieval and Renaissance Studies, UCLA. A note on Hamlet's illegitimacy identifying a source of the "dram of eale" speech (Q2 1.4.17-38). [6.3/Special Issue 6]

Stanwood, P.G., University of British Columbia. Affliction and Flight in Herbert's Poetry: A Note. [1.2]

Professional Notes (Alphabetical, by Author)

Burke, Victoria, and Elizabeth Clarke, Nottingham Trent University. The Perdita Project: A Database for Early Modern Women's Manuscript Compilations. [3.2]

Clarke, Elizabeth, and Victoria Burke, Nottingham Trent University. The Perdita Project: A Database for Early Modern Women's Manuscript Compilations. [3.2]

May, Steven W., Georgetown College. The Bibliography and First-Line Index of English Verse, 1559-1603. [1.2]

Albert Rolls, Touro College. An electronic edition of the Calendar of State Papers (Domestic Series) of The Reign of Elizabeth, 1581–1590, 1591–1594, 1601–1603, with Addenda 1547–1565. [13.3]

Seal, Jill, Nottingham Trent University. The Perdita Project--A Winter's Report. [6.3/Special Issue 6]

Smyth, Adam, University of Reading. An Online Index of Poetry in Printed Miscellanies, 1640-1682. [8.1]

Tolva, John, Washington University. The Shepheardes Calender Hypermedia Edition. [1.2]

Waite, Greg (Editor in Chief), University of Otago. A Textbase of Early Tudor English. [1.1]

Wheeler, Michael, Chawton House Library. Chawton House Library: Transforming the Literary Landscape. [6.3/Special Issue 6]

Interviews (Alphabetical, by Interviewee)

Germaine Greer. Interviewed by Joan Fitzpatrick, University College Northampton. [6.3/Special Issue 6]

Russell Jackson. Interviewed by Darren Kerr, De Montfort University, September 1999. [6.1 / Special Issue 5]

Kenneth Rothwell. Interviewed by Darren Kerr, De Montfort University, September 1999. [6.1 / Special Issue 5]

Theatre Reviews (Alphabetical, by Playwright)

Cavendish, Margaret. The Duchess Takes the Stage: An Evening of Margaret Cavendish's Plays in Performance. Alexandra Bennett, Northern Illinois University. [Special Issue 14]

Chapman, Jonson, and Marston. Eastward Ho! by Chapman, Jonson and Marston, performed by the Royal Shakespeare Company at the Swan Theatre, 2002. David Nicol, University of Central England. [8.2/Special Issue 10]

Dekker, Rowley, and Ford. The Witch of Edmonton performed by Enter the Spirit Productions at the Southwark Playhouse, London. David Nicol, University of Central England. [7.1/ Special Issue 8]

Dekker, Rowley, and Ford. The Witch of Edmonton, presented by Red Bull Theater at the Theater at St. Clement’s, New York City, January 29. [15] Bethany Packard, Vanderbilt University.

Fletcher, John. The Tamer Tamed. The Royal Shakespeare Company, directed by Gregory Doran. Chris Hopkins, Sheffield Hallam University. [9.2]

Ford, John. ’Tis Pity She’s A Whore, a rehearsed reading presented at the Samuel Beckett Theatre, Trinity College Dublin. 9th June 2011. Edel Semple, University College Dublin. [16.1]

King Leir, The Famous Victories of Henry V and Friar Bacon and Friar Bungay, staged for the conference "Shakespeare and the Queen's Men" at McMaster University, 24-29 October, 2006. [20] Pamela King, University of Bristol.

Heywood, Thomas. The Taming of the Shrew and Henry IV, Part 2 by William Shakespeare and The Fair Maid of the West by Thomas Heywood, performed by the American Shakespeare Center, Blackfriars Playhouse, Staunton, Virginia. 2 September - 28 November 2010. [12] Kevin Donovan, Middle Tennessee State University.

Marlowe, Christopher. Dido Queen of Carthage presented by the National Theatre at the Cottesloe Theatre, London, March-June 2009. [30]Chris Butler, Sheffield Hallam University.

Marlowe, Christopher. Dr Faustus, by Christopher Marlowe at the Liverpool Playhouse, 4th to 26th February 2005. Chris Hopkins, Sheffield Hallam University. [11.1]

Marlowe, Christopher. Two productions of Dr Faustus on Bankside, presented by Little Goblin Productions at the Rose Theatre, and by Shakespeare’s Globe Theatre, Summer 2011. Neil Forsyth, University of Lausanne. [16.1]

Marlowe, Christopher. Edward II, Shakespeare's Globe. Directed by Timothy Walker. Lisa Hopkins, Sheffield Hallam University. [9.2]

Marlowe, Christopher. Tamburlaine. Presented at the Bristol Old Vic Theatre, October 2005. [16] Reviewed by Siobhan Keenan, De Montfort University.

Massinger, Philip. A New Way to Pay Old Debts, presented by the University of Tampa Department of Speech, Theater and Dance at the David Falk Theater, Tampa, FL, 27-29 March 2009. Lizz Angello, University of South Florida.

Massinger, Philip. Performance and Power: The Roman Actor v. Rose Rage. Roberta Barker, Dalhousie University. [8.2/Special Issue 10]

Middleton, Thomas. Alex Cox's Revengers Tragedy. Jerome de Groot, University College Dublin. [9.1]

Milton, John. Paradise Lost, performed at the Bristol Old Vic. Neil Forsyth, University of Lausanne. [10.1]

Anthony Munday, William Shakespeare and others. Sir Thomas More Royal Shakespeare Company at the Swan Theatre, Stratford-Upon-Avon, May 2005. Chris Hopkins, Sheffield Hallam University. [11.2]

Shakespeare, William. Theatre in ‘Season’: Stratford and the Globe in 2005. Neil Forsyth, University of Lausanne. [11.3]

Shakespeare Spinoffs in Cambridge. Michael Grosvenor Myer. [6.3/ Special Issue 6]

Shakespeare in Cambridge, Lent Term 2001. Michael Grosvenor Myer.[7.1/ Special Issue 8]

AngliaShax Summer 2001. Michael Grosvenor Myer.[7.2]

Camshax Michaelmas 2001. Michael Grosvenor Myer. [7.3]

Camb & Fenland Springshax 2002. Michael Grosvenor Myer.[8.1]

Cambridge, Summer 2002. Michael Grosvenor Myer. [8.2/Special Issue 10]

Cambridge Shakespeare, Michaelmas Term 2002. Michael Grosvenor Myer. [8.3 / Special Issue 11]

Lent Term: Cambridge Drama, 2003. Michael Grosvenor Myer. [9.1]

Shakespeare, Cambridge: Summer 2003. Michael Grosvenor Myer. [9.2]

Cambridge, Autumn 2003. Michael Grosvenor Myer. [9.3 / Special Issue 12]

Cambridge Shakespeare, Spring 2004. Michael Grosvenor-Myer. [10.1]

Cambridge Shakespeare, Summer 2004: Cheek by Jowl's Othello at the Arts Theatre. Michael Grosvenor-Myer. [10.2]

Cambridge Shakespeare, Autumn 2004. Michael Grosvenor-Myer. [10.3]

Cambridge Shakespeare, Etcetera: Spring 2005. Michael Grosvenor Myer. [11.1]

Cambridge Shakespeare: Summer 2005. Michael Grosvenor Myer. [11.2]

Cambridge Shakespeare, Autumn 2005. Michael Grosvenor Myer. [11.3]

Cambridge Shakespeare, Spring 2006. Michael Grosvenor Myer. [12.1]

Cambridge Shakespeare, Summer 2006. Michael Grosvenor Myer. [12.2]

Cambridge, Autumn 2007. Michael Grosvenor Myer. [13.3]

Cambridge, Spring 2008. Michael Grosvenor Myer. [14.1]

Cambridgeshire, Summer 2008. Michael Grosvenor Myer [14.2]

Cambridge Shakespeare, Spring 2009. Michael Grosvenor Myer [14.3]

Cambridge Shakespeare. Michael Grosvenor Myer. [15.2]

Cambridge Lent/Easter Terms 2011. [10] Michael Grosvenor Myer. [15.3]

East Anglia Shakespeare, Summer/Autumn 2011. Michael Grosvenor Myer. [16.1]

Cambridge Shakespeare, 2012. EMLS 16.2 (2012): 12. Michael Grosvenor Myer. URL: http://purl.org/emls/16-2/revmyer.htm

The Shakespeare Summer, 2007. Neil Forsyth, University of Lausanne. [13.1]

Shakespeare, William. All The World's a Stage, sonnets and scenes by Shakespeare and original work by Hal Cobb, Leonard Ford, and Jerry Guenthner. Amy Scott-Douglass, Denison University. [11.1]

Shakespeare, William. Antony and Cleopatra at the Royal Shakespeare Theatre. Lisa Hopkins, Sheffield Hallam University. [8.2/Special Issue 10]

Shakespeare, William. Antony and Cleopatra by William Shakespeare, performed at the Royal Exchange Theatre, Manchester, 29 March 2005. Richard Wood, Sheffield Hallam University. [11.1]

Shakespeare, William. As You Like It, The Swan Theatre, Stratford-upon-Avon. Katherine Wilkinson, Sheffield Hallam University. [9.2]

Shakespeare, William. As You Like It at Nottingham Castle. Katherine Wilkinson, Sheffield Hallam University. [9.2]

Shakespeare, William. As You Like It at the Crucible Theatre, Sheffield. Lisa Hopkins, Sheffield Hallam University. [12.3]

Shakespeare, William. Inside "The Wooden O": Shakespeare's The Comedy of Errors and Julius Caesar at the New Globe. James Fisher, Wabash College. [5.3 / Special Issue 4]

Shakespeare, William. The Comedy of Errors. Presented by Northern Broadsides at the West Yorkshire Playhouse and on tour, February - June 2005. Lisa Hopkins, Sheffield Hallam University. [11.1]

Shakespeare, William. The Comedy of Errors, presented by the Oregon Shakespeare Festival at the Elizabethan Stage/Allen Pavilion in Ashland, Oregon, 15 June- 12 October 2008. Geoff Ridden, Southern Oregon University.

The Comedy of Errors and Richard III, presented by Propeller at the Lyceum Theatre, Sheffield, 19th – 30th January, 2011, and touring. [14] Lisa Hopkins, Sheffield Hallam University.

Shakespeare, William. Coriolanus. Directed by Jonathan Kent at the Gainsborough Studios, Shoreditch, 1 June - 5 August 2000. Lisa Hopkins, Sheffield Hallam University. [6.2]

Shakespeare, William. Coriolanus, directed by David Farr, at The Dukeries, Ollerton and on tour. Katherine Wilkinson, Sheffield Hallam University.[9.1]

Shakespeare, William. Coriolanus, presented by the Oregon Shakespeare Festival at the New Theatre, Ashland, Oregon. [20] Geoff Ridden, University of Winchester.

Shakespeare, William. Two Productions of Cymbeline: The American Shakespeare Center at the Blackfriars Playhouse, Staunton, Virginia; The Alabama Shakespeare Festival, at the Carolyn Blount Theatre, Montgomery, Alabama. [21] Kevin Donovan, Middle Tennessee State University.

Shakespeare, William. Cymbeline, presented by Fiasco Theater and Theatre for a New Audience at the New Victory Theatre, New York City, January 28, 2011. [11] Bethany Packard, Vanderbilt University.

Shakespeare, William. Hamlet at the Young Vic. Roberta Barker, The Shakespeare Institute. [5.2]

Shakespeare, William. Hamlet. Joseph Tate, University of Washington. [7.2]

Shakespeare, William. Hamlet, presented at the Guthrie Theater, Minneapolis, Minnesota, 4 March - 7 May 2006. M. G. Aune, North Dakota State University, and Seth Archer, North Dakota State University. [12.2]

Hamlet, Henry IV Part One, Twelfth Night, The Merchant of Venice, and Throne of Blood, performed by the Oregon Shakespeare Festival, February-October 2010. Geoff Ridden, Southern Oregon University. [20]

Hamlet, presented by Northern Broadsides at the Arts Centre, University of Aberystwyth Arts Centre, Aberystwyth. 9 April 2011. [13] Kevin De Ornellas, University of Ulster.

Shakespeare, William. Hamlet presented by the Jungle Theater, Minneapolis, Minnesota. 26 August – 9 October, 2011. Bruce E. Brandt South Dakota State University. [16.1]

Shakespeare, William. Henry IV Parts I and II, by the Royal Shakespeare Company at the Courtyard Theatre in Stratford-upon-Avon, 17 July 2007-14 March 2008. [13.3] Bill Gelber.

Shakespeare, William. Henry IV at The Peacock Theatre, Dublin. Jerome de Groot, University College Dublin. [8.3 / Special Issue 11]

Shakespeare, William. Henry V. Northern Broadsides, directed by Barrie Rutter. Lisa Hopkins, Sheffield Hallam University. [9.2]

Shakespeare, William. Henry V, by the Royal Shakespeare Company at the Courtyard Theatre in Stratford-upon-Avon, 25 October 2007-14 March 2008. [22] Bill Gelber.

Shakespeare, William. Henry VI: Blood and Roses, adapted from Henry VI parts 1, 2 and 3 by Brian B. Crowe, presented by the Shakespeare Theatre of New Jersey. [17] Rachel Wifall, Saint Peter's College.

Shakespeare, William. Henry VIII, presented by the Colorado Shakespeare Festival at the University Theatre Main Stage, University of Colorado, Boulder. [22] Bill Gelber, Texas Tech University.

Henry VIII, presented by the Oregon Shakespeare Festival at the Elizabethan Stage/Allen Pavilion in Ashland, Oregon, 2 June - 9 October 2009. Geoff Ridden, Southern Oregon University. [18]

Shakespeare, William. Julius Caesar at Shakespeare's Globe. Lisa Hopkins, Sheffield Hallam University. [5.2]

Shakespeare, William. Julius Caesar, presented at the Stratford Shakespeare Festival, Stratford, Ontario, 6 June–17 October 2009. M. G. Aune, California University of Pennsylvania.

Shakespeare, William. Julius Caesar and Antony and Cleopatra, presented by the Shakespeare Theatre Company at Sidney Harman Hall, Washington, D.C. [16] M. G. Aune, California University of Pennsylvania.

Shakespeare, William. King John at the Swan Theatre, Stratford-upon-Avon. Lisa Hopkins, Sheffield Hallam University. [7.3]

Shakespeare, William. Love's Labour's Lost. Lisa Hopkins, Sheffield Hallam University. [7.2]

Shakespeare, William. Macbeth. Northern Broadsides, directed by Barrie Rutter. At the West Yorkshire Playhouse, Leeds, April, 2002. Lisa Hopkins, Sheffield Hallam University. [8.1]

Shakespeare, William. Macbeth, presented by the Royal Exchange Theatre Company at the Royal Exchange Theatre, Manchester, 6 March 2009. Kevin De Ornellas, University of Ulster. [35]

Shakespeare, William. Macbeth, presented by the Oregon Shakespeare Festival at the Angus Bowmer Theatre in Ashland, Oregon, 13 February- 1 November 2009. Geoff Ridden, Southern Oregon University.

Shakespeare, William. Macbeth, Julius Caesar, A Midsummer Night’s Dream and Bartholomew Fair, performed by the Stratford Shakespeare Festival, Stratford, Ontario, June-October 2009. Jonathan Goossen, Dalhousie University.

Shakespeare, William. Measure for Measure, performed by the Royal Shakespeare Company at the Royal Shakespeare Theatre, Summer 2003. Richard Wood, Sheffield Hallam University. [9.3 / Special Issue 12]

Shakespeare, William. Measure for Measure, a co-production of Theatre de Complicite and the National Theatre Company at the Olivier Theatre, Royal National Theatre, London, 2004. Reviewed by David Nicol, Dalhousie University [10.2]

Shakespeare, William. Measure for Measure, presented by the Globe Theatre Company at the Guthrie Theater, Minneapolis, Minnesota, 26 October - 6 November 2005. Reviewed by Kristina Caton, North Dakota State University, and M. G. Aune, North Dakota State University. [11.3]

Measure for Measure, Julius Caesar, Henry IV Part Two, Love’s Labor’s Lost, The African Company Presents Richard III, and Ghostlight, presented by the Oregon Shakespeare Festival, February-November 2011. Geoff Ridden, Southern Oregon University. [16]

Shakespeare, William. A Midsummer Night's Dream, presented by the Oregon Shakespeare Festival at the Angus Bowmer Theatre, Ashland, Oregon. [19] Geoff Ridden, University of Winchester.

A Midsummer Night’s Dream, presented by the Pittsburgh Public Theater at the O’Reilly Theater, Pittsburgh, Pennsylvania, 18 February 2010. M.G.Aune, California University of Pennsylvania. [15]

Much Ado About Nothing and All’s Well That Ends Well, presented by the Oregon Shakespeare Festival, Ashland, Oregon, 4 June - 1 November 2009. Geoff Ridden, Southern Oregon University. [19]

Shakespeare, William. Othello, performed by the Royal Shakespeare Company at the Swan Theatre, Stratford-upon-Avon, March 2004. Kate Wilkinson, Sheffield Hallam University. [10.1]

Shakespeare, William. Othello, presented by Northern Broadsides at Trafalgar Studios, London, 3 October 2009. Kevin De Ornellas, University of Ulster.

Shakespeare, William. Othello presented at the Crucible Theatre, Sheffield, 27th September 2011. Claire Warden, University of Lincoln. [17]

Shakespeare, William. Richard II at the Old Vic theatre, London. 12th November 2005. Katherine Wilkinson, Sheffield Hallam University. [11.3]

Shakespeare, William. Richard III. Directed by Michael Grandage at the Crucible Theatre, Sheffield, 13 March - 6 April, 2002. Annaliese Connolly, Sheffield Hallam University. [8.1]

Richard III, presented by Love & Madness at the Central Theatre, Chatham, Kent, United Kingdom, 17 November 2010. Thomas Larque. [21]

Shakespeare, William. Romeo and Juliet. Presented by the Royal Shakespeare Company at the Royal Shakespeare Theatre, Stratford-upon-Avon. March 26 - October 8, 2004. Kate Wilkinson Sheffield Hallam University. [10.2]

Shakespeare, William. Romeo and Juliet, presented by the Abbey Players at the Abbey Theatre, Dublin. [24] Kevin De Ornellas, University of Ulster.

Shakespeare, William. Romeo and Juliet, presented by Action to the Word at Camden People's Theatre, London, 14-26 February 2012. Thomas Larque. EMLS 16.2 (2012): 10. URL: http://purl.org/emls/16-2/revrom.htm

Shakespeare, William.The Merchant of Venice , performed by Northern Broadsides at the Buxton Opera House, April 2004. Ben Spiller, Sheffield Hallam University. [10.1]

Shakespeare, William. The Merchant of Venice by William Shakespeare. Guthrie Theatre, Minneapolis, Minnesota. 10 March- 6 May, 2007. Bruce E. Brandt, South Dakota State University. [13.3]

Shakespeare, William. The Merry Wives of Windsor performed by Northern Broadsides at the West Yorkshire Playhouse. Lisa Hopkins, Sheffield Hallam University. [7.1/ Special Issue 8]

Shakespeare, William. The Taming of the Shrew at the Nottingham Playhouse, February-March 2002. Chris Hopkins, Sheffield Hallam University. [8.1]

Shakespeare, William. The Taming of the Shrew by the RSC at The Royal Shakespeare Theatre, March- November 2003. Chris Hopkins, Sheffield Hallam University. [9.3 / Special Issue 12]

The Taming of the Shrew, presented by the Chicago Shakespeare Theater, Chicago, Illinois, 23 April 2010. M. G. Aune, Desiree Helterbran and Brandon Zebrowski, California University of Pennsylvania. [16]

Shakespeare, William. The Tempest. Presented by The Crucible Theatre, Sheffield, England. 25 September - 19 October, 2002. Annaliese Connolly, Sheffield Hallam University. [8.3 / Special Issue 11]

Shakespeare William. Review of Shakespeare4Kidz, The Tempest. Thomas Larque, University of Kent. [10.3]

Shakespeare, William. The Tempest, presented by the Love and Madness Ensemble at the Riverside Theatre, Coleraine, County Derry, Ireland. [23] Kevin De Ornellas, University of Ulster.

The Tempest (Stormen), presented by the Royal Dramatic Theatre, Stockholm, November 19, 2010. Neil Forsyth and Anna Swärdh University of Lausanne and University of Karlstad. [16.1]

Shakespeare, William. The Wars of the Roses, based on an adaptation by John Barton of Henry VI, Parts One, Two and Three and Richard III, by William Shakespeare. Alabama Shakespeare Festival. Montgomery, Alabama. Spring 2007. [23] Joanne E. Gates, Jacksonville State University.

Shakespeare, William. Timon of Athens, presented at Shakespeare's Globe Theatre, London, 30 August 2008. Kevin De Ornellas, University of Ulster.

Shakespeare, William. Troilus and Cressida presented at Shakespeare's Globe Theatre, London, 13th August 2009, Julia Daly.

Shakespeare, William. Twelfth Night, performed by the Company of Shakespeare's Globe at the Middle Temple Hall, London, February 2002. David Nicol, University of Central England. [8.1]

Shakespeare, William. Twelfth Night at the Royal Shakespeare Theatre. Kate Wilkinson, Sheffield Hallam University. [11.1]

Shakespeare, William. Twelfth Night, presented by Heartbreak Productions at the Botanical Gardens, Sheffield. Barbara Vesey, Sheffield Hallam University.

Shakespeare, William. Twelfth Night, presented by Bard on the Beach at the Mainstage Tent, Vancouver, Canada. Julie Sutherland Kwantlen, Polytechnic University/Pacific Theatre.

Shakespeare, William. Twelfth Night, presented by the St. Petersburg Little Theatre, St. Petersburg, Florida, June 12-28, 2009. Cameron Hunt McNabb, University of South Florida.

Shakespeare, William. The Two Noble Kinsmen, King Edward III, and Double Falsehood, presented by Atlanta's New American Shakespeare Tavern (March-June 2011). Joanne E. Gates, Jacksonville State University. [18]

Shakespeare, William. The Winter’s Tale, presented by the Bridge Project at the Brooklyn Academy of Music, Brooklyn, New York, February 10-March 7, 2009. Joseph M. Ortiz State University of New York, College at Brockport [14.3]

Shakespeare, William. The Winter’s Tale by William Shakespeare. Guthrie Theater, Minneapolis, Minnesota. 29 January – 27 March, 2011. [14] Bruce E. Brandt, South Dakota State University.

Shakespeare, William. The Winter's Tale, presented by Propeller at the Lyceum Theatre, Sheffield, 31 January - 4 February 2012, and on tour. Lisa Hopkins. EMLS 16.2 (2012): 11. URL: http://purl.org/emls/16-2/revwint.htm

Shakespeare, William. Well-Graced Actors and Their Doubles: Shakespeare in Performance at the Royal Shakespeare Company, March-July 2000. Roberta Barker, Mount Allison University. [6.2]

Shakespeare, William, and Ben Spiller. The Course of True Love. [19] Reviewed by Annaliese Connolly, Sheffield Hallam University.

Webster, John. The Duchess of Malfi. Presented by Apricot Theatre Company on tour to London, York, and the Edinburgh Fringe Festival. 1 July - 30 August 2004. Thomas Larque, University of Kent. [11.3]

The Duchess of Malfi, presented by the Red Bull Theatre at St Clement’s Episcopal Church, New York City February 27 – March 28, 2010. Cameron Hunt McNabb. [17]

Webster, John. The White Devil at the Haymarket Theatre. [12] Annaliese Connolly, Sheffield Hallam University. [5.2]
Film and television reviews (Alphabetical, by Playwright)

Middleton, Thomas. "Today, Vindici Returns": Alex Cox's Revengers Tragedy. Ben Spiller, University of Warwick. [8.3/Special Issue 11]

Shakespeare, William. Hamlet, dir. Michael Almereyda . Ann Thompson, King's College, London. [6.1/Special Issue 5]

Shakespeare, William, King Lear. The King Is Alive. Directed by Kristian Levring, Pathé, 2000. Carolyn Jess, The Queen's University of Belfast. [10.1]

Shakespeare, William. Loves Labours Lost, dir. Kenneth Branagh. Debra Tuckett, Sheffield Hallam University. [6.1/Special Issue 5]

Shakespeare, William, Macbeth. Scotland, PA. Directed by Billy Morrissette. Lot 47, 2001. Carolyn Jess, The Queen's University of Belfast. [10.1]

Shakespeare, William. Othello. Adapted for television by Andrew Davies. Lisa Hopkins, Sheffield Hallam University. [8.1]

Readers' Forum

Cook, Amy E., University of California, San Diego. The Dangers of the New Scarlet S. [10.3]

Egan, Gabriel, De Montfort University. A Response to Paul Werstine, "Hypertext and Editorial Myth". [4.3]

Egan, Gabriel, De Montfort University. How, 'towards the stage?': A Response to Paul Werstine. [5.2]

Fotheringham, Richard, University of Queensland.Response to Jeffrey Kahan's "Reassessing the Use of Doubling in Marston's Antonio and Mellida" (EMLS 2.2 [1996]: 4.1-12). [4.2 / Special Issue 3]

Hopkins, Lisa, Sheffield Hallam University. How far to Milford Haven? A Response to Garrett Sullivan's "Civilizing Wales: Cymbeline, Roads and the Landscape of Early Modern Britain". [5.1]

Kubiak, Anthony, University of California, Irvine. When Symptoms Become Causes. [10.3]

McCallum, Pamela, University of Calgary. Cultural Memory and the Royal Shakespeare Company Productions "This England: The Histories," Winter/Spring 2001: Some Comments on Roberta Barker's "Well-Graced Actors and Their Doubles." [7.3]

Moon, Paul, Auckland Institute of Technology. Puritan Utopia in Herbert's Poetry: A Response to P.G. Stanwood's Affliction and Flight in Herbert's Poetry. [1.3]

Nesvet, Rebecca, University of Gloucestershire. Response to Bryan Reynolds's "Book Review Ethics". [10.3]

Reynolds, Bryan, University of California. Book Review Ethics: A Transversal Perspective Inspired by the Case of Rebecca Nesvet. [10.3]

Segal, Janna, University of California, Irvine.Becoming Editorial: The Transversal Act of Editing Early Modern English Theatrical Literature. [10.3]

Werstine, Paul, University of Western Ontario. A Response to Gabriel Egan. [5.1]

Werstine, Paul, University of Western Ontario. The Two Material Versions of Scene 4 of Sir Thomas More. [6.3]

Werstine, Paul, University of Western Ontario. The Second Material Version of Scene 4 of Sir Thomas More. [7.3]

Forewords and afterwords

Early Modern Literary Studies: An Editor's Prefatory Statement. R.G. Siemens, University of British Columbia. [1.1]

A Brief Look Backward and Forward from EMLS' Second Issue. R.G. Siemens, University of British Columbia. [1.2]

Evolution and Growth in On-line Resources for Early Modern Literary Studies. R.G. Siemens, University of British Columbia. [1.3]

Critical Shakespeare. Joanne Woolway, Oriel College, Oxford. [2.1]

Contructions of the Early Modern Subject: Introduction. Paul Dyck, Canadian Mennonite University and Mathew Martin, Brock University. [Special Issue 9]

Introduction: Middleton. Mathew Martin, Brock University. [8.3/Special Issue 11]

Introduction: A Booth at the Fair. Michael Best, University of Victoria. [9.3/Special Issue 12]

Introduction: Computer modelling of performance spaces. Gabriel Egan, Shakespeare's Globe and King's College London. [Special Issue 13]

Editor's Foreword. Matthew Steggle, Sheffield Hallam University. [11.3]

Introduction: Court culture in the 1640s and 1650s. Jerome de Groot (University of Manchester) and Peter Sillitoe (University of Sheffield). [Special Issue 15]

Preface: The Long 1590s. Annaliese Connolly and Lisa Hopkins (Sheffield Hallam University) [Special Issue 16]

Introduction. Shawn Martin [Special Issue 17].

Introduction: ‘Thus Much I Adventure to Deliver to You’: the Fortunes of George Gascoigne. Stephen Hamrick, Minnesota State University, Moorhead. [Special Issue 18]

Introduction. Mara R. Wade, University of Illinois at Urbana-Champaign. [Special Issue 20]

Shakespearean Configurations: Introduction . [1] Jean-Christophe Mayer (CNRS and University of Montpellier), William H. Sherman (University of York, UK), Stuart Sillars (University of Bergen) [Special Issue 21]

Shakespearean Configurations: Afterword. [13] Dympna Carmel Callaghan (Syracuse University)