Early Modern Literary Studies (ISSN 1201-2459) is a refereed journal serving as a formal arena for scholarly discussion and as an academic resource for researchers in the area. Articles in EMLS examine English literature, literary culture, and language during the sixteenth and seventeenth centuries; responses to published papers are also published as part of a Readers' Forum. Reviews evaluate recent work as well as academic tools of interest to scholars in the field. EMLS is committed to gathering and to maintaining links to the most useful and comprehensive internet resources for Renaissance scholars, including archives, electronic texts, discussion groups, and beyond.
EMLS is published by agreement with, and with the support of, the Humanities Research Centre, Sheffield Hallam University.
Issues available:
Special Issues:
- 22: Communities and Companionship in Early Modern Literature and Culture
- 23: Christopher Marlowe: Identities, Traditions, Afterlives
- 24: Readings of Love and Death
- 25: Rome and Home: The Cultural Uses of Rome in Early Modern English Literature
For EMLS content from 1994 to 2012 see http://extra.shu.ac.uk/emls
- EMLS, Volumes 1 to 16
- EMLS, Special Issues 1-20
- EMLS Text series, Interactive EMLS, and hosted resources
Special Issue 27: European Women in Early Modern Drama (2017)
Table of Contents
Introduction
| Introduction to European Women in Early Modern English Drama | |
| Edel Semple, Ema Vyroubalová |
Articles
| The Danish Romance Play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman | |
| Lisa Hopkins |
| 'She speaks poniards': Shakespearean Drama and the Italianate Leading Lady as Verbal Duellist | |
| Eric Arthur Nicholson |
| 'I cannot speak your England': French Women in King John and Henry V | |
| Elizabeth Pentland |
| Wife, Whore, or Dutchwoman: Shifting Female Roles in The London Prodigal | |
| Marianne Montgomery |
| Intersecting Discourses of Race and Gender in Elizabeth Cary's The Tragedy of Mariam | |
| Evelyn Gajowski |
| 'A Whore You Are, Madam' or, the Binary That Wasn't: Female Dyads and Doubling in John Fletcher's The Chances and Women Pleased | |
| Celia Caputi |
| European Unions: The Spanish Wife and the Scottish Widow in Shakespeare and Fletcher's Henry VIII and Ford's Perkin Warbeck | |
| Steven Veerapen |
Afterword
| Strangeness: Early Modern European Women and the Invention of Whiteness | |
| Sujata Iyengar |
This work is licensed under a Creative Commons Attribution 3.0 License.
ISSN: 1201-2459